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46 Cards in this Set
- Front
- Back
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The Perfect Storm
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George Clooney
d. wolfgang peterson 2003 cinema 'realistic' b/c can recreate storm. 'be there' |
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Dames
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chor. Busby Berkleby
d. ray enright Formalistic film with dancers Uses bird's eye shot |
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hearts and minds
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d. peter davis
documentary image= truth over beauty america's devastation of vietnam= tv newreels. |
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distant thunder
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d. stayajit ray
realistic films= close correspondence of images to everyday reality realistic cinema= deals with people from lower social echelons and often explores moral issues seem unmanipulated |
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Mr Deeds Goes to Town
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Gary Cooper
d. Frank Capra Classical cinema= slightly stylized stars characters appealing= audience encouraged to identify with values/ goals |
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The Seventh Seal
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Bengt Ekerot and Max von Sydow
Cine. Gunnar Fischer D. ingmar bergman formalist cinmena= director's cinema deal with ideas medium of proagandistic artists texture= symbolic |
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Allures
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d. Jordan Belson
avant garde= subject matter<abstraction/emphasis of formal beauty |
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Raging Bull
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robert denire
d. martin scorsese based on actual events but boxing ring styled |
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the fifth element
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spec. fx. digital domain
d. luc besson |
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Okaeri
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Makoto Shinozaki
setting dominates extreme long shots humans=dwarfed by visual insignificance=unimportant/ vulnerable here, lovers oppressed by nature |
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Mary Shelley's Frankenstein
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robert deniro and kenneth branagh
d. branagh long shots= same area as stage |
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almost famous
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patrick fugit, kate hudson
d. cameron crowe medium shot= shot of the couple split focus= equality romantic comedies, love stories, buddy films |
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bonnie and clyde
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faye dunaway and barren beatty
d. arthur penn high angles= powerless, trapped |
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halloween: the curse of michael myers
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george wilbur
d. joe chappelle extreme low angles= characters threatening and powerful |
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how green was my valley
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cine. arthur miller
d. john ford lyricism |
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12 angry men
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e.g. marshall, henry fonda
d. sidney lumet angles=closing in on jury |
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red
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irene jacob, jean louis trintignant
cine. piotr sobcoinski d. krysztof kieslowski three point lighting key light=main light source fill lights=soften harshness of main light source, revealing subsidiary details backlights=separate foreground figures from setting |
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double indemnity
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barabara stanwyck, fred macmurray
d. billy wilder film noir= lack of lights world of night and shadows paranoid |
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the emire strikes back special edition
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d. irvin kershner
high contrast lighting= tension, visual anguish |
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the man who wasn't there
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james gandolfini
d. joel and ethan coen lighting from below tribute to film noir |
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braveheart
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sophie marceau, mel gibson
d. gibson painterly style |
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the best years of our lives
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harold, russel, teresa wright, dana andrews, myrna loy, Hoagy Carmichael, fredric march
d william wyler linear style |
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american beauty
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kevin spacey, mena suvari
d. sam mendes red=sex |
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savage nights
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cyrill collard, romane bohringer
d. collard red= blood, violence, danger, HIV, AIDS |
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The age of innocence
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michelle pfeiffer, daniel day lewis
d. martin scorcese bright color desaturation faded colors= sober, grim matter |
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the godfather
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marlon brandon
d. francis ford coppola low key lighting=suffocating |
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life is beautiful
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robert benigni
d. benigni slapstick=warm and sunny colors after arrest=paler colors |
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johns
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david arquette, lukas haas
d. scott silver color absence and stereotyping hollywood |
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four weddings and a funeral
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andie macdowell, hugh grant
d. mike newell blue= love extreme lengths to avoid sappy/sentimental |
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dark victory
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bette davis, george brent
d. edmund goulding |
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starman
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karen allen, jeff bridges
d. john capenter city lights=soft focus |
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aliens
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sigourney weaver, carrie henn
d. james cameron |
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scream
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courtney cox
d. wes craven focus on face telephoto=inc. precise |
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too beautiful for you
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carole bouquet, gerard epardieu
d. bertrand blier moderate telephoto=enhance lyrical potential |
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king of the hill
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jesse bradford, jeroen krabbe
d. steven soderbergh sharp focus=anxiety |
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schindler's list
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liam neeson
d. steven spielberg wide angle lens=deep focus photography |
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rumble in the bronx
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jackie chan
d. stanley tong extreme wide angle=exaggerates distances between depth planes |
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serpendipity
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kate beckinsale, john cusack
d. peter chelsom filtered photography=romantic |
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kids
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yakira peguiero, leo fitzpatrick
d. larry clark fast film stock= light dark contrast, use light that's there |
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pas de deux
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d. norman mclaren
optical printer=f/x chronophotography=strobe like effect |
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the matrix
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keanu reeves, higo weaving
d. andy/larry wachowski f/x |
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multiplicty
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michael keaton
d. harold ramis cloning |
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star wars special edition
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d. george lucas
industrial light and magic=innovator in f/x |
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the emigrants
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live ulmann, max von sydow
d. jan troell realism=dominating images boulder wall |
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this is elvis
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elvis
d. malcolm leo fast film stock, available lighting, handheld cameras authenticity/spontaneity>beauty |
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traffic
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d. sederbergh
documentary like |
