Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
70 Cards in this Set
- Front
- Back
- 3rd side (hint)
Ornette Coleman
|
Alto
Trumpet/Violin |
leader of Avant Garde
as significant as Charlie Parker "Civilization Day" |
|
Don Cherry
|
Trumpet
|
free jazz
long, elaborate lines influenced by clifford brown played alongside coleman |
|
Cecil Taylor
|
Piano
|
alternative to mainstream playing
textures, instead of melodies |
|
Albert Ayler
|
Tenor
Soprano/Vocals |
altissimo register
influencial |
|
Charles Mingus
|
Bass
|
first virtuoso
combined composition with improvisation "Fables of Fauves" |
|
Eric Dolphy
|
Alto
Flute/Bass Clarinet |
unpredictable improvisation
influenced by Monk |
|
Roland Kirk
|
Tenor
Clarinet/Flute/Reeds |
circular breathing
musique concrete |
|
Herbie Hancock
|
Piano
|
child prodigy - Chicago Symphony at 11
refined Bill Evans' style "Maiden Voyage" "Watermelon Man" |
|
Chick Corea
|
Piano
|
influenced by Bill Evans, Horace Silver, Monk, Bud Powell, McCoy Tyner
crisp sound included latin elements jazz fusion |
|
Keith Jarrett
|
Piano
|
long, winding phrases with staccato
influenced by Coleman and Evans "All of You" |
|
Sun Ra
|
Keyboard
|
incorporated "world" instruments
from Chicago |
|
World Saxophone Quartet
|
Julius Hemphill
Oliver Lake David Murray Hamiet Bluiett |
no rhythm section
free improvisation |
|
John McLaughlin
|
Guitar
|
long, fast-moving solos
influenced by Coltrane |
|
Larry Corryell
|
Guitar
|
blended jazz with country, rock, and blues
from Texas |
|
Pat Metheney
|
Guitar
|
played with Gary Burton (vibraphone)
influenced virtually all guitarists "signature" chorus sound |
|
Hiram Bullock
|
Guitar
(originally sax) |
featured sideman with high profile artists
played solid body guitars equally skilled in bebop, fusion, funk, soul, blues |
|
John Scofield
|
Guitar
|
collaborated with Miles Davis, Joe Henderson, Charles Mingus, Pat Metheney
bebop, funk, fusion, soul semi-hollow arch-body guitar |
|
Mike Stern
|
Guitar
|
5 time grammy nominee
bop phrasing with rock influence |
|
Joe Zawinul
|
Piano
|
sideman of Cannonball Adderley
composed for Miles Davis Weather Report - one of the most influential fusion bands |
|
Jaco Pastorius
|
Electric Bass
|
pioneer of the fret-less bass
influenced every electric bass player Weather Report |
|
Elis Marsalis
|
Piano
|
avoided the spotlight to focus on teaching
encouraged students to make discoveries on their own |
|
Wynton Marsalis
|
Trumpet
|
hip style
9 Grammies and a Pulitzer director for Lincoln Center of Jazz Orchestra |
|
Delfeayo Marsalis
|
Trombone
|
recorded albums without bass duret to obtain a more wood sound from the bass
|
|
Michael Brecker
|
Tenor
|
most influential tenor sax since Coltrane
also influenced Rock Guitar "Steps Ahead" merged funk and soul with classic jazz |
|
Diana Krall
|
Piano/Vocals
|
Berkeley COllege of Music
discovered by Ray brown influenced by Nat King Cole |
|
Grover Washington
|
Soprano/Alto/Tenor
|
"Mr. Magic"
merged funk and soul with classic jazz |
|
clave rhythm
|
made by Cal Tjader
|
3-2
2-3 |
|
Paquito De'Rivera
|
Saxophone/Clarinet
|
played clarinet with 2 classical style guitarists
|
|
Take Six
|
Vocal
|
gospel influenced
all male sextet collaborated with pop, gospel, R&B |
|
The Real Group
|
Vocal
|
professional a cappella group from sweden
2 women, 3 men "Flight of the Foobirds" |
|
Swingers Unlimited
|
Vocal
|
founded by Gene Puerling
first widely successful 4-part vocal jazz group |
|
Lambert, Hendricks, and Ross
|
Vocal
|
recorded first album Sing a Song of Basie in 1957 featuring vocal versions of Count Basie standards
|
|
Manhattan Transfer
|
Vocal
|
first internationally successful 4-part vocal jazz group
branched out to pop |
|
New York Voices
|
Vocal
|
incorporates instrumental accompaniment
most respected vocal group extremely challenging music |
|
Hank Crawford
|
Alto
|
"Centerpiece" - a l ot of guitar
emulated gospel and blues sound smaller collection of notes |
|
Stanley Turrentine
|
Tenor Sax
|
started with hard bop, merged in funk, blues, soul
shorter phrases with intricate notes |
|
McCoy Tyner
|
Piano
|
tends to play bigger chords
played with Coltrane |
|
Ahmad Jamal
|
Piano
|
admired
miles davis said was influential because of his rhythm and use of space multi-tonal melodies |
|
Terrell Stafford
|
Trumpet
|
very agile trumpet plaer
wanted sideman |
|
Association for the Advancement of Creative Musicians
|
founded by Muhal Richard Abrams
|
Association of Avant-Garde musicians that allowed them to support each other
|
|
Art Ensemble of Chicago
|
notorious in the 1970's
|
incorporated African instruments
|
|
Gary Burton
|
Vibraphone
|
worked with Chick Corea
fostered the new fusion movement |
|
Bob James
|
Keyboard
|
smooth jazz
jazz fusion |
|
Paul Motion
|
Drums
|
Bill Evan's trio
Armenian extraction |
|
Jazz vs Rock
|
less improvs, frequency of chord changes, complex harmonies in rock. less repetition in jazz
|
|
|
Dexter Gordon
|
Tenor Sax
|
1st bebop players
|
|
George Shearing
|
Piano
|
"voicing" double melody block chord
|
|
Arturo Sandoval
|
Trumpet/Piano
|
Latin, Afro-Cuban jazz
|
|
Scat
|
uses neutral syllable only
improvised on the spot |
|
|
Vocalese
|
lyrics are written
|
|
|
Kurt Elling
|
Vocals
|
admired
|
|
Bossa Nova
|
Antonio Carlos Jobim
|
brazilian jazz music
|
|
Scott Lafaro
|
Bass
|
Bill Evans' Trio
|
|
Maria Schneider
|
Composer
|
studied under Gil Evans
|
|
Wynton Kelly
|
Piano
|
played with Davis
|
|
Joey Defrancesco
|
Organs/Trumpet/Vocals
|
soul jazz
|
|
David Sandborn
|
Alto/Tenor
|
distinctive, hard edge sound
|
|
Key Figures of Jazz Rock Fusion
|
Herbie Hancock
Larry Corryell Miles Davis Garry Burton |
|
|
Sonny Stitt
|
Tenor/Alto
|
greatest disciple of Charlie Parker
bebop |
|
Gil Evans
|
Piano
|
free jazz
jazz fusion worked with Miles Davis |
|
Popular Soul Saxophonists
|
Grover Washington
Hank Crawford Stanley Turrentine |
merged funk & soul w/ classic styles
|
|
Anthony Wilson
|
Guitar
|
|
|
Bob Mintzer
|
electronic wind
|
|
|
Weather Report
|
Joe Zawinful
Wayne Shorter |
jazz fusion
|
|
Lester Young
|
Tenor
|
influenced John Coltrane
|
|
Wayne Shorter
|
Sax
|
founded weather report
|
|
John Coltrane
|
Tenor
|
"densely packed" solos
"sheets of sound" |
|
Free Jazz
|
improvisations freed from constraints of jazz
no traditional chord progression collective improv |
|
|
Freddie Hubbard
|
Trumpet
|
influential tone
|
|
George Benson
|
Guitar/Scat
|
funk
|