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5 Cards in this Set
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Gian Lorenzo Bernini, The ecstasy of St. Theresa Cornaro Chapel, Rome 1645-1652 actual and simulated light. oneness with god -- state of ecstasy --erotic associations example of emotional theatrical style in response to religious and political climate in rome during counter reformation. church displays authority ignatius ecouraged people to use senses to explore religion art as propaganda helped achieve emotional state of religious ecstasy -- goal of counter reformation opulent churches to show wealth and heighten emotional involvement |
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Gian Lorenzo Bernini, David 1623 lean athletic body. determination 3d intrusion into viewers space -- viewer part of action. example of baroque period use of perspective -- encourages them to reflect upon work. example of papal power and spending. commissioned this work for his nephew. vast financial resources theatric and dramatic -- in state of battle |
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Caravaggio, Supper at Emmaus, 1610 Naturalism baroque demand for drama and clarity -- realism--light *found work as still life painter of fruit and veggies --introduced realism -- reflection of science of time Jesus reveals himself after resurrection. foreshortening for perspective. food on edge of table puts viewer at the table. master of emotion. humanistic depiction of jesus suggests to viewer that jesus could enter daily lives... |
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Caravaggio, The Calling of Saint Matthew Contarelli Chapel @ Church of San Luigi dei Francesi, Rome 1599-1600 Naturalismbaroque demand for drama and clarity -- realism -- light Example of tenebrism -- figures emerge from dark into strong light -- inspired by leonardo subject:conversion -- common counter reformation theme jesus calls levi (tax collector) to join apostles WHO ME? light draws viewer into room -- theatrical baroque style moment of IMPACT |
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Artemisia Gentileschi, Judith Beheading Holofernes 1619-1620 style of carvaggio baroque style power of women. realism violence women more mobile in art idustry struggled to become a painter uncommon and difficult but not exceptional |