Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
8 Cards in this Set
- Front
- Back
|
Franz Shubert: Erlkonig |
Mein Fatha Weird poem with a dad who sings about his dad. Song cycle: same songs about a certain/similar things |
|
|
Romei and Juliet Fantasy-Overture (1880) |
Sonata form. Lot's |
|
|
Dichterliebe Op. 48: Im wundersschönen Monat Mai |
A song where Franz Shubert talks about how hard it is to be a musician etc. "Geshtape"... |
|
|
Robert Schumann : “Eusebius” and “Florestan. |
PIANO Eusebius: Gentle and sensitive side of Schumann. Lot of piano playing..mainly piano, gets louder Florestan: Here he is passionate and outspoken. -- you can tell |
|
|
Chopin - Nocturne in E-flat major |
This is "rubato" playing. = rapid, quick Piano starts much more noises. |
|
|
Hector Berlioz - Symphonie fantastique (1830) - V. Songe d'une nuit du sabbat |
romantic orchestra . Violin's with quick responses. We talked about how it was the first major example of “Program Music,” an instrumental piece that tells a very specific story. He sees himself at a witches’ sabbath, in the midst of a hideous gathering of shades, sorcerers and monsters of every kind who have come together for his funeral. |
|
|
Romantic period |
Looked to emphasize the subjective experience of individuals. Like extreme emotional states that are supernatural. Work of art becomes something like an historical document. |
|
|
Music trends of romantic period |
exhibits an interesting bi-directional trend toward simultaneous largeness and miniaturization. Use of chromatic tones.
|
