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29 Cards in this Set

  • Front
  • Back
Distinctive Features of Greek Revival
-Gabled/Hipped Roof
-porches with columns
-narrow sidelights on front door w/ transom
-cornice emphasized by wide band of trim
Distinctive Features of Adam (Federal)
-semi-circular/elliptical fanlight (sidelights often incorporated into door surround with elaborate crown and small entry porch)
-cornice with dentils
-6-pane double hung windows
-5, 4 and a door (symmetrical)
Distinctive Features of Italianate
-2 or 3 stories, rarely 1
-tall, narrow windows, commonly arched/curved above
-wide, overhanging eaves w/ decorative brackets
-low pitched roof
-frequently have decorative window crowns
Distinctive Features of Gothic Revival
-steeply pitched roof, w/ steep cross gables
-gables w/ decorated vergeboards
-windows extend into gables with pointed arch (gothic) shape
Distinctive Features of Queen Anne
-steeply pitched roof of irregular shape
-textured shingles and other devices to avoid smooth-walled appearance
-asymmetrical facade
-one story partial to full width porch extending to one or both side walls.
Distinctive Features of Romanesque
-normally asymmetrical facade
-masonry walls-- rough, squared stonework
-round arches over windows, entrance, porch supports
-most have towers with conical roofs.
Distinctive Features of Two Part Commercial Block
-2 to 4 stories
-2 distinct "zones," clearly separated, horizontally divided
-upper level more private, bottom level more commercial
Distinctive Features of Three Part Vertical Block
-three zones, separated, horizontally divided
-distinctive upper level of 1-3 stories
-facades often have classical columns
Preservation
Applying measures necessary to
sustain the existing form,
integrity, and materials of a
historic property.
Restoration
Accurately depicting the form, features and character of a property as it appeared
at a particular period of time by means of the removal of features from other
periods in its history and reconstruction of missing features from the restoration
period.
Reconstruction
The act or process of
depicting, by means of
new construction, the
form, features, and
detailing of a non-
surviving site, landscape,
building, structure, or
object for the purpose of
replicating its appearance
at a specific period of
time and in its historic
location.
Rehabilitation
Adaptive use. A suitable approach when existing historic features are damaged or deteriorated but modifications can be made to update portions of the structure, even for a new purpose.
Founder of Mount Vernon Ladies' Association
Ann-Pamela Cunningham
Yellowstone National Park established
1872
Antiquities Act
1906
National Park Service Established
1916
Colonial Williamsburg
1926
Charleston Historic District Established:
1931
Historic American Buildings Survey [HABS] Begins
1934
Historic Sites Act
1935
National Trust for Historic Preservation Established
1949
National Historic Preservation Act
1966: National Register of Historic Places, Advisory Council for Historic Places, State Historic Preservation Office
1926: Village of Euclid v. Amber
Realty
Zoning is a valid exercise of police power.
1954: Berman v. Parker
Aesthetics alone is a valid exercise of
police power.
Tout ensemble
The idea that the
character of an area is
derived from its entirety, or
the sum of its parts, rather
than from the character of its
individual buildings.
Department of Transportation Act
1966: That section provides that if a federal transportation project will take property from an historic site or a park, the Secretary of Transportation cannot approve the project unless there are no prudent or feasible alternatives.
Tax Reform Act of 1976.
That Act created a tax
incentive program for the rehabilitation of historic
properties which encouraged those already
interested in old buildings to rehabilitate them but
also offered economic incentives to developers, who previously had no particular interest in historic structures.
Viollet-le-Duc
Considered the first restoration architect. Restored buildings not how they were, but "how they should have been..." according to him.

Added new elements and embelishments HE deemed appropriate, not what was actually there.
John Ruskin
Believed historical buildings should remain untouched, that restoration in any way would falsify their originality, like plastic surgery.