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10 Cards in this Set
- Front
- Back
Hollywood studio system |
Producing movies primarily on their own filmmaking lots with creative personnel under often long-term contract Vertical integration Ownership or effective control of distributors and exhibition Law-booking technique |
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Mickey-Mousing |
Synchronizedthe images to the music -> fantastical effect He married animation to continuity system World is adream where you can put it on the screen |
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Classical Narrative System |
Cause and effect operate, but causes arise largely from characters’ conflicting traits Literary narration Manipulation of cinematic time and space to make the film appear as real as possible Creative narrative logic, cinematic time, and cinematic space |
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Third Cinema |
Fernando Solanas & Octavio Gettino “Towards a Third Cinema” Political for liberation of the oppressed people… directly used by the oppressed Undergroundworks… shooting with easily hidden cameras, subtle mechanics in order to filmnatural chaos like violence |
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Imagineering |
Combination of "imagine" and "engineering" Method of freeing the normal expectations into fantastical nature to open up the imagination Gives no room for the audience's imagination to operate Coined by the Disney's press agents |
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Jump-cut |
Whereby thesame space is shown from the same camera position intwo shots, yet the mise-en-scène has been changed |
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The Rashomon Effect |
Contradictory interpretations of the same event by different people. The phrase derives from the film Rashomon, where the accounts of the witnesses, suspects, and victims of a rape and murder are all different. |
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Auteur Film |
During the New Wave A film reflects the director's personal creative vision, as if they were the primary "auteur" |
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Edvard Grieg’s Peer Gynt Suite |
Melody the murderer whistles in the movie M |
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“Red Hollywood” |
Soviet film industry in the 1930s adopting Hollywood's genre practices |