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32 Cards in this Set
- Front
- Back
a person who directs others on how to position and plug in lights on a set
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gaffer
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a list of all the shots that were taken in the order that they appear on the tape
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log
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a method of recording sound and picture on the same medium
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single system
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the person in charge of seein that all parts of the script are actually shot and that continuity is maintained
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script supervisor
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the person who does physical labor on a shoot, such as carrying set pieces, pushing dollies, and handling cables
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grip
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placing actors and determining their movement within a particular shot
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blocking
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to adjust the imaging system of a video camera so that it reproduces white (and therefore all other colors) correctly for a particular lighting situation
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white balance
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a long, counterweighted pole that holds a microphone
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boom
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MULTIPLE CHOICE
Which of the following does NOT usually describe a director? (A. artist) (B. technician) (C. money controller) (D. psychiatrist) (E. judge) |
C. money controller
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TRUE OR FALSE
usually, cinematographers do not touch either the lights or the camera |
true
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a technique for placing more video information in less space
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compression
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part of a videotape that contains the electronic timing impulses to keep the picture information stable
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control track
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moving the camera left or right on a tripod or by hand
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pan
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light-sensitive picture elements
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pixels
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the area in which objects located at different distances from the camera are in focus
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depth of field
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moving the camera up or down on a tripod or when hand held
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tilt
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the relationship of the height to width of a picture
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aspect ratio
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the brightness characteristics of a video signal
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luminance
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CIRCLE ONE
the professional quality recorders which record color information and brightness information SEPARATELY use the <composit or component> system. |
component
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TRUE OR FALSE
the major development in recording systems today is in ANALOG TECHNOLOGY |
false
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CIRCLE ONE
if you want to shoot a film in a location which has very little available light, you need to use a <fast or slow> film stock |
fast film stock
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TRUE OR FALSE
a CCD is a type of IMAGING DEVICE |
true
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CIRCLE ONE
most lenses on TV cameras are <prime or variable focal length> lenses |
variable focal length lenses
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CHOOSE "FILM LIGHTING" OR "VIDEO LIGHTING"
______ changes the lighting from shot to shot, while ______ uses one lighting set-up with no stopping between shots |
1. film lighting
2. video lighting |
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CIRCLE ONE
the director of photography prepares the lights during the <setting up/rehearsing/shooting/striking> stage of production |
setting up
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CIRCLE ONE
Blocking is part of the <cast or technical> rehearsal |
cast rehearsal
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TRUE OR FALSE
once the director says "roll tape," he or she should say "action" without delay |
true
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CIRCLE ONE
film is usually shot <single or double> system |
double system
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CIRCLE ONE
recording room tone is a part of the <setting up/rehearsing/shooting/striking> stage of production |
shooting
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CIRCLE ONE
the unit production manager prepares a <call sheet or daily production report> which goes to the producer and lists what has been accomplished each day |
daily production report
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TRUE OR FALSE
usually, PRODUCERS are concerned with how the money is being spent anad whether the movie will be finished on time |
true
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CIRCLE ONE
a group of production people who are in a separate location, shooting scenes that do not require the principal actors, are called the <second unit or best boys> |
second unit
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