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73 Cards in this Set

  • Front
  • Back
60s Soul (Music --> )
soundtrack for civil rights movement
Motown =
Atlantic =
Trax =
= the most polished
= forward-thinking indy label
= the most raw of the soul
Motown and BERRY GORDY
“Hitsville USA”
The first African-American owned record label to successfully sell black music to white America

THE FUNK BROTHERS --> house band who played on hundreds of Motown songs

*Groomed artists into polished professionals

CHOLLY ATKINS – choreographer
MAXINE POWELL – finishing/modeling school
MAURICE KING – music director
Artists: Smokey Robinson & the Miracles, the Temptations, the Supremes, Stevie Wonder, the Four Tops, Marvin Gaye
Berry Gordy = founder of Motown Records
Marvin Gaye dated BG’s sister
Diana Ross dated BG
Listening: The Supremes “Where Did Our Love Go”
Florence Ballard, Mary Wilson, *Diana Ross

Written by HOLLAND/DOZIER/HOLLAND --> *Huge Motown writing team

In mid 60s, Motown’s biggest act (on Ed Sullivan 20 times)

Ross went on to a successful solo and film career

Complicated structure, stream of consciousness
Listening: Aretha Franklin “Respect”
This was the QUEEN OF SOUL’s only #1 hit

Fusion of gospel and R&B

Father was Reverend Clarence L.

Franklin, a prominent pastor in Detroit

*Written and originally recorded by Otis Redding

John Hammond (who also discovered Dylan and Springsteen) signed her to Columbia, but her career took off when she signed with Atlantic Records and JERRY WEXLER (producer)

*Difference between Motown and Atlantic, b/t Berry Gordy and Jerry Wexler
Listening: James Brown “I Got You (I Feel Good)”
The “Godfather of Soul” / “The
Hardest Working Man in Show Business”

Innovator of FUNK MUSIC

Horn section stabs

Loud, intricate, repetitive rhythm section parts

*ALL ABOUT THE GROOVE

Stage show influenced late artists, including Prince and Michael Jackson

Tiny signals to band members (Every show is different)
More on James Brown
More…
AABABAA (Mirror Image)
AABA --> classic Tin Pan Alley
A --> 12-bar blues
B --> BRIDGE
Structure = Important
James Brown @ his peak  Live performer Extraordinaire
Listening: Otis Redding “Sittin’ on the Dock of the Bay”
Posthumous hit was his only #1 on pop charts

Began singing in church (gospel)

Recorded on Stax Records,
Memphis (rough around the edges)
W/ RACIALLY INTEGRATED back-up band, BOOKER T & MGs created sensation @ Monterey Pop Festival

Died in a plane crash on Dec. 10, 1967

V1/C/V2/C/B/V3/C
1964
British acts DOMINATED America

British culture TOOK OVER America (accents, clothing, and definitely Music)
Rock Music in the Early 60s
*FRAGMENTATION*
- Elvis Presley – back from the army, making records and films
- Doo wop and girl groups
- Teen idols and dance crazes like the twist
- Surf music (Beach Boys and Beatles @ at the same time)
- Folk revival (Bob Dylan  influence on John Lennon)
The BEATLES (line-up)
The BEATLES
(1) John Lennon – guitar, vocals, etc.
(2) Paul McCartney – bass, vocals, etc.
(3) George Harrison – electric guitar, vocals, etc.
(4) Ringo Starr – drums, vocals, etc.

*They were the greatest and most influential of all rock artists
*They were simultaneously the BEST (artistically) and the MOST POPULAR (commercially) @ what they did --> SO RARE!!
Musical Influences
1) Elvis Presley and American rockability music

a)English youths like John Lennon adopted “teddy-boy” style (slicked-back hair, leather jackets) inspired by rockabillies

2) Skiffle music
a) 50s British style featuring instruments like banjo, guitar, washboard, etc…
b) *Combined Dixieland jazz and country blues
c) Lonnie DONEGAN – skiffle artist who hit charts covering Lead Belly songs

3) American R&B music (Motown, Sam Cooke)
Early Beatles history (“Just some kids from Liverpool”)
- *The Quarry Men = the 1st band that Lennon and McCartney had together
- Early name change to “Silver Beetles” was a reference to Buddy Holly & the Crickets (by 1960, name shortened to “The Beatles”)
- 4 piece line-up
- COMMON MAN
- Anyone can start a rock band
- Pete BEST --> original drummer (Starr joined in 1962)
- Stu SUTCLIFFE --> Lennon’s friend from art school who played bass in the early days
Hamburg, Germany – 1960 apprenticeship
Reeperbahn – area of strip clubs and bars

*Kaiserkeller – one of the clubs where the Beatles were booked
Sutcliffe’s German girlfriend, ASTRID KIRCHHERR, styled and photographed the band (the famous haircuts, leather jackets)

6-7 hours of playing every night honed the band’s skills (GOT THEIR EDGE)
Brian Eppstein, manager
Born into a wealthy family which owned furniture stores

Met Beatles @ CAVERN CLUB, a jazz club in Liverpool that began booking “beat” rock bands
Cleaned up Beatles’ leather-clad rocker image and had them wearing matching suits

Brilliantly guided the band’s career until his death in 1967
George Martin, producer
*The Fifth Beatle

Head of Parlophone, an EMI subsidiary label, when he met the Beatles

Classical music background
Produced all of the Beatles work except for Let It Be (which was recorded by Martin by assembled by PHIL SPECTOR)

Contributed greatly to experimental techniques in the studio, from orchestra arrangements to tape effects
BEATLEMANIA
(1963) --> huge success in Britain, but initially had trouble getting record contract in US
(1964) --> Beatlemania hits the US!!
- Beatles appearance on Ed Sullivan seen by 70 MILLION PEOPLE
- At one point, the Beatles singles held the top five positions on the charts
- After JFK’s death, the US needed a fresh face
- *COMPLETE domination of sales and charts unseen since Elvis Presley
- Film A Hard Day’s Night released
Feb. 7, 1964 --> Beatles arrive in US (JFK airport)

Feb. 9, 1964 --> Ed Sullivan show w/ the Beatles
Beatles
“I Wanna Hold Your Hand”
Capitol Records reluctantly agreed to release this song in the US

Other British groups had tried to failed to make it in the US

Had been #1 for a week before the Beatles’ arrival in the US

*Classic AABA pop structure
Creative Growth (“Middle Period”)
1964-1965 Complete domination of the charts AND still EXPERIMENTATION

By 1965, band began to experiment
* “Yesterday” – use of string quartet unusual at the time for a rock band

Rubber Soul – new 4-track recording technology expanded creative options…Harrison’s first use of INDIAN SITAR

Yesterday and Today – US-only release w/ infamous “butcher cover”
Creative Growth (“Middle Period”): 1966
Revolver – beginning of psychedelic influence

* Lennon’s controversial “We’re more popular than Jesus” comments spark BACKLASH

* August concert in San Francisco --> last live performance (the screaming girls were TOO loud)
Later Period
1967
Sgt. Pepper

TV special beamed via satellite included performance of “All You Need is Love”

Met the Maharishi (transcendental meditation)

Brian Eppstein’s death

Magical Mystery Tour = one of the very few missteps of their record
Opening of Apple boutique and Apple Records (James Taylor recorded for Apple Records)
Sergeant Pepper
Semi-unifying theme = Sgt. Pepper’s band introduces a series of “acts” throughout the album
Considered FIRST rock “concept album”

Use of orchestras, brass bands, crowd noises, etc.

Experiments w/ timbre, meter, form, and chord progressions
Psychedelic, LSD-influenced lyrics and sounds

Included some free IMPROVISATION by session players
The Beatles
“A Day in the Life”
Last song on Sgt. Pepper

Surreal lyrics taken loosely from newspaper

Tape edits connection various sections

Lennon’s “I read the news…”
Orchestra crescendos --> “giant orgasm of sounds”

McCartney’s “Woke up…”
Orchestra
Lennon
Orchestra
Later period, contined
1968
Yoko Ono’s relationship w/ Lennon becomes serious

The White Album
Double album w/ extreme shifts in style and content

Released on Apple Records
“Hey Jude” / “Revolution” single
Yellow Submarine cartoon
The Final Years
1969
Arguments over new management (Alan Klein? Lee Eastman?)

McCartney and Lennon each get married

Abbey Road

“Paul is dead” controversy

Lennon and Ono release “Give Peace a Chance”
The Final Years
1970
Breakup of the band

Let It Be --> Phil Spector sifted through and mixed tracks recorded earlier (Let It Be Naked)
Post-Beatles
Starr
Starr – solo albums, acted in films, still sometimes tours
Post-Beatles
Harrison
*All Things Must Pass – triple album released right after breakup
Benefit Concert for Bangladesh

was a model for large-scale benefit rock concerts

Died of cancer in 2001

Known for CHARITY WORK
Post-Beatles
Lennon
1970 Plastic Ono Band album
1971 solo record Imagine,
subsequent retirement from music business, final solo record Double Fantasy

Shot and killed by Mark David Chapman on Dec. 8, 1980
Post-Beatles
McCartney
Band WINGS (including wife Linda) was a HUGE critical and commercial success

SOLO ALBUMS before and after Wings
The Rolling Stones =
“The World’s Greatest Rock and Roll Band”
The Rolling Stones
Members:
Mick Jagger – vocals
Keith Richard – guitar
Bill Wyman – bass
Charlie Watts – drums
The Rolling Stones
Organize eras based on extra guitar players:
*Brian Jones – founder and original band leader / guitars until death in 1969

Mick Taylor – replaced Jones on guitar, quit in 1974

Ron Wood – replaced Taylor on guitar

- Ian Stewart, Nicky Hopkins, Billy Preston, Chuck Leavell – keyboardists at various times

(*Preston = model for rock n roll keyboard players)

- Bill Wyman left the band in 1993

- Billy Preston = ONLY person to play w/ Stones AND Beatles!
Andrew Loog Oldham, manager/producer
Former assistant to Brian Eppstein; former employee of London fashion maven Mary Quant

*Helped fashion the Stones’ “bad boy” image
Allen Klein, manager
Also worked w/ Beatles after Eppstein’s death

Initially worked with and eventually edged out Oldham
Ian Stewart
original keyboardist

fired by Oldham because of his “look”
worked as ROAD MANAGER until his death in 1985
Stones’ Musical Influences
1950s rock and roll: Elvis, the rockabillies, Little Richard, Chuck Berry

American R&B and blues
By late 1950s, there was a community of blues fans and record collectors in London, including Alexis Korner and John Mayall

Band name taken from a MUDDY WATERS song

On early American tour, Jagger saw James Brown perform and set out to imitate his STYLE

- American jazz
- Brian Jones and Charlie Watts were big fans of jazz

* STONES = More R&B than the BEATLES
Rolling Stones
“Satisfaction”
Recorded during their 3rd tour of the US

#1 on charts summer 1965

**Many people consider this the quintessential rock song

Famous guitar riff (short musical idea)

Controversy over ambiguous lyrics about being on the road
Altamont
1969 free outdoor concert at Altamont Raceway in California (venue chosen the day before the concert)

Intended to be “Woodstock West” (Woodstock had been a big success earlier that year)

Hell’s Angels were supposed to provide security but beat people instead

Violence in the crowd, escalating all day and often initiated by the Angels, climaxed with the stabbing death of a young black man

Gimme Shelter – film documenting the event

Marked the end of the idealistic hippie era
Some Classic Stones Albums
Brian Jones era
(various singles were cut in the early years)
1968 – Beggar’s Banquet

Mick Taylor era
1969 – Let It Bleed
1971 – Sticky Fingers
(Please note the tone Stuessy/Lipscomb uses to describe this album. Are the authors “Beatles” or “Stones”?)
1972 – Exile On Main Street

Ron Wood era
1.1978 – Some Girls
We Love Bad Boys…. (EDGY, DANGEROUS)
The Stones were the first (but certainly not the last) rock band to consciously market a negative, anti-social image

Drug busts, hedonism & generally rough behavior are part of the band’s mythology

Returned a raw, edgy, visceral power to rock that had been missing since the early days of Little Richard & Jerry Lee Lewis
The British Invasion (Part 3)
The Kinks “You Really Got Me”
Ray DAVIES = brilliant songwriter (vocals)

Dave DAVIES --> powerful catchy guitar riffs

Mick Avery: drums
Peter Quafe: bass

*Bigger success in the US than in Britain

Influenced 70s punk rock, 80s new wave, and mid-90s Britpop trends
Strophic form
British Youth
MODS vs. ROCKERS
Mods --> R&B, blues, Motown, Kinks, Who, suit-wearing youth
Rockers --> Rockabilly, black leather, motorcycles, greased back hair (“teddy boys”)
Beatles vs. Stones
Both bands have main duo of songwriters (Lennon/McCartney & Jagger/Richards)

Originally, the Stones aped the Beatles image and musical style
Soon adopted a more menacing, surly, overtly sexual tone & look in opposition to the Beatles more clean-cut image (encouraged by Oldham)


Critics & fans still often define rock music in terms of this dichotomy

Beatles: good boys, w certain sound ambition, technically proficient

Stones: rebellious, loud, grunge
The Who “My Generation”
Roger Daltrey (vocals); Pete Townshend (guitar); Keith Moon (drums); John Entwistle (bass)

This song is from their early MOD “Maximum R&B” era

Continued developing through psychedelic, rock opera (i.e. Tommy, Quadrophenia) and hard rock phases

**Electrifying, equipment-smashing live shows (Ex: Smothers Brothers show, their ONLY live TV performance)

TOWNSHEND = creative genius of the band

Keith Moon = Sweet
Rolling Stones Line-up (one of the line ups)
Mick Jager: vocals
Bill Wyman: Bass
Kieth Richards: guitar
Charlie Watts: Drums
Brian Jones: guitar
Cream “Crossroads”
Cream = Blues-rock *POWER TRIO* (Ex of power trio --> Nirvana)

Rock’s first “SUPERGROUP”

Song written by blues legend ROBERT JOHNSON
Cream: Group:
Ginger Baker – drums
Jack Bruce – Bass/vocals
Eric Clapton – Guitar/vocals

Clapton had already played with John Mayall’s Bluesbreakers and the Yardbirds

AAB form (typical of blues)
12 BAR BLUES FORM

Psychedelic rock has improvised guitar solo
The Yardbirds
British band with 3 legendary guitarists:

(1) Eric Clapton – Cream, Blind Faith, Derek & the Dominoes, solo
(2) Jeff Beck – went on to solo career
(3) Jimmy Page – later formed Led Zeppelin
The Beats (Acid Rock)
Countercultural philosophical movement of the 50s --> *ORIGIN of the 1960s hippie movement

Writers included: Jack Kerouac (On the Road), Allen Ginsberg (Howl), William S. Burroughs (Naked Lunch), and Ken Kesey (One Flew Over the Cuckoo's Nest)

*Challenged traditional values, emphasized the INDIVIDUAL and self-expression, challenged authority; express yourself message)
San Francisco = MECCA of the HIPPIE movement
“Acid rock” named after LSD, a hallucinogenic drug

Timothy Leary argued that taking LSD expands consciousness

“Turn On, Tune In, and Drop Out
*Haight-Ashbury* --> cross-streets at center of district where hippie scene grew

Rejection of materialism, experimentation with drugs, rejection of sexual taboos, spiritual quests, communal living

MUSIC was a central part of the life style

Many of these artists died young
Grateful Dead

Acid Rock
Great stereotypical hippie band

Began playing at parties featuring the “Kool-Aid Acid Test” (Provided background music to acid trips)

Original name = Warlocks

*Jerry Garcia = singer/lead guitarist
Band lived communally in the Haight

Fans known as “Deadheads”

*Audience = Part of the show, the entertainment (the EXPERIENCE): emphasis of the audience over the band (the audience members are having acid trips)
Grateful Dead “Turn On Your Lovelight”

Acid Rock
From 1969 album Live/Dead

*Emphasis on instrumental improvisation

Influenced by folk music, bluegrass, R&B

The Dead’s unprecedented touring career inspired today’s JAM BAND SCENE
FM Radio
The new “progressive” psychedelic (acid) rock (later, album-oriented) rock appeared on FM, not Top 40 AM Stations

Played longer songs and sometimes entire albums by artists who couldn’t get Top 40 airplay

Because of FM promotion, these artists began to sell records

FM opened up space for new songs to be played
Janis Joplin “Piece of My Heart”\

Acid Rock
Born in Texas
One of the 1st female rock stars (along w/ Grace Slick), still one of a kind
Her band = Big Brother and the Holding Company
BIG BREAK @ Monterey Pop Festival
Blues-based style --> *GIANT

Bessie Smith Fan

Died in 1970 of a heroin overdose

**Went out on a limb with her Singing Style
Jefferson Airplane “White Rabbit”

Acid Rock
Grace Slick and Marty Balin, lead singers

Song’s imagery taken from Lewis Carroll’s Alice in Wonderland

Overtly extols the virtues of psychedelic drugs

From album Surrealistic Pillow
Influenced by classical composer Ravel’s Bolero
Psychedelic Concerts

Acid Rock
Featured light shows which enhanced the concert-goers’ drug experiences

Poster art influenced by ART NOUVEAU advertised concerts (distorted lettering, bright colors, etc.)

Fillmore Theater --> run by BILL GRAHAM = Important Venue
Santana “Oye Como Va” (At a young age)

Acid Rock
Earliest shows were booked by Bill Graham at the Fillmore

Performed at Woodstock

Latin-influenced psychedelic blues rock (even more of an influence early in career)

Written by Tito Puente --> part of 70s salsa movement

groove oriiented
Doors “Light My Fire”
*Jim MORRISON: lead singer
Ray Manzarek: key boardist
John Densmore: drummer
Robbie Krieger: guitarist

*NO Bass player: Manzarek’s left hand played bass notes on organ

Dark imagery, overtly sexual tone (Morrison was arrested for lewd onstage conduct)

Morrison died in 1971 in Paris
Literary approach (Doors) / well-trained AND Sexual / animalistic
Guitar Tone (early 70s)
Advances in technology helped guitarists like Hendrix, Clapton, and others achieve louder and more diverse tones

Jim MARSHALL --> developed amplifiers

A “MARSHALL STACK” is an amp set on top of a speaker cabinet
Stomp boxes – foot pedals which create special effects like FUZZ, DELAY, CHORUS, WAH, PHASE SHIFT, etc…

*Jimi Hendrix did more to expand the musical vocabulary of rock electric guitar than any other player
Jimi Hendrix
Grew up in Seattle

Short stint in the army

Played w/ Little Richard, B.B. King, James Brown, and the Isley Brothers before going solo

Discovered and brought to England by CHAS CHANDLER, bassist in the Animals

1966 --> Formed The Experience

Drummer Mitch Mitchell
Bassist Noel Redding

Initial success came in England

Legendary performance at the Monterey Pop Festival (iconic footage of guitar burning “Wild Thing”) and Woodstock (including “Star-Spangled Banner”)

Rivalry between Hendrix and Townshend (The Experience and The Who)

Later formed Band of Gypsies
Bassist Billy Cox
Drummer Buddy Miles

*Considered by many to be the greatest rock guitarist in history
Jimi Hendrix “Purple Haze”
Blues-based psychedelic rock

Died in 1970 of complications from sleeping pill overdose

*Played left-handed --> a right-handed guitar upside down*

One of the most influential guitarists in rock history

Woodstock: Star-Spangled Banner --> Purple Haze
Woodstock (PEAK of hippie era)
August 15-17, 1969 --> Bethel, NY

Performances by Santana, Hendrix, the Who, Crosby Stills & Nash, Canned Heat, Joan Baez, Joe Cocker, Arlo Guthrie, Jefferson Airplane, Janis Joplin, Sly & the Family Stone, and others

A few months later, Altamont and then the murders at Kent State
The end of the hippie era
By 1967, the heyday in the Haight was over and the neighborhood started having trouble with crime

Many people fell prey to drug addiction

Businesses began to co-opt and exploit the popularity of the hippie lifestyle and image

The end of the 60s was Marred by race riots and violent clashes between police and campus anti-war protesters (many of whom were radicalized by the violence)
Music in the 1970s
Fragmentation continued
Folk-, Country-, and Pop-rock; Jazz- and Classical-influenced rock; 70s soul; Funk and disco; Heavy metal; Glam; Hard Rock; Etc…

Music moved away from political activist themes (ie Bob Dylan) and toward a focus on personal experience (*The “Me Decade”)

*One trend included virtuosic rock instrumentalists and writers who were influenced by classical and jazz music

“Prog rock”

Rock operas written by bands like the Who; Broadway shows like Jesus Christ Superstar
Yes

PROG ROCK (AKA Jazz/Art Rock)
Quintessential “prog” group

Extended instrumental breaks

Long songs

Complex song forms

High quality of musicianship (technical expertise) by all players

Keyboardist Rick WAKEMAN = virtuoso who exploited new synthesizer technology
Yes “Roundabout”

PROG ROCK (AKA Jazz/Art Rock)
Influenced by classical music (esp. acoustic guitar intro)

Listen for virtuosic solos by Wakeman and guitarist Steve Howe

About 6 minutes in when most rock songs are long over

This song is from Yes’ album Fragile

Complicated structure --> instrumental breaks connect various sections

Interest in new music echnology (ie synthesizers)
Chicago

PROG ROCK (AKA Jazz/Art Rock)
Successful and lengthy career

Charted albums in five consecutive decades

10 gold (500,000 sold) and 5 platinum (1 million) albums

Original name = Chicago Transit Authority

Drummer Peter Cetera also had successful solo career in the 1980s
Chicago “Does Anybody Really Know What Time It Is?

PROG ROCK (AKA Jazz/Art Rock)”
Influenced by jazz music and R&B horn bands

Unusual for rock band to have horn sections in this era

Distinctive horn parts are ESSENTIAL to the group’s sound

Trumpet/trombone/sax/flute

Alternating verse/chorus structure
Procol Harum

PROG ROCK (AKA Jazz/Art Rock)
Influenced by classical music and blues rock

Started out as studio musicians, became a band when “Whiter Shade of Pale” was an unexpected hit

*Played their FIRST gig ever opening for Jimi Hendrix in London
Procol Harum “Whiter Shade of Pale”

PROG ROCK (AKA Jazz/Art Rock)
Music for this song adapted from Bach’s “Air on a G String”

*Theme played on a Hammond B3 organ w/ Leslie speaker cabinet (QUINTESSENTIAL ROCK KEYBOARD COMBO)

Surreal lyrics
Verse, Chorus, Verse, Chorus, Solo, Chorus Structure
Carole King “You’ve Got a Friend”

Folk, Country, and Pop Influences
Began career as Brill Building writer in the 60s, penning many hits before going solo

Accompanies herself on piano

*This song was a hit for both King and James Taylor, and is from her album TAPESTRY (a classic)

Form: Verse, Chorus, Verse, Chorus, Bridge, Chorus structure

VERY popular structure

Artful arrangement (piano and bass --> add congas --> add strings)
The Carpenters “(They Long to Be) Close to You”

Folk, Country, and Pop Influences
The Carpenters “(They Long to Be) Close to You”

Written by Burt Bacharach and Hal David

Sophisticated pop writing

AABA structure reflects Tin Pan Alley influence

Brother/sister duo
Karen (vocalist/drummer)
Richard (keyboardist/vocalist)
Karen died at age 32 of complications from anorexia