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5 Cards in this Set

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Gian Lorenzo Bernini, The ecstasy of St. Theresa


Cornaro Chapel, Rome


1645-1652


actual and simulated light.


oneness with god -- state of ecstasy --erotic associations


example of emotional theatrical style in response to religious and political climate in rome during counter reformation.


church displays authority


ignatius ecouraged people to use senses to explore religion


art as propaganda


helped achieve emotional state of religious ecstasy -- goal of counter reformation


opulent churches to show wealth and heighten emotional involvement

Gian Lorenzo Bernini, David


1623


lean athletic body. determination 3d intrusion into viewers space -- viewer part of action. example of baroque period use of perspective -- encourages them to reflect upon work. example of papal power and spending. commissioned this work for his nephew. vast financial resources


theatric and dramatic -- in state of battle

Caravaggio, Supper at Emmaus,


1610


Naturalism


baroque demand for drama and clarity -- realism--light


*found work as still life painter of fruit and veggies


--introduced realism -- reflection of science of time


Jesus reveals himself after resurrection.


foreshortening for perspective. food on edge of table puts viewer at the table. master of emotion. humanistic depiction of jesus suggests to viewer that jesus could enter daily lives...





Caravaggio, The Calling of Saint Matthew


Contarelli Chapel


@ Church of San Luigi dei Francesi, Rome


1599-1600


Naturalismbaroque demand for drama and clarity -- realism -- light


Example of tenebrism -- figures emerge from dark into strong light -- inspired by leonardo


subject:conversion -- common counter reformation theme


jesus calls levi (tax collector) to join apostles


WHO ME?


light draws viewer into room -- theatrical baroque style


moment of IMPACT

Artemisia Gentileschi, Judith Beheading Holofernes


1619-1620


style of carvaggio baroque style


power of women.


realism violence


women more mobile in art idustry


struggled to become a painter uncommon and difficult but not exceptional