• Shuffle
    Toggle On
    Toggle Off
  • Alphabetize
    Toggle On
    Toggle Off
  • Front First
    Toggle On
    Toggle Off
  • Both Sides
    Toggle On
    Toggle Off
  • Read
    Toggle On
    Toggle Off
Reading...
Front

Card Range To Study

through

image

Play button

image

Play button

image

Progress

1/52

Click to flip

Use LEFT and RIGHT arrow keys to navigate between flashcards;

Use UP and DOWN arrow keys to flip the card;

H to show hint;

A reads text to speech;

52 Cards in this Set

  • Front
  • Back

"Spotted Horses and Human Hands"


-Time: Paleolithic 3000-2000 BCE


-In cave at dordogne, France



-used natural canvas, used tar like material for paint with animal fat

"women of Willendorf"


-midsection is emphasized


-reproductive features are also emphasized


-perhaps made as good luck charms in that reproduction was dangerous at this time



vienna Austria


"Wall Painting with HorsesRhinoceroses, and Aurochs"



Chauvet Cave, ca. 30, 000 , 28, 000 B.C.


paint on limestone



destroyed bc of tourist



Discovery in 1994 (remember Paleolithic period) successful hunt, initiation right, increase animal population)

"Hall of Bulls"


Lascaux, France


-france c. 1500 bc, paint on limestone

"Bird headed man with bison"


Lascaux, France. Paint on limestone



only human like image during time period, but it has a bird head


"Bison"


from Altamira, Spain


Medium: round mineral pigment, used animal fat to apply pigment to wall with fur pads, sticks, blow tubes (airbrush)



great example of medium use: artist uses the bends of the round rock to make the bison look more realistic

"Tomb Interior"


Newgrange Ireland


-built as tomb


-stone entrance to passage



mosoleim build into rocks



neolithic period


"Stonehenge"


Wiltshire England


-perhaps used for religious purposes


-during summer solstice if you stand in center you will be looking at exact spot where sun rises- marks agricultural part of year. calender clock



POST AND LINTEL



blood because of sacrifice



stones are not from the era



neolithic period

"ruins and plans of white temple" Warka Iraq



-large center hall and small side room


-meant for a select few of people

"carved Vessel"


(Uruk Vase) Iraq national museum, Baghdad



3 registers (one story line) , telling 3 stories



celebrating a group or an individual

"votive statues from the square temple"


black Limestone, gypsum, University of chicago



Subject:


-each statue has a little cup for a religious practice (they were there to pray on my behalf for Gods to see)



-male figure identified as Abu (vegetation God) has the largest eyes (most reconizable features)



SUMERIAN


"Great Lyre with Bulls Head"



royal tomb at Ur. Wood with gold, silver, lapis lazuli (bright blue stone) bitemen and shell reassembled on a modern wood support, University of PA museum



Subject:


-animals dancing, no humans


-a story is being told, gets more important as the eyes go up

Cylinder seal and modern impression


for identifying an item of personal belonging, its like a stamp



Culture: Sumerians credited for first writing system



Medium: Lapis lazuli

Nanna Ziggurat,



Ur (present day Iraq) 2100-2050 BCE, fired brick.


ziggurats were commonly used for religious purposes


-formal realistic structure with a verticle stairway (not a staircase on both edges)



mesopotamian




"stele of naramsin"


Limestone, louvre, paris.


Names: Shamash and Ishtar


Horned helmet: usually an attribute of a god


-two stars which a represented to two Gods shamash (sun god) and ishtar (goddess of fertility)


-stele(stelea) is any carved monument that celebrates an individual or event


-most important figure is the largest



Pictoral composition: Gods are much bigger than the people of less hierarchy



Akkadian mesopotamian

Quality of mesopotamian sculpture:


Style

-large eyes


-pronounced eye brow


-very contained, formal and stiff looking


-frontal arms are front, legs are front



-almost always seen in profile


-no sense of depth- very flat

"head of a man" Akkadian ruler


From nineveh, c 2300-2200 BCE copper, Iraq National Museum, Baghdad


Copper.



eyes that are gone: because they were probably worth something and someone stole it



"votive statue of gudea" Lagash


(ruler of Lagash, c. 2090, diorite, Louvre, Paris.


-tried to bring back sumeritian ideas as a leader


-known for temple rehabilitation



head is gone, cunieform is on the side



"stele of Hammarabi"


babylonian


c 1792 Bc, diorite, louvre, Paris. Name: Shamash



-the laws of hammurabi are carved into the stone- very harsh rules- brought together parts of middle east


most known ruler of time period



"Assurnasipal II killing lions"


-Assyrian


from the Palace of assurnasipral, Kalhu c 875, alabaster, British Museum, London.



-controlled hunt: aimed to harm instead of a hunt. this is their idea of hunt




Reconstruction drawing of the Citadel of Sargon II



fortified walls for protection




assyrian



Guardian Figures, Citadel of Sargon II,


Khorsabad, Iraq



assyrian



when you walk up to it, its suppose to provoke fear

reconstruction drawing of babylon in the 6th century bce


Name: Nebuchadezzner



Babylon being redone



best way to stop an army: is creating a tiny little opening so only a few people can get through

Ishtar Gate


the eighth gate to the inner city of Babylon.



lots of animals are shown



Dedicated to the Babylonian goddess Ishtar, the gate was constructed using glazed brick

palette of Narmer



old kingdom egypt



bowling pin guy with falcon ( horus)



reps unifying lower and upper egypt



very shallow relief carving



most important figure is the tallest



reps a figure to be used for 3000 years



solid ground line



egyptian DID NOt use or understand prospective.



Stone relief


Removed his shoes because of sacred event


White crown of upper egypt


Horus: falcon god


Papyrus and human head


City of lower egypt


Hathor: Cow goddess, nurses infant king and protects


Frontal eye and profile head

Stepped Pyramid of Djoser, Saqqara, limestone



oldest egyptian pyramid



Djoser is the second king of the egytian old kingdom, temple is for him



shows worship and after life



Imatept is the arcitect

Great Pyramids and Sphinx, Giza


granite and limestone


names: Khfu(tallest 450 ft) ,


Khafre and Menkaure (three kings that the pyramids were built for)


Term: ben stone


Ra; sun god


Great Sphinx, from the funerary district of khafre giza, sandstone

Khafre,



from his Valley Temple, Giza, Diorite, Egyptian Museum, Cairo


.


Terms: Horus, lotus and papyrus


Portraiture: more perception than truth



idealizes kings presence

Seated Scribe


Scribe to the dead


heiroglyphics


Ti Watching a hippopptamus Hunt, at the tomb of Ti, Saqquara, painted limestone


Hippo was considered a dangerous creature



produced for enjoyment of the deseized in his tomb



After life



profile view of straight chest

Rock-cut Tombs, Beni Hassan



Middle kingdom Egyptian Art



structured like this because they didnt want people stealing their stuff



Funerary Mask of Tutankhamen


New kingdom Egypt



his mom and dad were brother and sister



had a form of epilepsy, when he fell, he died instantly



hes very popular because his tomb was not found until 1922 and it was very in tact.



sold gold with emerald pearls, diamonds, rubys

Great Temple of Amun, Karnak



Pylons, open courtyards, hippastyle hall



2 images: plan and detailed image of columns (could be interior view of the columns instead of whole view)



new kingdom egypt

Funerary Temple of Queen Hatshepsut, Deir el-Bahri



new kingdom egypt



cut into rock



Colossal Figure of Akhenaten


mid 14th C BCE sandstone with traces o paint, Egyptian museum, Cairo.



new kingdom egypt



challenged religion: said monotheism



changed the way people looked, wanted to bring the characterisics that people had into art - embrace who we are (some of this stuck)

Akhenaten and his Family


=playful, lovely image



new kingdom egypt



celebrated one egyptian blessing god




Nefertiti


painted limestone, staatlilche meuseen zu Berlin


-unfinished, perhaps created to serve as a model


-most of her still in tact


-rubys were crushed up and used as pigment



wife of akhenaten

Inner coffin of Tutankhamun



his tomb remained largely in tact until 1922



reps wealth of new kingdom egypt

Temple of Ramses II, Abu Simbel


Ramses was interested in advancing society



Judgment of Hunefer Before Osiris



* Osiris (enthroned wearing Atef crown; he is associated with death and is one of the most powerful gods in the Egyptian pantheon) biggest person - profile view



after life

Aegean art: Cycladic, late Neolithic, early Bronze Age 4-2



Figure of a Woman



very simple of its form- reps any women

Reconstruction drawing of the “Palace” Complex of Knossos, Crete



minonoan



on an island, defense

Stairwell, Knossos



falsk: big storage for liquids

Harvester Vase


Mineoan agean art



Black Steatite



ritual use: celebrates great harvest




Octopus Flask



Aegean art: minonan= sea life



Marine style because they depicted sea life on their surfaces. This Octopus flask from around 1500 BC celebrates the oceans.



ceramic



kamaresware




Vapheio cup



minoan style vessel, founded in greek main land, traveled or part of trade



style is much in common with fresco pottery found in palace

Citadel, Mycenae


fortifiecation: giant defensive wall that would keep you out

Bull leaping



curving imagery that was typical of this time period


wasp and tiny waits features



example of fresco painting

LIon Gate, Mycenae



reliefing triangle


post and lintel


corbelling: a little bit further each time until you come to a point

“Mask of Agamemnon”



pure gold



idealized but still has his own characteristics



put mask on for sleeping



after life

dagger blade



mycenians=hunters on main land



theyres animals

treasury of atreaus (tholos)



interior and posterior



beehive


corbelling



mycenean