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41 Cards in this Set
- Front
- Back
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Gustave Courbet. A Burial at Ornans.1849.
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Jean-François Millet. The Gleaners.1857.
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Édouard Manet. Olympia.1863.
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The Penny Sunday Chronicle, “Murder of the Working Classes,” 1842
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Honoré Daumier. Rue Transnonain, Le 15 Avril 1834.
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Department store poster, Au Moine St Martin, 1875
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Claude Monet. Boulevard des Capucines. 1873-4.
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Édouard Manet. A Bar at the Folies-Bergère.1881–1882.
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Georges Seurat, Sunday Afternoon on the Island of the Grande Jatte, 1884-1885.
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Henri de Toulouse-Lautrec. Jane Avril.1893.
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Jackson Pollock, The She-Wolf, 1943.
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Jackson Pollock, Autumn Rhythm, 1950.
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David Smith, The Royal Bird, 1947.
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Norval Morrisseau, Serpent Legend, 1961, tempera and ink on paper
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Timothy O’Sullivan. The Home of the Rebel Sharpshooter: Battle Field at Gettysburg. 1863.
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Eadweard Muybridge, Horse in Motion, ca. 1886
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Frontispiece of Inquiries into Human Faculty and its Development, Francis Galton, 1883
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Plan and cross-section for the Panopticon, Jeremy Bentham, 1791
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Vladimir Tatlin, Monument to the Third International 1919-20
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Sonia Delaunay-Terk. Clothes and Customized Citroën B-12 (Expo 1925 Mannequins Avec Auto)
1925. |
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Ernst Ludwig Kirchner, Street Berlin, 1913.
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Robert Delaunay. Homage to Blériot.1914.
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Cindy Sherman. Untitled Film Still #21. 1978.
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‘The Indians of Canada’ Pavilion, Expo ’67, Montreal, 1967
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Carl Beam, North American Iceberg, 1985.
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Edgar Heap of Birds, Building Minnesota, 1990, mixed media installation/site specific
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Rebecca Belmore, Mawa-Che-Hitoowin: A Gathering of People for Any Purpose, 1992, mixed media
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Jean-Léon Gérôme. The Snake Charmer. 1870.
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Keri Ad remake of Ingres La Grande Odalisque, 2006
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Jean Auguste-Dominique Ingres, La Grande Odalisque, 1814
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William H. Johnson, Jitterbugs, c. 1941.
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Yinka Shonibare, MBE. How to Blow up Two Heads at Once (Ladies). 2006.
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Kara Walker, Darky Town Rebellion, 2001.
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Umberto Boccioni, Unique Forms of Continuity in Space, 1912.
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Francis Picabia, La fille née sans mere, 1916-17.
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Hannah Höch, Cut with a Kitchen Knife Dada through the Last Weimar Beer-Belly Cultural Epoch of
Germany, collage, 1919–1920. |
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Marcel Duchamp, Bottle Rack
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Ferdinand Léger’s Le Ballet mécanique (1924) [Film stills]
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Walter Gropius. Bauhaus Building. 1925–1926.
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Marcel Breuer, Club Chair (Wassily), 1925-7 (nickel-plated tubular steel and canvas).
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Laszlo Moholy-Nagy, Light-Space Modulator. 1923-30.
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