• Shuffle
    Toggle On
    Toggle Off
  • Alphabetize
    Toggle On
    Toggle Off
  • Front First
    Toggle On
    Toggle Off
  • Both Sides
    Toggle On
    Toggle Off
  • Read
    Toggle On
    Toggle Off
Reading...
Front

Card Range To Study

through

image

Play button

image

Play button

image

Progress

1/30

Click to flip

Use LEFT and RIGHT arrow keys to navigate between flashcards;

Use UP and DOWN arrow keys to flip the card;

H to show hint;

A reads text to speech;

30 Cards in this Set

  • Front
  • Back
Genre =
"Kind" or "type" of film - looking at film through category
Principles of Genre Theory
Film as commercial art form (business) - relationship with audience
Conventions
rules involving plot, character types, settings, themes, stylistic techniques, etc. What audience expects
Art of film =
way director or filmmaker uses conventions. Unique artistic vision within tightly established patterns
Conventions affected by
audience, society, history. As times change, some conventions change
Genre Cycles
Primitive, Classical, Revisionist, Parodic
Romantic Comedy Genre
Strict Adherence to Three-Act Structure
Romantic Comedy Genre
Predictable, rigid storylines
Romantic Comedy Genre
Different “subgenres” - Teen or High School Romantic Comedied “Gross Out” Ensemble or Multi-Character
Act One - Boy Meets Girl
Maybe Friends or Acquaintances But most often just met
Act One - Boy Meets Girl
Themes - “Fate” or “Destiny”
Act One - Boy Meets Girl
Not usually looking for love - may put off relationships
Act One - Boy Meets Girl
“Meet Cute” - very important convention
Act Two: Breakups and Complications
Oppositions - economic or social status Jobs or career path Other romantic or family relationships Lost touch or haven’t met
Act Three - Boy Wins Back Girl
Ultimate Goal - Commitment (marriage)Ends happily - most often in commitment between the two characters
“Grand Gesture”
how the (usually) male proves his love and commitment to the (usually) female
“Grand Gesture”
Gender roles strictly defined
Main characters
Opposites Relatable, Sympathetic Vulnerabilities Explored Strong Female Leads,Maybeopposites, but not diverse Heterosexual, White
Friends and Family
Outrageous or at least “quirky” - humor Provide advice - push main characters to pursue romance Main characters must meet them; where we relate to them
Romantic ComedyTechnical Elements
Non-intrusive style
Romantic Comedy Technical Elements
Soundtrack of famous recognizable pop songsImportant star vehicles
Romantic Comedy Technical Elements
Eye-level angles - both characters are “equal”Close-ups, medium shots
Romantic Comedy Technical Elements
High-key lighting
Romantic Comedy Technical Elements
Usually a “montage” scene (like trying on clothes)
Romantic Comedy Themes, Motifs
Fate, destiny. Love always winsOpposites attractSuccessful relationships = commitment
Romantic Comedy Themes, Motifs
May involve sexual issues, but rarely portrayals of sex; sex is not the “goal”Mixture of dialogue and physical comedy
Evolution of the Romantic Comedy Genre
Screwball Comedy - 30s and 40s Depression Era issues Class Differences Gender “reversals” Late 50s and 60s Return to traditional gender roles
Evolution of the Romantic Comedy Genre
70s - Sexual material more explicit Less Romantic Comedies 80s - return of Romantic Comedy Women in work force “Friendship” vs. “Romance” Recent - Romance in the modern communication age Multi-character
(500) Days of Summer
(Webb, 2009)
(500) Days of Summer (Webb, 2009)
New type of “revisionist” romantic comedy Heavily influenced by the genre - references the genre conventions directly. Adheres to some conventions, breaks others Influenced by The Graduate (Nichols, 1967)