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70 Cards in this Set
- Front
- Back
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Jacques-Louis David Oath of the Horatii 1784 NeoClassical |
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Jacques-Louis David Death of Marat 1793 NeoClassical |
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Antoine-Jean Gros Napoleon at the Pesthouse at Jaffa 1804 Romanticism |
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Goya Executions of the Third of May 1808 1914 Romanticism |
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Ingres Grande Odalisque 1814 Romanticism |
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Gericault Raft of the Medusa 1818-19 Romanticism |
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Delacroix Tiger Hunt 1854 Romanticism |
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Turner Slave Ship 1840 Romanticism |
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Cole Oxbow 1836 Hudson River School |
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Church Twilight in the Wilderness 1860 Hudson River School |
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Courbet Stone Breakers 1849 Realism |
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Courbet Burial at Ornans 1849 Realism |
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Millet Gleaners 1857 Realism |
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Eakins Gross Clinic 1875-76 Realism |
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Manet Le Dejeuner sur l'Herbe 1863 Independent French Painting |
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Manet Olympia 1863 Independent French Painting |
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Degas Ballet Rehearsal 1874 Independent French Painting |
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Bouguereau Nymphs and Satyr 1873 Academic Painting |
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Cabanel Birth of Venus 1863 Paris Academic Painting |
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Monet Impression-Sunrise 1872 Impressionism |
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Caillebotte Paris: A Rainy Day 1877 Impressionism |
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Renoir Moulin de la Galette 1876 Impressionism |
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Toulouse-Lautrec At the Moulin Rouge 1892-95 Post Impressionism |
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Gauguin Vision after the Sermon 1889 Post Impressionism |
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Van Gogh Starry Night 1889 Post Impressionism |
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Seurat Sunday on La Grande Jatte 1884-1886 Post Impressionism |
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Cezanne Mont Sainte-Victoire 1902-4 Post Impressionism |
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Matisse Woman with a Hat 1905 Fauvism |
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Marc Fate of the Animals 1913 German Expressionism |
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Picasso Guernica 1937 Cubism |
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Picasso Les Demoiselles d'Avignon 1907 Cubism |
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Boccioni Unique Forms of Continuity in Space 1913 Futurism |
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Duchamp Nude Descending a Staircase, No 2 1912 Cubist/Futurist |
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Duchamp Fountain 1917 Dada |
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Dali Persistence of Memory 1931 Surrealism |
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Magritte Treachery of Images 1928 Surrealism |
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Khalo 2 Fridas 1939 Surrealism |
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Hopper Nighthawks 1942 American MidCentury Art |
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Lawrence Migration of the Negro 49 tempera on masonite 1940-41 American MidCentury Art |
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Lawrence Migration of the Negro 1 1940-41 American MidCentury Art |
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Pollock Lavender Mist 1950 oil, enamel, aluminum paint on canvas Abstract Expressionism |
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de Kooning Woman 1 1950-52 Abstract Expressionism |
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Warhol Green Coca-Cola bottles 1962 PopArt |
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Impressionism |
*Sketchy quality *Fleeting moments *transient effects of light and climate *Contemporary urban scenes *Cut off figures, sharp oblique angles |
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Surrealism |
*Experimented with Automatism *Abstract imagery *dreams & unconscious *concrete irrationality |
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Romanticism |
*Freedom, feeling, politics *Exotic & erotic *Fictional narrative *Imagination over realism *occult, macabre *Theatricality |
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Cubism |
*Dissect forms *Same object, different planes *Geometric shapes *Interaction with space *rejected naturalistic *forms abstracted |
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Futurism |
*Motion in time & space *capture dynamic quality of modern life *war as a cleansing agent *speed & dynamism of modern technology |
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Dada |
*spontaneous and intuitive *role of chance in art *Found objects *prompted by revultion of war *political anarchy *irrationality & intuitive *disdain for convention *humor or whimsy |
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Realism |
* Own time, not historical or fictional subjects *Paint what you could see *subjects deemed trivial or menial (everyday life) *No idealization of human form *rough brush strokes, flattened form |
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Armory Show |
*1913 *Introduced European avant-garde art to amer
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Hudson river school |
*America's direction as a civilization *Mythology of grand America even during war *natural wilderness *Human inconsequential |
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Abstract Expressionism |
*Championed formal elements over subject *Expressiveness thru energetically applied paint *large areas of color *express state of mind |
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Pop Art |
*Representation of sub grounded in pop culture *employed commercial printing techniques |
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Orientalism |
* imitation or depiction of aspects of Middle Eastern and East Asian cultures |
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Neo Classical |
*Neoclassicism is a revival of the styles and spirit of classic antiquity inspired directly from the classical period *Idealization of form and nature
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Official Salon |
*Art exhibitions put on by the art academies *Academic art |
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Salon of the Rejected |
*1863 salon for all of the art rejected by the official salon |
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Plein-air |
*sketching/painting outdoors to achieve a quick impression of light, air, and color |
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Pointillism |
*separates color into components *applies color in tiny daubs "points" to create optically blended images |
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Fauvism |
*color is formal element and conveyor or meaning |
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Die Brucke |
*Bridge *bridge between old age and new |
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Der Blaue Reiter |
*Blue rider *blue and horses |
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Analytical Cubism |
*analyzed form from every vantage point *combined views into pictoral whole |
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Synthetic Cubism |
*constructed from objects and shapes to represent parts of a subject to engage viewer in pictoral issues |
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Repoussoir |
* object along the right or left foreground that directs the viewer's eye into the composition by bracketing (framing) the edge |
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Action Painting |
*emphasis on creative process & artist's gesture
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trompe l'oeil |
*illusionistic painting to create "real" images |
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Post-Impressionist |
*systematically examined properties and expressive qualities of line, pattern, form, and color |
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**David, Delacroix, Church, Courbet, Degas, Caillebotte, Marc, Picasso, Lawrence |
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