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94 Cards in this Set

  • Front
  • Back
symbolic representation, expressing deeper, spiritual, moral or political meaning
Anamorphic image
distorted image to be viewed by special means
Renaissance and later, idyllic place or rural peace and simplicity
Portuguese, irregular shaped pearl, Treaty of Westfalaya, expanded trade
sash, worn over shoulder and across chest to support sword
canopy of columns, built over an altar
Camera obscura
tiny pinhole acts as lens projects an image on a surface
Catalogue raisonne
catalog of artists work
decribes application of color or paint, Venetian 16th century art
primary-red, blue, yellow. secondary- orange, green, and purple
Crossing Square
area in church where nave and transept intersect
Divine Right
absolute power of the king is the will of God
Italian-drawing or design
Et in Arcadia Ego
latin-Even in Arcadia I am
Fete galante
rococo depicting outdoor amusements of upper class
Flower of the lily-3 tapering petals tied by a surrounding band-on field of blue French royalty
Galerie des Glaces
Hall of Mirrors at Versailles
depiction of 3D on 2D surface
male demon secual intercourse w/ women while sleeping, medieval times
Las Meninas
the Maids of Honor
stick used to steady hand while painting
style late 18th century, revival of classical. themes and styles from ancient Greek and Rome
tall pillar of stone, square base and sides that taper toward top
wealthy upper/middle class, leading merchants and large manufacturers
italian-plaza, large open air public square
part of stage at front of curtain
Quadro riportato
ceiling design scenes arranged in panels that resemble framed paintings
1750-1850, feeling and imagination over reason and thought
France 1700, extensively decorated and included elegant furniture, tapestries and wall painting
Solomonic column
twisted or spiral columns, recall those found in Temple of Soloman and Old St. Peters
dark manner, violent contrast of light and dark, Caravaggio
17th century Dutch, references to death
park, palace and town just outside Paris, French King Louis XIV
Mona Lisa
da Vinci 1503-05, Louve, oil on wood, sprezza tura, commissioned by husband Francesco del Giocondo
Sprezza tura
trying to represent oneself in a particular way
The Fetus and the Lining of the Uterus
da Vinci, 1510, pen and ink,medical illustration
Madonna in the Meadow
Raphael 1505-06, oil on panel, chiaroscurro, Vienna
School of Athens, Philosophy
Raphael,1509-11, true fresco,Stanza della Segnatura, Vatican palace, commissioned Pope Julius II,counter-reformation
Michelangelo, 1501-04, terribilita, front of city hall florence, Galleria dell Accademia, counter-reformation
Creation of Adam
Michelangelo, 1508-12, fresco, Vatican
Sistine Chapel ceiling
9 central panels, creation and fall, visitors enter at Drunkeness of Noah, 7 prophets 5 sybils, ignudi, commissioned by Julius II
use of light and dark, produce effect of modeling
seated, nude male figures
1.God is beauty 2.God made man in his own image 3.The perfect male nude figure is closest approximation of God on Earth
Last Judgement
Michelangelo,1534-41, fresco, commissioned Pope Paul III
Pastoral Symphony
Castelfranco, 1508, oil on canvas, Louvre
Virgin taken in full body into Heaven
Assumption of the Virgin
Titian, 1516-18, oil on wood, Santa Maria Gloriosa dei Frari, Venice
Venus Urbino
Titian, 1538, oil on canvas, Uffizi, Florence, for Duke of Florence
Decent from the Cross
Pontormo,1525-28, oil on wood, Capponi Chapel, Santa Felicita, Florence, mannerism, ugly colors
Abduction of Sabine Women
Bologna, 1583, Loggia dei Lanzi, Florence, large scale group
Last Supper
Tintoretto, 1594, oil on canvas, San Giorgio Maggiore, Venice mannerist
Isenheim Altarpiece, Crucifixion and Saints
Grunewald, 1510-15, oil on panel, Hospital of Saint Anthony, Isenheim, pre-reformation
Four Apostles
Durer, 1526, oil on panel, no commission, John, Peter, Paul and Mark, Alte Pinakothek, Munich
The Fall of Man
Durer, 1504, engraving, animals represent 4 temperments, Museum of Fine Arts, Boston
The French Ambassadors
Hans Holbein the Younger, 1533, oil on tempura on panel, illusionism and chiaroscurro, anamorphic image
Chateau de Chambord
Chambord France, 1519, Renaissance influence, Frances I
Hunters in the Snow
Pieter Bruegel the Elder, 1565, oil on panel, series of 6 Netherlands, strong diagonals, Vienna, landscape
The Burial of Count Orgaz
El Greco, 1586,oil on canvas Santo Tome, Toledo Spain, 2 levels, depicts a legend
Saint Peter's facade
Carlo Mederno, 1606-12, Vatican City, commissioned by Pope Paul V, new baroque
Aerial View of Saint Peter's
Vatican City, 1506-1666
Bernini, 1624-33, St. Peters, gilded bronze,Solomonic colomns, commissioned Pope Urban VIII, baroque
Bernini, 1623, Galleria Borghese, Rome
Cornaro Chapel interior
Bernini,1645-52, Santa Maria della Vittoria, Rome, commissioned Cardinal Scipione barial Chapel
Ectasy of Saint Teresa
Bernini, 1645-52, Cornaro chapel
San Carlo alle Quattro Fontane
Francesco Borromini, 1665-76, Rome, convex and concave sculptural elements, baroque
Conversion of Saint Paul
Caravaggio,1601, Santa Maria del Popolo, Rome, oil on canvas,naturalism, foreshortening, tenebrism
Calling of Saint Matthew
Caravaggio, 1597-1601, oil on canvas, Contarelli Chapel, San Luigi dei Francesco, Rome
Judith Slaying Holofernes
Gentileschi,1614-20, oil on canvas, Uffizi France, Carvaggista
Loves of the Gods
Annibale Carracci, 1597-1601,ceiling fresco, commissioned Cardinal Farnes, quadroriportato, baroque
Glorification of Saint Ignatius
Pozzo, 1691-1694, fresco, illusion, dedicated to Jesuits, Sant Ignazio, Rome, baroque
Martrdom of Saint Bartolameu
Ribera, 1639, oil on canvas,skinned alive on cross
Saint Serapion
Zurbaran, 1628, oil on canvas, commmission by monastic orders
Las Meninas
Velaquez,1656, oil on canvas, for King Phillip IV, lots of things happening
Elevation of the Cross
Rubens, 1610, oil on panel, Antwerp, Belgium, slashing diagonals, 3 languages
Charles I Dismounted
Van Dyck,1635, oil on canvas, Lourve, Baroque
Archers of Saint Hadrian
Frans Hals, 1635, oil on canvas, Dutch civic militia group
The Company of Captain Frans Banning Cocq
Rembrandt,1642, oil on canvas, civic militia group, non linear
Allegory of the Art Painting
Vermeer, 1670-75, oil on canvas, camera obscura
Et in Arcadia Ego
Pousin, 1655, oil on canvas, momento mori, grand manor, lourve
Landscape with Cattle and Peasants
Claude Lorrain, 1629, oil on canvas, strict linear perspective, Philadelphia, baroque
Louis XIV
Rigaud, 1701, oil on canvas, 63 yrs/old, flore de lee, baroque
Aerial of Palace at Versailles
Louis XIV, 1669, baroque
The Swing
Fragonard,1766, oil on canvas, rococo
Mrs. Richard Brinsley Sheridan
Gainsborough, 1787, oil on canvas, natural
Portrait of Paul Revere
Copley,1768-70,oil on canvas, direct
Oath of the Horatii
Jacques Louis David,1784,oil on canvas, lourve, neoclassicism, legend
Grande Odalisque
Ingres, 1814, oil on canvas, exotic, neoclass,
The Nightmare
Fuseli,1781,oil on canvas, romantic
The Sleep of Reason Produces Monsters
Goya,1793,etching and aquatint, romantic, from Los Caprichos
The Third of May
Goya,1808,oil on canvas, commissioned by Liberal Government of Spain
produces more variation in tone, flatter