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28 Cards in this Set
- Front
- Back
- 3rd side (hint)
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Alleluia O Mediating Branch
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Hildegard von Bingen,
12thc chant (Alleluia) |
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Dies Irae
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Anon.
13th c. chant |
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Viderunt omnes
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Perotin
1198 organum |
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(Summer is come)
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Anon.
c. 1250 secular song (round) |
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Kalenda Maya
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Raimbaut de Vaqueiras
late 12th c. troubadour song (estampie) |
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I must sing
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Beatritz de Dia
late 12th c. troubadour song (canso) |
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Since I am forgotten)
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Guillaume de Machaut
mid-14th c. polyphonic chanson |
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The armed man)
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Anon.
15th c. secular song |
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L’homme armé Mass - Kyrie
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Guillaume Dufay
1460s mass movement |
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Ave Maria… Virgo Serena
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Josquin des Prez
1480s? motet |
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Pope Marcellus Mass, Gloria
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Giovanni da Palestrina
1567 mass movement |
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Mille regretz
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Josquin des Prez
1520 polyphonic chanson |
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The white and sweet swan
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Jacques Arcadelt
1538 madrigal |
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Fair Phyllis
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John Farmer
1599 madrigal |
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Zefiro Torna
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Monteverdi
1632 Madrigal Two male voices with alternating imitation and unison Dramatic disonnances and dancelike |
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You are dead
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Monteverdi
1607 L’Orfeo Male Recitative Opera Very sad and lamenting Has parts of tension and parts of major sounding music |
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Beautiful Eyes
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Barbara Strozzi
1654 Cantata Alternating female voices with light continuo Shift between meter and ametric |
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Dido’s Lament
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Henry Purcell
1689 Dido and Aeneas English Opera |
Recitative with half step movement
Aria is lyrical and in triple meter |
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Eyes, I adore you
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Handel
1724 Julius Caesar Solo soprano aria with instrumental accompaniment Repeated main theme |
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Rejoice Greatly
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Handel
1742 Messiah Oratoio Melismatic soprano solo Orchestra ritornellos that provide unity |
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Chorale fantasia
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Bach
1727 Chorale fantasia Wachet Auf Cantata No. 140 Slow moving chorale in sopranos Bar form of AAB based on structure of melody |
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Unison chorale
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Bach
1727 Chorale Wachet Auf Cantata No. 140 Chorale in melody in tenors Three part counterpoint between vocal, strings and bass |
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Duet
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Bach
1727 Wachet Auf Cantata No. 140 Female and male voice alternate with instrumental accompaniment Immitation between singers |
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Chorale hymn
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Bach
1727 Wachet Auf Cantata No. 140 Homophonic texture Grand chorale entrance and set phrasing |
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Contrapunctus I
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Bach
1750 Art of Fugue Alternation between sublect, answer and episodes Immitation among different parts |
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Courante,
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Bach
1717-‐1721 Suite for Unaccompanied Violincello The song is dancelike in binary form. |
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The Four Seasons: Spring Allegro
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Vivaldi
1725 Programmatic Concerto for Violin Musical portrayals of the program and virtuoso solo violin writing |
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Halleluiah
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Handel
1742 Messiah Oratorio Changes in texture from homophony to monophony to polyphony Passages of immitation and unison between voices and orchestra |
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