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31 Cards in this Set
- Front
- Back
In the 5th century B.C. |
When fully developed western theatre emerged in Greece |
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Aesthic distance |
to perceive and appreciate a work of theatrical art we need distance, this is called |
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solique |
when a solitary character expresses her hidden thought to an audience |
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anachronism |
when an object or event, or character in theatre is placed outside of its proper time sequence |
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proscenium |
this type of stage is referred to as "The fourth wall". In this type of staging all the seats face in the same directions. |
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Fly loft |
this is a place above the stage where scenery can be concealed, raised and out of sight, hung by ropes or cables. |
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Arena |
the most ancient stage arrangement, this stage is a circle or a square |
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Skene |
in Greek Amphitheatres, at the rear of the orchestra circle opposite the hillside seating, was a stage house |
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Black box |
A popular type of modern theatre is the multi-purpose |
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Realism |
Henrik Iben, August Strindberg, and Anton Checov were three playwrights who helped perfect this type of drama
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Stanislavsky |
the most successful of Russian actors and and directors, founded the Moscow arts Theatre. |
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Emotional recall |
an acting technique that asks actors to remember personal experiences from the past to influence their decisions as actors in the present |
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Well made plays |
Plays written in the climatic form are often referred to this
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Dues ex machina |
Known as good of the machine |
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Episodic |
These types of plays often have many characters, scenes, locales, and parallel or sub-plots |
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Revue |
this type of play includes short skit, vignettes, skits, dance numbers, songs, and other routines that are presented in a single program |
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Avante-garde |
refers to any intellectual or artistic movement that seems to break with tradition and therefore seems ahead of its time. |
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Commedia dell'arte |
this was a popular form of comedy that flourished in Italy in the sixteenth century, involved no script but and outline of the plot. |
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Protagonist |
the main character of a play |
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Climactic |
this structure of play often has a plot that begins late in the story, covers a limited space of time, and is restricted in its locale |
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Exposition |
the technical term for the revelation of background information in dramatic literature |
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first responsibility of a theatre producer |
Raising the correct amount of money |
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second responsibility of a theatre producer |
Securing the rights for plays |
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Dramaturg |
A literary manager who is responsible for discovering and reading promising new plays, and working with playwrights on the development of new plays |
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Blocking |
the visual composition of a play is often determined by the movements and positions of the actors onstage. These movements are predetermined and known as |
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Naturalism |
a type of realism that promotes a superreal attention to onstage detail. |
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aligory |
abstract themes that are conveyed through symbolic characters |
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director |
a man/woman who is responsible for coordinating all aspects of a production |
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typecasting |
when a performer closely resembles in real life the character he is enacting |
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expressionism |
a directorial or literary style that gives outward expression to inward feelings |
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cyclorama |
a cloth stretched tight in an arc around the back of a stage set, often used to depict the sky.
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