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33 Cards in this Set
- Front
- Back
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Living Wall, Vertical Garden Patrick Blanc 2006 |
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Untitled (Portrait of Ross in L.A) Felix Gonzalez-Torres 1991 |
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Untitlted Kiki Smith 1990 |
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Better Homes Better Gardens Kerry James Marshall 1994 |
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Red Turtle Jimmie Durham 1991 |
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C Putting on her make-up at the Second Tip Bangkok Nan Goldin 1992 |
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Guarded Conditions Lorna Simpson 1989 |
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The New Mothers Sally Mann 1989 |
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Family Romance Charles Ray 1993 |
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Portrait (Futago) Yasumasa Morimura 1988-90 |
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The Theater of Memory Billi Viola 1985 |
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The Physical Impossibility of Death in the Mind of Someone Living Damien Hirst 1991 |
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Micheal Jackson and Bubbles Jeff Koons 1988 Commodity Art |
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New Hoover Quadraflex, etc. Jeff Koons 1981-1986 Commodity Art |
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Piss Christ Andres Serrano 1987 |
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Grillo Jean-Michel Basquiat 1984 Graffiti Art |
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Keith Haring One-Man Show Keith Haring 1982 Graffiti Art |
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Breaking of the Vessels Anselm Kiefer 1990 Neo-Expressionism |
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Departure from Egypt Anselm Kiefer 1984 Neo-Expressionism |
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Cafe Deutschland Jorg Immendorff 1977-78 Neo-Expressionism |
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Untitled Film Still #35 Cindy Sherman 1979 |
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Untitled (Your Gaze hits the side of my face) Barbara Kruger 1981 |
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Guggenheim Bilbao Frank O. Gehry 1991-97 |
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Grand Louvre Pyramid I.M. Pei 1988 |
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Centre Pompidou Renzo Piano and Richard Rogers 1971-78 |
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Post-Modernism |
blanket term for art produced since the 1980s. This term implies that modernism is no longer possible, since every new movement or idea is overtaken by another as soon as it appears. |
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Appropriation |
Term to describe the various "borrowings" by artist from a variety of sources and traditions. |
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Neo-Expressionism |
Initially, a typically German art movement in which the artists dealt with WWII in Germany and its aftermath. The artists are concerned with exposing these issues to begin and further the dialogue concerning Germany's role in WWII. Stylistically and ideologically the works looks back towards German Expressionism, a movement btw WWI and WWII which also dealt with political issues. Distortion of space color, visible brushwork, close-up scenes and important content are aspects of this movement. |
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Post-Graffiti |
Term to indicate that graffiti had become part of the gallery scene rather than part of the underground subversive movement it once was. |
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SAMO |
Graffiti signature of Basquiat and his friend Al Diaz. The term stands for "same old sh!t" |
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Neo-Geo |
This stands for artist who used, among other things, household appliances as 'bearers of content.' They were inspired by the possibilities of Appropriation, but also wanted to include expressive qualities in their work. Often seen in painting, it also translates to sculpture as seen in the work of Koons. |
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Commodity Art |
Refers to art that appropriated objects and cultural icons from popular culture. The objects are to be viewed as artistic statements and are displayed as such, even though the artist does not create them and exposing many of these objects as "kitsch," such as in the Banality Show. |
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Neo-primitive/neo-conceptualism |
As seen i the work of Jimmie Durham who address the history of Native American Indians. His work challenges the 'other' to define the parameters of a understanding native American culture. At the same time, Durham re-evaluates what it means to be a Native American Indian. |
