Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
22 Cards in this Set
- Front
- Back
|
Hergé Tintin in America and The Blue Lotus (1930s) |
|
|
Dan O’Bannon and Moebius, “The Long Tomorrow” (1977) |
|
|
Osamu Tezuka, Buddha (1970s-’80s) |
|
|
Yuki Urushibara, Mushishi (1990s-2000s) |
|
|
Art Spiegelman, Maus (1986-91) |
|
|
Daniel Clowes, “Caricature” (1995) |
|
|
Lynda Barry, “San Francisco” (2002) |
|
|
Adrian Tomine, “Translated, from the Japanese,” (2013) |
|
|
Peter Milligan and Duncan Fegredo, Enigma (1993) |
|
|
Marjane Satrapi, Persepolis (2000s) |
|
|
Label used by DC/Vertigo since the comic code wasn’t in use. |
Suggested for Mature Readers |
|
|
French comics magazine with adult focus. Sciencefiction, fantasy, erotica. 1970s. |
Metal hurlant/Heavy Metal |
|
|
Executive editor of the Vertigo line. |
Karen Berger |
|
|
MANGA |
irresponsible pictures/pictures in spite ofoneself |
|
|
"God of Manga”. Most influential comic artist inJapan. Buddha. |
Tezuka |
|
|
dead line, clean line, one line width. Popularstyle in France, little hatching, simple. Tintin. |
Ligne Claire |
|
|
Comic hayday. Greatest year for American comics.Maus, Watchmen, Dark Knight Returns are all released. |
1986 |
|
|
Art Spiegelman and Francoise Mouly. Comic anthologymagazine. French. Maus was first printed in here. |
Raw |
|
|
The French artist collective and publishingcompany, involved in publishing Persepolis. |
Le'Association |
|
|
Jean Giraud. Most influential French artist ofhis generation. Gritty. Adult style. Did concept art for some movies. |
Moebius |
|
|
Journal Literature. Maus was the first graphicnovel to win the prize. Allowed comics to be brought more into the broaderculture. |
Pulitzer Prize |
|
|
Will Eisner is the god father of graphic novels,helped set the ball. Coined the term graphic novel. Late 70s. |
Will Eisner/Graphic Novel |
