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85 Cards in this Set
- Front
- Back
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Miles Davis |
Trumpet, Modal Jazz |
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The Classic Miles Quintet- Style |
50's main stream & Post Bop |
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Classic Miles Quintet- Members |
Red Garland, Paul Chambers, Philly Joe Jones, Miles, Cannonball &/or John Coltrane |
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Red Garland |
Piano |
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Paul Chambers |
Bass |
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Philly Joe Jones |
Drums |
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Cannonball |
Alto Sax |
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John Coltrane |
Tenor & Soprano sax, Modal Jazz |
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The VSOP group- style |
mid 60's |
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VSOP group- members |
Herbie Hancock, Ron Carter, Tony Williams, Wayne Shorter |
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Herbie Hancock |
piano, hard bop, jazz rock, funk, |
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Ron Carter |
Bass |
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Tony Williams |
Drums |
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Wayne Shorter |
Sax, fusion |
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John Coltrane's 60's Rhythm section |
McCoy Tyner, Jimmy Garrison, Elvin Jones
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McCoy Tyner |
Piano, modal jazz |
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Jimmy Garrison |
Bass |
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Elvin Jones |
Drums |
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Modal Jazz |
Long Improvisations accompanied by one or 2 chords continuously repeating and guided by notes in a scale rather than the chords |
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Sun Ra |
Piano, avant-garde |
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Art Ensemble of Chicago |
Avant-Garde |
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World Saxophone Quartet |
Avant-Garde |
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Dave Holland |
Bass, Avant-Garde |
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Ornette Coleman |
saxophone, free jazz |
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Albert Ayler |
Saxophone, free jazz |
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Cecil Taylor |
Piano, free jazz |
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Eric Dolphy |
Flute, bass, clarinet, alto sax, free jazz |
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Charles Mingus |
bass, free jazz |
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Charlie Haden |
Bass, modal jazz |
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Paradox #1 |
Avant-grade engrossed and influenced many established and neglected musicians |
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Paradox #2 |
Despite its insistence on newness, avant-garde turned out to be more historically inclusive than any previous jazz style. |
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Paradox #3 |
Avant-grade turned out as durable as mainstream |
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Bill Evans |
Piano |
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Bill Evans trio |
Bill Evans, Scott LaFaro, Paul Motian. First trio to have interaction between all players |
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Scott LaFaro |
bass |
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Paul Motian |
drums |
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Chick Corea |
Piano, composer, Spanish, Latin |
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Keith Jarret |
Piano, Incorporated free jazz, funk, classical |
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Louis Jordan |
sax, R&B |
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Ray Charles |
Piano, R&B |
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Jimmy Smith |
Piano, R&B |
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Ella Fitzgerald |
Singer |
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Sarah Vaughn |
Singer |
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Joe Williams |
Singer |
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Frank Sinatra |
Singer |
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Anita O'Day |
Singer |
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Peggy Lee |
Singer |
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June Christy |
Singer |
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Chris Connor |
Singer |
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Lambert, Hendricks and Ross |
Vocal trio |
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Mario Bauza |
sax, trumpet, Latin Cuban |
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Machito and Dizzy |
Latin, Cuban |
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Machito |
Singer |
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Jobim |
Guitar, Bossa Nova |
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Gilberto |
Guitar, Bossa Nova |
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Getz |
Sax, Bossa Nova |
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Fusion Jazz- When and What |
60's to present, improv with rock style |
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New age/ Smooth Jazz- when, what |
80's to present, easy listening variants of jazz rock fusion |
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Acid Jazz- When, what |
80's to present, blend of hip hop and jazz, came from disc jockeys mixing with old recordings |
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Bitches Brew |
Fusion jazz album by Miles Davis |
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John McLaughlin |
Guitar, Fusion |
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Mahavishnu Orchestra |
Fusion group by John McLaughlin |
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Weather Report |
fusian group lead by Joe Zawinul and Wayne Shorter |
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Joe Zawinul |
Keyboard |
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Pat Methany |
Guitar, fusion |
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Kenny G |
Sax, smooth jazz |
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Windham Hill Artists |
New age music label |
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Chuck Mangione |
Flugelhorn, new age |
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Madeski, Martin and Wood |
Acid Jazz |
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Madeski |
Keyboard, acid jazz |
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Martin |
drums, acid jazz |
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Wood |
bass, acid jazz |
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Marcus Miller |
Bass |
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tutu |
written by Miles Davis and Marcus Miller |
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New Historicism |
Art must be viewed within historical context. Works must be viewed along side their social and historical context. |
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New Criticism |
Analyzes art as sufficient unto its-self. |
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SFJAZZ Collective |
contemporary 8 person Jazz group |
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Harry Connick Jr. |
Piano vocals, contemporary |
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Diana Krall |
piano contemporary |
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Betty Carter |
contemporary jazz singer |
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Michael Brecker |
contemporary sax |
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Jazz At Lincoln Center |
Venue for jazz performance, education |
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Wynton Marsalis |
Director of Jazz at Lincoln Center, trumpet |
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Jazz at the Kennedy Center |
Jazz Performance venue |
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Jason Moran |
Artistic director of Jazz at the Kennedy Center, piano |
