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25 Cards in this Set
- Front
- Back
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Gadamer
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Hans-Georg
1900 - 2002 German |
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Alienation (Three Forms)
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Alienated Aesthetic Consciousness
Alienated Historic Consciousness Alienated Hermeneutics |
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Alienated Aesthetic Consciousness
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The act of devaluing artistic judgment by removing a piece of art from its original location (example: art in a museum)
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Alienated Historic Consciousness
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When history is studied without an agenda
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Alienated Hermeneutics
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Interpretation is least successful when it lacks a strong urge to communicate and understand
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Purely Subjective Mode
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Creating art in isolation; unshared
People who appreciate art in idiosyncratic ways |
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Historical Mode
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Presenting events as closely as possible to how they occurred
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Subjective Mode
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History as Propaganda (Birth of a Nation)
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Three Existentialia of Verstehen
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Projection
Being-for-the-sake-of-which Interpretation |
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Projection
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Verstehen is future-oriented
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Being-for-the-sake-of-which
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Verstehen has goals and projects
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Interpretation
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Verstehen understands entities as something (recall as-structures)
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Temporality of Verstehen (3 aspects)
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For-having
Fore-sight Fore-conception |
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For-having
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Verstehen has the notion of something going on/events taking place
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Fore-sight
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Verstehen is cautious
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Fore-conception
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Preliminary mode of seeing something as something prior to a detailed investigation
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Communication
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A matter of reaching agreement in understanding of content
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Horizon of Awareness
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The limits in which one experiences the world
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Hermeneutic Circle
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Interpretation presupposes prior understanding
The goal of interpretation is to enhance understanding |
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Effective History
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Our consciousness as determined by history. The fore-understanding that pre-structures our way of interpreting the world is a product of historical projects that we inherit from our cultural past
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Fusion of Horizons
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The concept that understanding and interpretation are based on reaching a consensus about something through dialogue
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Myth of the Given
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The idea that we are given certain experiences by default
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Antitext
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Texts that rely on societal context (jokes, irony, sarcasm)
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Pseudotext
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Filler texts (um, like, totally, dear, good sir, my friends)
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Pretext
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Texts that are deliberately masked (propaganda)
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