Jazz Final

Front 1

C-Jam blues

Back 1

Ellington certain scale song on c scale that everybody copiedblues notes

Front 2

Blues notes

Back 2

Bb and B in G

Front 3

Blues form

Back 3

Cyclical aab lyrics

Front 4

Break

Back 4

Everything but percussion stops

Front 5

Congo square

Back 5

Site where jazz was founded in New Orleans

Front 6

Counterpoint

Back 6

Conflicting melodies

Front 7

Field holler

Back 7

Origin for blues, diasporac connections

Front 8

Ragtime

Back 8

Piano bouncin jazz (Joplin)

Front 9

Second line

Back 9

People that follow the band for the music in a parade

Front 10

Spanish American war

Back 10

Cuban opens up for musical contributions Latin vibe to jazz

Front 11

Stride

Back 11

Piano style of putting a whole composition on a piano

Front 12

Storyville

Back 12

Red light district founding jazz

Front 13

Clef club

Back 13

High level composers, intermediary for music industry

Front 14

Historiography

Back 14

Writing of history

Front 15

Jazz classique

Back 15

Whitemans appropriative making a lady out of jazz

Hint 15

Jazz

Front 16

Fletcher Henderson

Back 16

Composed for Benny Goodman, focused on the ability of the specific musician

Front 17

Jungle music

Back 17

renewed interest in Africa

Front 18

Mintons

Back 18

Swing club

Front 19

Basie

Back 19

Swing and blues, loves riffs

Front 20

Coleman Hawkins

Back 20

Swing era artist precursor to bebop because of arpeggios

Front 21

Boplicity

Back 21

Davis song, shows jazz fusion, harmonizing

Front 22

Hard bop

Back 22

Overt reconnection to blues and traditional African music on the street, not concert halls. Simplified bebop

Front 23

Contrafact

Back 23

Rhythm changes

Front 24

Lenox School of Jazz

Back 24

Bebop school that helped create avant garde

Front 25

Modal jazZ

Back 25

Using something other than chords to establish harmony (by Davis)

Front 26

George Russell

Back 26

Afro-Cuban and Bebop fusion (Cubano be Cubano bop)

Front 27

So what

Back 27

Davis (modal jazz)

Front 28

Sheets of sound

Back 28

Coltrane thing - many notes in rapid succession to saturate sound

Front 29

Moldy figs

Back 29

Jazz purists from free jazz guys

Front 30

Four on the floor

Back 30

Disco and electronic rhythm

Front 31

Loft scene

Back 31

Avant- grade jazz base

Front 32

AACM

Back 32

Free jazz collective

Front 33

Stop time

Back 33

When the beats continue although you can’t hear them

Front 34

Jump blues

Back 34

Uninteresting mainstream non bebop music

Front 35

America’s Classical Music

Back 35

Non bebop label for traditional jazz

Front 36

Cecil taylor

Back 36

Pianist who plays 88 drums (free jazz)

Front 37

Henry threadgill

Back 37

Free jazz

Front 38

Progression rock

Back 38

Virtuosity in rock, combined for jazz fusion

Front 39

B*s Brew

Back 39

Massively innovative, creates progressive rock

Front 40

Road education

Back 40

Blakey

Front 41

Young lions

Back 41

Non conservative musicians who revive hard bop

Front 42

Neo conservatives and traditionalists

Back 42

Marsalis, the guys who want the old stuff

Front 43

Barreto

Back 43

Against boogaloo but wrote salsa music, post bop

Front 44

Irakere

Back 44

Cuban defections to other countries while on tour

Front 45

Jazz left

Back 45

Non conservative, innovative movement

Front 46

Soul makossa

Back 46

By dibango, samples by MJ

Front 47

Angelique Kidjo

Back 47

French, Yoruba, Benin, musical identity

Front 48

Milano Astatke

Back 48

Ehtiopian ethiojazz

Front 49

Sathima Bea Benjamin

Back 49

Ibrahim’s wife, fled South Africa and made her own music and Ekapa records

Front 50

Ada Bricktop Smith

Back 50

Club owner in Paris who reserved acts for black musicians traveling in europe

Front 51

ECM records

Back 51

Poland

Front 52

Norman Granz

Back 52

Pablo records, straight jazz in fusion era

Front 53

Anouar Brahem

Back 53

Tunisia, brings in Arabic music guitar and tradition