Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
31 Cards in this Set
- Front
- Back
Abstract Form
|
A type of filmic organization in which the parts relate to one another through repetition and variation of such visual qualities as shape,color,rhythm,and direction of movement
|
|
Academy Ratio
|
In the original ratio, the frame was
1.33:1 later the width was normalized at 1.85 times the height (1.85:1) |
|
Aerial perspective
|
A cue for suggesting depth in the image by presenting objects in the distance less distinctly than those in the foreground
|
|
Anamorphic lens
|
A lens for making widescreen films using regular Academy ratio frame size.The camera lens takes in a wide field of view and squeezes it onto the frame and a similar projector lens unsqueezes the image onto a wide theatre screen
|
|
Angle of framing
|
The position of the frame in relation to the subject it shows:above it,looking down(a high angle) also called camera angle
|
|
Aspect Ratio
|
The relationship of the frames width to its height
|
|
Association Form
|
A type of organization in which the films parts are juxtaposed to suggest similarities,contrasts,concepts,emotions
|
|
Asynchronous sound
|
Sound that is not matched temporally with the movement occurring in the image as when dialogue is out of synchronization with lip movements
|
|
Auteur
|
The presumed or actual author of a film,usually identified as the director also sometimes used un a evaluative sense to distinguish good filmmakers from bad ones
|
|
Axis of action
|
In the continuity editing system the imaginary line that passed through the main actors or the principal movements, See the 180 system
|
|
Backlighting
|
Illumination cast onto the figures in the scene from the side opposite the camera usually creating a thin outline of highlighting on those figures
|
|
Boom
|
A pole on which a microphone can be suspended above the scene being filmed and that is used to change the microphone position as the action shifts
|
|
Canted framing
|
A view in which the frame is not level;either the right or left side is lower than the other causing objects in the scene to appear slanted out of an upright position
|
|
Categorical form
|
A type of filmic organization in which the parts treat distinct subsets of a topic
|
|
Cel animation
|
Animation that uses a series of drawing on pieces of celluloid called cels for short
|
|
CGI
|
Computer-generated imagery using digital software systems to create figures setting or other material in the frame
|
|
Cheat cut
|
In the continuity editing system a cut that presents continuous time from shot to shot but mismatches the positions of figures or objects
|
|
Clos up
|
Neck up
|
|
Closure
|
The degree to which the scale of the object shown is relatively large;most commonly, a person head seen from the neck up or an object of a comparable size that fills most of the screen
|
|
Continuity editing
|
A system of cutting to maintain continuous and clear narrative action
|
|
Contrast
|
the difference between the brightest and darkest area within the frame
|
|
Crane shot
|
A shot with a change in framing accomplished by placing the camera above the subject and moving through the air in any direction
|
|
crosscutting
cut 1 |
the joining of two strips of film together with a splice
|
|
Cut-in
|
An instantaneous shift from a distant framing to a closer view of some portion of the same space
|
|
Deep focus
|
A use of the camera lens and lighting that keeps objects in both close and distant places in sharp focus
|
|
Deep Space
|
An arrangement of miss-en-scene elements so that there is a considerable distance between the place closets to camera and the one farthest away
|
|
Depth of field
|
The measurments of the closest and farthest planes on front of the camera lens between which everything will be in the sharp focus
|
|
Dialogue overlap
|
Editing,arranging the cut so that a bit of dialogue coming from shot A is heard under a shot that shows another character or another elements in the scene
|
|
Diegesis
|
In a narrative film the world of the films story the diegesis includes events that are presumed to have occurred and actions and spaces not shown onscreen
|
|
Diegetic sound
|
Any voice musical passage,sound effect from a source within the films world
|
|
Digital intermediate
|
A strip of film is developed and scanned frame by frame to create a digital copy of sequences or a whole movie
|