Emb210 Intro To Video: Single Camera Production -- Final Exam Flashcards (Final Lecture)

Front 1

The ENG/electronic news gathering style uses a scripting format called the

Back 1

two-column format

Front 2

the two-column format is primarily used by

Back 2

the ENG/electronic news gathering format

Front 3

films, commercials, etc. use a scripting format called _____

Back 3

center-style/single-column style

Front 4

the center-style/single-column style is primarily used by

Back 4

films, commercials, etc.

Front 5

has names with lines underneath it as well as lines which clearly establish INT./EXT., etc.

Back 5

center-style/single-column style

Front 6

when you look at all the footage you have shot and go through and make notes of where everything is at on the video

Back 6

logging

Front 7

what are the four elements that should be included when you log footage?

Back 7

(1.) timecode (2.) field of view (3.) duration (4.) notes

Front 8

what are the four elements that should be included when you log footage?

Back 8

(1.) timecode (2.) field of view (3.) duration (4.) notes

Front 9

a clapboard is primarily used in _____-style productions

Back 9

film-style or EFP-style

Front 10

primarily used in film/EFP-style productions, when you write down the scene and the take and record this so you will later know which shots are good

Back 10

clapboard

Front 11

clapboards are not used for _____ productions because they are too fast-paced and nothing is staged

Back 11

ENG/news-style

Front 12

something used in film-style or EFP productions

Back 12

clapboard

Front 13

what three things are included before an actual commercial sent to broadcast stations?

Back 13

(1.) 1 minute/60 seconds of COLOR BARS AND TONE (2.) 10 seconds of SLATE; (3.) 10 second COUNTDOWN

Front 14

allows the television station to ensure the audio on your piece matches the audio in their facilities and to ensure their video colors match

Back 14

color bars and tone

Front 15

a full screen of information about the video you have given the station; also includes contact information so that the station can contact the person or production house that produced the commercial if there are any technical errors

Back 15

slate

Front 16

TRT stands for

Back 16

total running time

Front 17

between _____ seconds (about _____) of padding is good/optimal

Back 17

2-5; 2

Front 18

adding a bit extra of an establishing shot or shot with good natural sound that really tells about the piece

Back 18

padding

Front 19

what are the three main types of lenses?

Back 19

(1.) wide angle lens (2.) normal lens (3.) telephoto lens

Front 20

allows you to shoot things really wide and is the best choice for an establishing/exterior shot

Back 20

wide angle lens

Front 21

you would use this if you wanted an exterior or establishing shot of a skyline or the Grand Canyon

Back 21

wide angle lens

Front 22

what most cameras have on them; replicates your own eyesight

Back 22

normal lens

Front 23

a wide shot with this would be similar to what you can actually see with your peripheral vision

Back 23

normal lens

Front 24

allows you to zoom into things really far away

Back 24

telephoto lens

Front 25

if you zoom out all the way with this you do not get much of a wide shot

Back 25

telephoto lens

Front 26

true or false? if you get a camera with digital zoom you should use it

Back 26

false; you should not use it because all the digital zoom does is enlarge the pixels, so it will make an out of focus shot look even more

Front 27

often used in music videos because getting too close to the camera causes people's faces to warp

Back 27

wide angle lenses

Front 28

slows down speed, making things that are very fast look relatively slow

Back 28

telephoto lens

Front 29

shooting a pitcher/batter pitch or auto race would be best accomplished with a

Back 29

telephoto lens

Front 30

takes planes like the foreground, middleground, and background and jams them together

Back 30

telephoto lens

Front 31

often used for dramatic purposes in narrative, such as in The Graduate when a character is running as fast as they can go but it looks as if they are barely moving

Back 31

telephoto lens

Front 32

one of the biggest things that affects depth of field and how you manipulate it is _____

Back 32

the type of lens you use

Front 33

one of the biggest things that affects _____ is the type of lens you use

Back 33

depth of field

Front 34

ATSC stands for

Back 34

Advanced Television Systems Committeee Standards

Front 35

the standard aspect ratio for SD is

Back 35

4:3 or 16:9

Front 36

the standard aspect ratio for HD is

Back 36

16:9

Front 37

the standard framerates for SD are

Back 37

24, 30, or 60 fps

Front 38

the standard framerates for HD are

Back 38

24, 30, or 60 fps

Front 39

the standard scanning rate for SD is

Back 39

480i/p

Front 40

the standard scanning rate for HD is

Back 40

1080i/p or 720p

Front 41

true or false? 720 can be interlaced

Back 41

false (it can only be progressive)

Front 42

basically capacity/size; the more information that can be put on a cable line, the more _____ it has

Back 42

bandwidth

Front 43

recording at _____ fps will give whatever you are shooting a film look to it if what you are shooting does not involve a lot of action or movement

Back 43

24

Front 44

if you have something where there is a lot of action or movement, in order to make it look more like motion you need to use a higher sampling/framerate because _____ fps causes an ugly, jarring video effect

Back 44

24

Front 45

_____ fps is the framerate that creates the illusion of motion

Back 45

24

Front 46

a physical medium, like celluloid that has photochemicals on it; when the camera is exposed to light coming into the lens, it hits chemicals and burns the image onto this

Back 46

film

Front 47

an electronic process in which you take light information, store it, and play it back

Back 47

video

Front 48

uses pixels; the camera looks at a given image and scans it from top to bottom, left to record, using pixels to record brightness and information

Back 48

video

Front 49

video uses _____ to record brightness and information

Back 49

pixels

Front 50

the three colors of pixels are

Back 50

red, green, and blue (RGB)

Front 51

uses so many pixels that it recreates the look of motion picture 35mm that used to only be available to major motion picture studios

Back 51

digital cinema

Front 52

the two resolutions of digital cinema are

Back 52

2K and 4K

Front 53

the file format used for finished projects in this class is

Back 53

QuickTime

Front 54

when you take a file format and change it to a different file format

Back 54

transcoding

Front 55

the cameras at NKU record video in a format not recognized by Final Cut, so we will have to take the files from the camera and go through a piece of software that will _____ them into a format that Final Cut will recognize

Back 55

transcode

Front 56

a piece of compression and decompression software hidden within the file that takes a large amount of digital information and makes it smaller/squeezes it together

Back 56

codec

Front 57

compression and decompression software

Back 57

codec

Front 58

where is a codec located?

Back 58

a codec is hidden within the actual file

Front 59

what squeezes the information

Back 59

DV (digital video) codec

Front 60

what does a DV codec stand for?

Back 60

digital video codec

Front 61

a very popular codec that is of good quality and makes the file about two times smaller

Back 61

H.264

Front 62

H.264 is a very popular _____ that is of good quality and makes the file about two times smaller

Back 62

codec