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32 Cards in this Set
- Front
- Back
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Double Indemnity
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Billy Wilder
1944 |
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Film Noir
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1941-1958
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Psycho
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Alfred Hitchcock
1960 |
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White Heat
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Raoul Walsh
1949 |
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Rope
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Alfred Hitchcock
1948 |
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Basic Instinct
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Paul Verhoeven
1992 |
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Breathless
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Jean Luc Goddard
1959 |
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French Film Archives
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Henri Langlois
1936 |
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Film Notebooks
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Andre Bazin
1951 |
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Le Samourai
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Jean Pierre Melville
1967 |
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Bob the Gambler
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Jean Pierre Melville
1955 |
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Les Diabolique
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Henri-Georges Clouzot
1955 |
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Diva
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Jean Jacques Beinex
1981 |
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Nikita
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Luc Besson
1990 |
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The Society of the Spectacle
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Guy Debard
1967 |
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The Return of Martin Guerre
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Daniel Vigne
1982 |
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The Happy New Year
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Claude Lelouch
1973 |
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A Man and a Woman
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Claude Lelouch
1966 |
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The Dreamlife of Angels
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Erick Zonka
1998 |
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Cache/Hidden
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Michael Heneke
2005 |
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Cinema Du Look
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1980's
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New Wave
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1959 ~ end of 1960's
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Heritage Cinema
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1980's
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Cinema de papa, Daddy's cinema
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Shot
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1. In shooting, one uninterrupted run of the camera to expose a series of frames. Also called a take.
2. in the finished film, one uninterrupted image with a single (static or mobile) framing. |
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Scene
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A segment in a narrative film that takes place in one time and space (or that uses crosscutting to show two or more simultaneous actions).
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Sequence
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A term commonly used for moderately large segment of a film, involving one complete stretch of action and consisting of one or more scenes. Comparable to a chapter in a book.
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Diegetic Sound
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Any voice, musical passage, or sound effect presented as originating from a source within the film's world.
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Nondiegetic Sound
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Sound represented as coming from outside the space of the narrative, such as mood music or a narrator's commentary.
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Nonsimulatenous Sound
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Diegetic sound that comes either earlier or later than the accompanying image of the source.
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Jump Cut
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An elliptical cut that appears to be an interruption of a single shot. It occurs within a scene rather than between scenes, to condense the shot.
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Iris
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a round, moving mask that contracts to close down to end an scene (iris-out) or emphasize a detail, or opens to begin a scene (iris-in) or to reveal more space around a detail.
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