Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
30 Cards in this Set
- Front
- Back
Rene Descartes
|
Body vs. Mind
"I think therefore I am." |
|
John Locke
|
We derive all our ideas form our experiences.
|
|
Baroque gardens
|
Perspective views, issue of infinity, picturesque.
|
|
Marc-Antoine Laugier
|
"primitive hut", seeking principles in an age of lack of principles.
"There is only one way of doing things right." |
|
Debate between Jaque-Germain and Soufflot and Pierre Patte on the dimentions of the piers at St. Genevieve
|
Mathematical formulas vs. Geometrical rules
Mechanical theory vs. statics of everyday life Ideal calculations vs. personal experience |
|
Jaques-Francios Blondel
|
Six volume COURS on academic approach to architecture. First universal encyclopedia on architecture. Style should be chosen relative to function.
|
|
Nicholas Le Camus de Mezieres
|
THE GENIUS OF ARCHITECTURE -or- THE ANALOGY OF THAT ART WITHIN OUR SENSATION. "Character" of architecture; art of pleasing; the primacy of "feeling;" architect's taste; harmony is only accessible to the genius
|
|
Edmund Burke
|
Idea of "sublime": without a stong impression, nothing can be sublime; darkness is more productive of sublime than light.
|
|
Etienne Louis Boullee
|
The inquiry into the essential elements of bodies; the mysterious and magic effects of the dim and veiled light. (VISIONARY ARCHITECT)
|
|
Claude Nicolas Ledoux
|
His ideal city: bring together under a common roof those tastes and feelings that honor man; the ideas relating to the proper physiognomy. (VISIONARY ARCHITECT)
|
|
Jean Jacques Lequeu
|
The mirrored self; erotic symbolic order; the works as a snare for the eye. (VISIONARY ARCHITECT)
|
|
Giambattista Vico
|
Wrote PRINCIPLES OF A NEW SCIENCE (1725): Rejects Enlightenment and advances theory on cyclical historical development; recounting (interpretation) as a guide to truth
|
|
Carlo Lodoli
|
Proper use and nature of materials; pragmatic ideas anticipating the modern motto: form follows function
|
|
Giovanni Battista Piranesi
|
Engraved "fantasies": speculative composition based on detailed studies of Roman antiques; anti-Vitruvian eclectic forms; "use makes law"; influence to England
|
|
Chinoiserie
|
fantasy toward other cultures and follies transplanted from exotic architecture and gardens
|
|
"Anglo Chinese gardens"
|
from a French perspective
|
|
Cultural encounter through garden creation
|
The Jesuit contribution
|
|
Jacque-Nicholas-Louis Durand
|
His book PRECIS OF THE LECTURES ON ARCHITECTURE (1802: Summary of Essential point): Defines architecture as the "art of composing"; irrelevance of any transcendental justification; Utilitarianism: circle better than square because of less peremiter; rejected traditional Vitruvian explanation of anthropomorphic origin of the classic orders; only the form determined by the laws of mechanics and utility is essential
|
|
Durand's techings at Ecole Polytechnique
|
Education for new scientiic and specialized architecture; drawings as an instrument for precisely representing a building
|
|
Ecole de Beaux Arts de Paris
|
Education of classicism which overthrew the tradition (19th century)
|
|
Violett-le Duc (France)
|
His book, LECTURES ON ARCHITECTURE (1863): seeking a "new" architecture based on "Gothic" structural logic; architecture is an ethnic art; truthful construction and planning; "imporantance of method"
|
|
Agustus W Pugih (England)
|
Writings on authentic Gothic (1840's)
|
|
Gothic revivals in England
|
1850's - the nationalistic impulse
|
|
Charles Barry
|
House of Parliament (1840-1852)(London)
|
|
Phillip Webb and William Morris
|
Red House (1859), Kent, England; Arts and crafts movement
|
|
Romantic sensation
|
in Neoclassicism
|
|
John Soane (England, 1937)
|
Frequent study of Vitruvius and Le Camus' THE GENEIUS OF ARCHITECTURE; "costume of architecture"; his great architectural library; belief in public architecture as expression of civic virtue
|
|
Gottfried Semper (Germany)
|
Friends with richard Wagner (musician) and Friedrich Nietzsche (philosopher); His book THE FOUR ELEMENTS OF ARCHITECTURE (1851): Hearth, roof, enclosure, mound; art of weaving; concept of "dressing"
|
|
Neo-Palladianism in England
|
Lord Burlington's Chiswick Villa
|
|
Thomas Jefferson
|
Education in languages and law; politics: nine-year diplomatic mission (1784) in France; traveled extensively in France and England; book collection of French and English gardens and architecture; ideal university ideas; house intended to reflect natural order and betterment of society
|