• Shuffle
    Toggle On
    Toggle Off
  • Alphabetize
    Toggle On
    Toggle Off
  • Front First
    Toggle On
    Toggle Off
  • Both Sides
    Toggle On
    Toggle Off
  • Read
    Toggle On
    Toggle Off
Reading...
Front

Card Range To Study

through

image

Play button

image

Play button

image

Progress

1/73

Click to flip

Use LEFT and RIGHT arrow keys to navigate between flashcards;

Use UP and DOWN arrow keys to flip the card;

H to show hint;

A reads text to speech;

73 Cards in this Set

  • Front
  • Back
How did non-theatre-related changes that took place in the mid-nineteenth century affect theatre?
There were profound changes in religion, philosophy, psychology and economics

There was the challenging of beliefs that have accepted as standards for centuries.
What technical innovations occurred in the mid-nineteenth century in the theater?
Gas Light
The fourth wall
New machinery
What are some qualities of melodrama?
Background music
Well -defined heroes and villains (virtuous maidens and extreme villains)
Surprises and unlikely twists
Sentimentality
Clear-cut Ending
Melodrama Today
Where did melodrama first develop?
Developed in Germany and France
What is the Well Made Play, and who is responsible for it? What are the five ingredients?
Eugene Scribe. It was basically a factory for making plays.

A careful EXPOSITION telling the audience what the situation is usually including one or more secrets to be revealed later.
SURPRISES, such as letters to be opened at a critical moment and identities to be revealed later. Withheld secret.
SUSPENSE THAT BUILDS steadily throughout the play, usually sustained by cliff-hanging situations and characters who miss each other by way of carefully timed entrances and exits At critical moments, characters lose important papers or misplace identifying jewelry, for instance. A battle of wits.
A CLIMAX late in the play when the secrets are revealed and the hero confronts his antagonists and succeeds.
A DENOUEMENT, the resolution of the drama when all the loose ends are drawn together and explanations are made that render all the action plausible. The protagonist is saved.
What was Naturalism and who is associated with it?
Emile Zola. No twists, surprises, suspense, convoluted plots, showed the dark side of life
Henrik Ibsen
Norwegian playwright, Pillars of Society, A Doll's House, realism, serious drama.
August Strinberg
Sweedish playwright, expressionist. Actually was first a naturalist, then expressionist. Less rigid in his plays than emile zola. Miss Julie is play in the book. j
Expressionism
Disregarded the strict demands of naturalism to present a "slice of life" without artistic shaping of plot or resolution. Focused on dreams, nightmares, symbols.

Abandoned realism and verisimilitude (degree to which drama reflects reality), presenting nightmarish images of the individual unconscious
Anton Chekhov
Russian playwright , hugely influential, A realist. Plays were very lifelike. Master of the subtext, which is dialogue that seems simple but contains implied deeper meanings.

His plays are also very clear and direct. Shows characters ambitions, pain, and success, also touches on social changes. The Cherry Orchard is in the text.
REALISM and MYTH
Sigmund Freud and his theories of psychoanalysis
Stimulated a new interest in myth and dreams
That it was a psychological link between people - collective unconscious
Poetic realism
Playwrights that used elements of myth in their plays produced a poetic form of realism that deals with a level of truth common to all humans.

Eugene O’Neill, Desire Under the Elms,

Playboy of the Western World by
John Millington Synge
Eugene ONeill
Realist, american playwright. Had a dark vision of the world . . . his characters are haunted. To some extent, his tragedies were the first to really make it on Broadway. A Long Days Journey Into the Night, the saddest play ever written.
Social Realism
Clifford Odets, waiting for lefty. Realism with a political conscience
Realism and Expressionism
Apparently we are supposed to know that Tennessee Williams and Arthur Miller are associated with this.
Antirealism
Louigi Pirandello - also an experimentalist.
Six Characters in Search of an Author (no objective truth to be known)
He turned the Expectations of drama upside down.
Well ?
Epic theater and Brecht
Brecht is an influential german playwright. He believed that the audience is expected to interact seriously with the work, and not so much just emotionally respond. Used alienation to keep the audience emotionally detached but intellectually alert to the play.

Alienation effect
Opposite of “suspending one’s disbelief”
Did not want to show the illusion of theater
Absurd Theater
Martin Esslin coined the term "The Theatre of the Absurd"

mainly was Samuel Beckett. He wrote:
Happy Days
Waiting for Godot

Eugène Ionesco
The Bald Saprano
Three Beckett plays
Waiting for Godot
Endgame
Happy Days
the house
where the audience sits
house manager
manages the house
weigh the house
evenly distribute audience
late comers
a lot of people have to work together to decide when to seat people that are late
legs
curtains that hide the wings
wings
off stage area to left and right of promescium stage.
teasers
curtain that hides some light lights and stuff above the stage
foot lights
not often used now, but low-lying lights
Special
a lighting cue.
follow spot
light that follows you
gel
filter for light that changes its color
spike marks
tape that shows where props should go.
blocking
recorded in promptbook. Movement of actors on stage.
cross
a particular movement of actors
cue-to-cue
technical rehearsal, just the cues and none of the stuff in between.
dramaturg
does the research for the play
gobo
light filter, changes the shadows, can create some cool effects
model
set designer creates a model of the set
monologue
long speech in a play
non-traditional casting
color-blind casting
practical
the actor is near a light. and he actually turns it on. a non practical would be him faking to turn it on but someone else actually doing that.
preview
a performance before official opening.
promptbook
contains all the stage notes, cues, quick changes, props, etc. stage manager has it.
raked
at an angle, going up, either the audeince or the stage can be raked.
sight lines
what the audience can and cannot see.
soliloquy
speech that other characters on stage "can't hear"
vomitory
enterance for actors from either underneath or left/right of audience.
unit set
one set for all different locations
strike
to remove something from stage
apron
The apron is any part of the stage that extends past the proscenium arch and into the audience or seating area.

Most stages edges are curved slightly outward providing a very small apron. Some have a large playing space protruding into the audience and in turn a very large apron.

An apron stage can also be another name for a thrust stage.
fittings
fitting the costume to the actors. during rehearsals.
photo call
takes photos of a rehearsal
half-hour
30 minutes before show starts, stage manager calls this
places
stage manager calls this and actors are supposed to go where they are when the play starts.
Calling the show
stage manager calls the show. loads up the cues.
ten out of twelve.
a silly rule about how long actors can work on one weekend during a month
read through
sit around table, actors read through entire script
dry tech
tech rehearsal without the actors
dress rehearsal
rehearsal with costumes.
blackout
lights go out. modern theater uses it a lot to end plays
AEA
union for actors and stage managers
Mock up
a mock up is an object which is designed to emulate a prop or costume until performance time, at which point the actual prop or costume is used. so the actor can get practice.
Sides
after a call back, an actor picks up sides which contains exerts from the play
audition hierarchy
actor calls agent.
agent calls casting director.
casting director talks to producer.
producer talks to director.
grid
where to hang the instruments. by instruments we mean lights. like, put the spot light at a-4 or something ridiculous
mark
specific, spatial (physical) spot that the actor needs to be at during a specific time
line through
no script. make sure that all the actors know their lines.
speed through
really fast line through
stumble through
we know that the actors dont know their lines, but we try to read through the entire play anyways
run through
best that the actors can do without calling line or anything
run
how long does the show run? it could run two hours . . . or the show runs for four weeks . ..
go up
forgetting a line
line
called during rehearsal
the booth
stage manager sits here.