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434 Cards in this Set
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- Back
- 3rd side (hint)
Horizontal lines |
Horizontal lines create width in hair design. They extend in the same direction and maintain a constant distance apart- from the floor or horizon. |
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Vertical lines |
Vertical lines create length and hieght in hair design. They make a hairstyle appear longer and narrower as the eye follow the lines up and down |
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Curved lines |
Lines moving in a circular or semi- circular direction, soften a design. They can be large or small, a full circle, or just part of a circle. Curved lines can move in a clockwise or counter clockwise direction. They can be placed horizontally, vertically, or diagonally. |
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Curved lines repeating in opposite directions create ________. |
A wave |
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Curved lines repeating in opposite directions create ________. |
A wave |
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Parallel lines |
Are repeating lines in a hairstyle. They can be straight or curved. The repetition of lines creates more interest in the design. |
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Curved lines repeating in opposite directions create ________. |
A wave |
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Parallel lines |
Are repeating lines in a hairstyle. They can be straight or curved. The repetition of lines creates more interest in the design. |
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An example of a style using curved, parallel lines is______. |
A finger wave |
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Chemical wave pattern changes are considered what? |
Permanent |
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Chemical wave pattern changes are considered what? |
Permanent |
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Colour selection for a gold skin tone |
Warm haircolors are more flattering than cool haircolors. |
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When choosing a style for a woman with large hips or broad shoulders, for instance what would you normally do? |
Create a style with more volume . |
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When choosing a style for a woman with large hips or broad shoulders, for instance what would you normally do? |
Create a style with more volume . |
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Balance |
Balance is establishing equal or appropriate proportions to create symmetry. |
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When choosing a style for a woman with large hips or broad shoulders, for instance what would you normally do? |
Create a style with more volume . |
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Balance |
Balance is establishing equal or appropriate proportions to create symmetry. |
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Asymmetrical balance |
Is established when the two imaginary halves of a hairstyle have an equal visual weight, but are positioned unevenly. Opposite sides of the hairstyle are different lengths or have a different volume. Asymmetry can be horizontal or diagonal. |
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Rhythm |
Is a regular pulsation or recurring pattern of movement in a design. |
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Emphasis |
Also known as focus, in a design is what draws the eye first, before it travels to the rest of the design. |
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Rhythm |
Is a regular pulsation or recurring pattern of movement in a design. |
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Emphasis |
Also known as focus, in a design is what draws the eye first, before it travels to the rest of the design. |
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An artistic and suitable hairstyle will take into account physical characteristics such as the following: |
-shape of the head, including the front view(face shape), profile, and back view. - features (perfect as well as imperfect features) - body posture. |
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Fine, straight hair |
This combination usually hugs the head shape due to the fact that there is no body or volume. The silhouette is small and narrow. If this is not appropriate for the client based on facial features or body structure, think about what styling aids or chemical services can be recommended to achieve the most flattering style. Left natural, this hair type may not support many styling options. |
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Wavy, medium hair |
This type of hair offers the most versatility in styling. This hair can be diffused to look curly, or be easily straightened by blow drying. |
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Very curly, fine hair |
The most flattering shape for the client must be determined before styling. Keep in mind that for ease of styling, this hair type is generally best cut short. If the hair is long, the silhouette will be wide and extremely voluminous. Chemical services and hair pressing( temporary straightening) take well, but be careful because the hair may be fragile. |
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Square facial shape -facial contour - objective - style choice |
-wide at the temples, narrow at the middle third of the face, and squared off at the jaw. - to offset or round out the square features. -soften the hair around the temples and jaw by bringing the shape or silhouette close to the head form. Create volume in the area between the temples and jaw by adding width around the ear area. |
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Square facial shape -facial contour - objective - style choice |
-wide at the temples, narrow at the middle third of the face, and squared off at the jaw. - to offset or round out the square features. -soften the hair around the temples and jaw by bringing the shape or silhouette close to the head form. Create volume in the area between the temples and jaw by adding width around the ear area. |
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Facial contour of the triangular ( pear shaped) facial type |
Narrow forehead, wide jaw and chin line. |
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Square facial shape -facial contour - objective - style choice |
-wide at the temples, narrow at the middle third of the face, and squared off at the jaw. - to offset or round out the square features. -soften the hair around the temples and jaw by bringing the shape or silhouette close to the head form. Create volume in the area between the temples and jaw by adding width around the ear area. |
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Facial contour of the triangular ( pear shaped) facial type |
Narrow forehead, wide jaw and chin line. |
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Facial contour of oblong facial type |
Long, narrow face with hollow cheeks |
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Square facial shape -facial contour - objective - style choice |
-wide at the temples, narrow at the middle third of the face, and squared off at the jaw. - to offset or round out the square features. -soften the hair around the temples and jaw by bringing the shape or silhouette close to the head form. Create volume in the area between the temples and jaw by adding width around the ear area. |
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Facial contour of the triangular ( pear shaped) facial type |
Narrow forehead, wide jaw and chin line. |
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Facial contour of oblong facial type |
Long, narrow face with hollow cheeks |
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Facial contour of diamond facial shape |
Narrow forehead, extreme width through the cheekbones, and narrow chin. |
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Square facial shape -facial contour - objective - style choice |
-wide at the temples, narrow at the middle third of the face, and squared off at the jaw. - to offset or round out the square features. -soften the hair around the temples and jaw by bringing the shape or silhouette close to the head form. Create volume in the area between the temples and jaw by adding width around the ear area. |
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Facial contour of the triangular ( pear shaped) facial type |
Narrow forehead, wide jaw and chin line. |
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Facial contour of oblong facial type |
Long, narrow face with hollow cheeks |
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Facial contour of diamond facial shape |
Narrow forehead, extreme width through the cheekbones, and narrow chin. |
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Facial contour of inverted triangle (heart shaped) facial type |
Wide forehead and narrow chin line. |
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Square facial shape -facial contour - objective - style choice |
-wide at the temples, narrow at the middle third of the face, and squared off at the jaw. - to offset or round out the square features. -soften the hair around the temples and jaw by bringing the shape or silhouette close to the head form. Create volume in the area between the temples and jaw by adding width around the ear area. |
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Facial contour of the triangular ( pear shaped) facial type |
Narrow forehead, wide jaw and chin line. |
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Facial contour of oblong facial type |
Long, narrow face with hollow cheeks |
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Facial contour of diamond facial shape |
Narrow forehead, extreme width through the cheekbones, and narrow chin. |
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Facial contour of inverted triangle (heart shaped) facial type |
Wide forehead and narrow chin line. |
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Convex profile |
Has a receding forehead and chin. |
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Square facial shape -facial contour - objective - style choice |
-wide at the temples, narrow at the middle third of the face, and squared off at the jaw. - to offset or round out the square features. -soften the hair around the temples and jaw by bringing the shape or silhouette close to the head form. Create volume in the area between the temples and jaw by adding width around the ear area. |
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Facial contour of the triangular ( pear shaped) facial type |
Narrow forehead, wide jaw and chin line. |
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Facial contour of oblong facial type |
Long, narrow face with hollow cheeks |
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Facial contour of diamond facial shape |
Narrow forehead, extreme width through the cheekbones, and narrow chin. |
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Facial contour of inverted triangle (heart shaped) facial type |
Wide forehead and narrow chin line. |
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Convex profile |
Has a receding forehead and chin. |
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Close-set eyes: |
Usually found on long, narrow faces. Direct hair from a diagonal back part with some height is advisable. A slight lightening of the hair at the corner of the eyes will give the illusion of width. |
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Square facial shape -facial contour - objective - style choice |
-wide at the temples, narrow at the middle third of the face, and squared off at the jaw. - to offset or round out the square features. -soften the hair around the temples and jaw by bringing the shape or silhouette close to the head form. Create volume in the area between the temples and jaw by adding width around the ear area. |
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Facial contour of the triangular ( pear shaped) facial type |
Narrow forehead, wide jaw and chin line. |
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Facial contour of oblong facial type |
Long, narrow face with hollow cheeks |
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Facial contour of diamond facial shape |
Narrow forehead, extreme width through the cheekbones, and narrow chin. |
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Facial contour of inverted triangle (heart shaped) facial type |
Wide forehead and narrow chin line. |
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Convex profile |
Has a receding forehead and chin. |
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Close-set eyes: |
Usually found on long, narrow faces. Direct hair from a diagonal back part with some height is advisable. A slight lightening of the hair at the corner of the eyes will give the illusion of width. |
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Prominent nose |
To draw attention away from the nose, bring hair forward at the forehead with softness around the face. |
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Square facial shape -facial contour - objective - style choice |
-wide at the temples, narrow at the middle third of the face, and squared off at the jaw. - to offset or round out the square features. -soften the hair around the temples and jaw by bringing the shape or silhouette close to the head form. Create volume in the area between the temples and jaw by adding width around the ear area. |
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Facial contour of the triangular ( pear shaped) facial type |
Narrow forehead, wide jaw and chin line. |
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Facial contour of oblong facial type |
Long, narrow face with hollow cheeks |
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Facial contour of diamond facial shape |
Narrow forehead, extreme width through the cheekbones, and narrow chin. |
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Facial contour of inverted triangle (heart shaped) facial type |
Wide forehead and narrow chin line. |
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Convex profile |
Has a receding forehead and chin. |
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Close-set eyes: |
Usually found on long, narrow faces. Direct hair from a diagonal back part with some height is advisable. A slight lightening of the hair at the corner of the eyes will give the illusion of width. |
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Prominent nose |
To draw attention away from the nose, bring hair forward at the forehead with softness around the face. |
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Receding chin |
Hair should be directed forward in the chin area. |
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Square facial shape -facial contour - objective - style choice |
-wide at the temples, narrow at the middle third of the face, and squared off at the jaw. - to offset or round out the square features. -soften the hair around the temples and jaw by bringing the shape or silhouette close to the head form. Create volume in the area between the temples and jaw by adding width around the ear area. |
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Facial contour of the triangular ( pear shaped) facial type |
Narrow forehead, wide jaw and chin line. |
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Facial contour of oblong facial type |
Long, narrow face with hollow cheeks |
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Facial contour of diamond facial shape |
Narrow forehead, extreme width through the cheekbones, and narrow chin. |
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Facial contour of inverted triangle (heart shaped) facial type |
Wide forehead and narrow chin line. |
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Convex profile |
Has a receding forehead and chin. |
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Close-set eyes: |
Usually found on long, narrow faces. Direct hair from a diagonal back part with some height is advisable. A slight lightening of the hair at the corner of the eyes will give the illusion of width. |
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Prominent nose |
To draw attention away from the nose, bring hair forward at the forehead with softness around the face. |
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Receding chin |
Hair should be directed forward in the chin area. |
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Bang area |
Also known as the fringe area, is the triangular section that begins at the apex, or high point of head, and ends at the front corners. |
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Square facial shape -facial contour - objective - style choice |
-wide at the temples, narrow at the middle third of the face, and squared off at the jaw. - to offset or round out the square features. -soften the hair around the temples and jaw by bringing the shape or silhouette close to the head form. Create volume in the area between the temples and jaw by adding width around the ear area. |
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The bang area is parted in three basic ways: |
- a triangular parting is the basic parting - a diagonal parting gives height to a round or square fave and width to a long, thin face. - a curved part is used for a receding hairline or high forehead. |
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Facial contour of the triangular ( pear shaped) facial type |
Narrow forehead, wide jaw and chin line. |
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Facial contour of oblong facial type |
Long, narrow face with hollow cheeks |
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Facial contour of diamond facial shape |
Narrow forehead, extreme width through the cheekbones, and narrow chin. |
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Facial contour of inverted triangle (heart shaped) facial type |
Wide forehead and narrow chin line. |
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Convex profile |
Has a receding forehead and chin. |
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Close-set eyes: |
Usually found on long, narrow faces. Direct hair from a diagonal back part with some height is advisable. A slight lightening of the hair at the corner of the eyes will give the illusion of width. |
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Prominent nose |
To draw attention away from the nose, bring hair forward at the forehead with softness around the face. |
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Receding chin |
Hair should be directed forward in the chin area. |
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Bang area |
Also known as the fringe area, is the triangular section that begins at the apex, or high point of head, and ends at the front corners. |
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Square facial shape -facial contour - objective - style choice |
-wide at the temples, narrow at the middle third of the face, and squared off at the jaw. - to offset or round out the square features. -soften the hair around the temples and jaw by bringing the shape or silhouette close to the head form. Create volume in the area between the temples and jaw by adding width around the ear area. |
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The bang area is parted in three basic ways: |
- a triangular parting is the basic parting - a diagonal parting gives height to a round or square fave and width to a long, thin face. - a curved part is used for a receding hairline or high forehead. |
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If a man has a wide face full cheeks what is recommended? |
a fairly close- trimmed beard and moustache would be very thinning to the overall appearance. |
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Facial contour of the triangular ( pear shaped) facial type |
Narrow forehead, wide jaw and chin line. |
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Facial contour of oblong facial type |
Long, narrow face with hollow cheeks |
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Facial contour of diamond facial shape |
Narrow forehead, extreme width through the cheekbones, and narrow chin. |
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Facial contour of inverted triangle (heart shaped) facial type |
Wide forehead and narrow chin line. |
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Convex profile |
Has a receding forehead and chin. |
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Close-set eyes: |
Usually found on long, narrow faces. Direct hair from a diagonal back part with some height is advisable. A slight lightening of the hair at the corner of the eyes will give the illusion of width. |
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Prominent nose |
To draw attention away from the nose, bring hair forward at the forehead with softness around the face. |
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The bang area is parted in three basic ways: |
- a triangular parting is the basic parting - a diagonal parting gives height to a round or square face and width to a long, thin face. - a curved part is used for a receding hairline or high forehead. |
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Bang area |
Also known as the fringe area, is the triangular section that begins at the apex, or high point of head, and ends at the front corners. |
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What is the difference between a relaxation and treatment massage |
The products you use |
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What is the difference between a relaxation and treatment massage |
The products you use |
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What should you acknowledge and discuss during the consultation with your client? |
Any medical condition your client listed that may be contraindicated, avoiding a procedure or condition that may produce undesirable side effects, for a scalp massage. |
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What is the difference between a relaxation and treatment massage |
The products you use |
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What should you acknowledge and discuss during the consultation with your client? |
Any medical condition your client listed that may be contraindicated, avoiding a procedure or condition that may produce undesirable side effects, for a scalp massage. |
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What should be used in a dry hair and scalp treatment and when should a person be treated? |
- select scalp preparations containing moisturizing and emollient ingredients. - when there is a deficiency of natural oil on the scalp and hair. |
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What is the difference between a relaxation and treatment massage |
The products you use |
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What should you acknowledge and discuss during the consultation with your client? |
Any medical condition your client listed that may be contraindicated, avoiding a procedure or condition that may produce undesirable side effects, for a scalp massage. |
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What should be used in a dry hair and scalp treatment and when should a person be treated? |
- select scalp preparations containing moisturizing and emollient ingredients. - when there is a deficiency of natural oil on the scalp and hair. |
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Excessive oiliness is caused by_____. |
Overactive sebaceous glands |
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What should you not do before giving a chemical service? |
Brush or irritate the scalp |
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What is the difference between a relaxation and treatment massage |
The products you use |
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What should you acknowledge and discuss during the consultation with your client? |
Any medical condition your client listed that may be contraindicated, avoiding a procedure or condition that may produce undesirable side effects, for a scalp massage. |
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What should be used in a dry hair and scalp treatment and when should a person be treated? |
- select scalp preparations containing moisturizing and emollient ingredients. - when there is a deficiency of natural oil on the scalp and hair. |
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Excessive oiliness is caused by_____. |
Overactive sebaceous glands |
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What should you not do before giving a chemical service? |
Brush or irritate the scalp |
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The most highly recommended hairbrushes are__________. |
Those made from natural bristles. |
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Selecting the proper shampoo |
There are many types of shampoo available on the market. As a professional cosmetologist, you should become skilled at selecting shampoos that support the health of the hair, whether the hair is natural, color treated, fine and limp, or coarse and wiry. Always read labels and accompany literature carefully so that you can make informed decisions about the use of various shampoos. A thorough knowledge of your products will help you recommend them as home- care items for purchase by your clients. |
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Selecting the proper shampoo |
There are many types of shampoo available on the market. As a professional cosmetologist, you should become skilled at selecting shampoos that support the health of the hair, whether the hair is natural, color treated, fine and limp, or coarse and wiry. Always read labels and accompany literature carefully so that you can make informed decisions about the use of various shampoos. A thorough knowledge of your products will help you recommend them as home- care items for purchase by your clients. |
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According to what do you select a shampoo |
The condition of the clients hair and scalp. |
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Selecting the proper shampoo |
There are many types of shampoo available on the market. As a professional cosmetologist, you should become skilled at selecting shampoos that support the health of the hair, whether the hair is natural, color treated, fine and limp, or coarse and wiry. Always read labels and accompany literature carefully so that you can make informed decisions about the use of various shampoos. A thorough knowledge of your products will help you recommend them as home- care items for purchase by your clients. |
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According to what do you select a shampoo |
The condition of the clients hair and scalp. |
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Water |
Water is the most abundant and important element on earth. It is classified as a universal solvent because it is capable of dissolving more substance than any other solvent known to science. |
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Selecting the proper shampoo |
There are many types of shampoo available on the market. As a professional cosmetologist, you should become skilled at selecting shampoos that support the health of the hair, whether the hair is natural, color treated, fine and limp, or coarse and wiry. Always read labels and accompany literature carefully so that you can make informed decisions about the use of various shampoos. A thorough knowledge of your products will help you recommend them as home- care items for purchase by your clients. |
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According to what do you select a shampoo |
The condition of the clients hair and scalp. |
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Water |
Water is the most abundant and important element on earth. It is classified as a universal solvent because it is capable of dissolving more substance than any other solvent known to science. |
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What happens before the water enters public water pipelines? |
Small amounts of chlorine are added to kill bacteria. |
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Selecting the proper shampoo |
There are many types of shampoo available on the market. As a professional cosmetologist, you should become skilled at selecting shampoos that support the health of the hair, whether the hair is natural, color treated, fine and limp, or coarse and wiry. Always read labels and accompany literature carefully so that you can make informed decisions about the use of various shampoos. A thorough knowledge of your products will help you recommend them as home- care items for purchase by your clients. |
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According to what do you select a shampoo |
The condition of the clients hair and scalp. |
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Water |
Water is the most abundant and important element on earth. It is classified as a universal solvent because it is capable of dissolving more substance than any other solvent known to science. |
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What happens before the water enters public water pipelines? |
Small amounts of chlorine are added to kill bacteria. |
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Soft water |
Is rainwater or chemically softened water that contains only small amounts of minerals and, therefore, allows soap and shampoo to lather freely. For this reason, it is preferred for shampooing. |
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Selecting the proper shampoo |
There are many types of shampoo available on the market. As a professional cosmetologist, you should become skilled at selecting shampoos that support the health of the hair, whether the hair is natural, color treated, fine and limp, or coarse and wiry. Always read labels and accompany literature carefully so that you can make informed decisions about the use of various shampoos. A thorough knowledge of your products will help you recommend them as home- care items for purchase by your clients. |
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|
According to what do you select a shampoo |
The condition of the clients hair and scalp. |
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|
Water |
Water is the most abundant and important element on earth. It is classified as a universal solvent because it is capable of dissolving more substance than any other solvent known to science. |
|
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What happens before the water enters public water pipelines? |
Small amounts of chlorine are added to kill bacteria. |
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Soft water |
Is rainwater or chemically softened water that contains only small amounts of minerals and, therefore, allows soap and shampoo to lather freely. For this reason, it is preferred for shampooing. |
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Hard water |
Is often in well- water and contains minerals that reduce the ability of soap or shampoo to lather. Hard water may also change the results of the haircoloring service. However, a water treatment process can soften hard water. |
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Ingredients in shampoo #1 ingredient |
Water is usually the first ingredient listed, which indicates that the shampoo contains more water than anything else. From there on, ingredients are listed in descending order, according to the percentage of each ingredient in the shampoo. |
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Primary surfactants |
Back (Definition) |
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pH-balanced shampoo |
Is balanced to the pH of skin and hair (4.5-5.5) |
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pH-balanced shampoo |
Is balanced to the pH of skin and hair (4.5-5.5) |
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Conditioning shampoo |
Also known as moisturizing shampoo, is designed to make the hair appear smooth and shiny and to improve the manageability of the hair. |
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pH-balanced shampoo |
Is balanced to the pH of skin and hair (4.5-5.5) |
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Conditioning shampoo |
Also known as moisturizing shampoo, is designed to make the hair appear smooth and shiny and to improve the manageability of the hair. |
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Medicated shampoo |
Contains special ingredients that are very effective in reducing dandruff or relieving other scalp conditions. |
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pH-balanced shampoo |
Is balanced to the pH of skin and hair (4.5-5.5) |
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Conditioning shampoo |
Also known as moisturizing shampoo, is designed to make the hair appear smooth and shiny and to improve the manageability of the hair. |
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Medicated shampoo |
Contains special ingredients that are very effective in reducing dandruff or relieving other scalp conditions. |
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Clarifying shampoo |
Contains an active chelating agent that binds to metals ( such as iron and copper) and removes them from the hair, as well as an equalizing agent that enriches hair, helps retain moisture, and makes hair more manageable. |
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pH-balanced shampoo |
Is balanced to the pH of skin and hair (4.5-5.5) |
|
|
Conditioning shampoo |
Also known as moisturizing shampoo, is designed to make the hair appear smooth and shiny and to improve the manageability of the hair. |
|
|
Medicated shampoo |
Contains special ingredients that are very effective in reducing dandruff or relieving other scalp conditions. |
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|
Clarifying shampoo |
Contains an active chelating agent that binds to metals ( such as iron and copper) and removes them from the hair, as well as an equalizing agent that enriches hair, helps retain moisture, and makes hair more manageable. |
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Balancing shampoo |
For oily hair and scalp, balancing shampoo will wash away excess oiliness, while preventing the hair from drying out. |
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pH-balanced shampoo |
Is balanced to the pH of skin and hair (4.5-5.5) |
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|
Conditioning shampoo |
Also known as moisturizing shampoo, is designed to make the hair appear smooth and shiny and to improve the manageability of the hair. |
|
|
Medicated shampoo |
Contains special ingredients that are very effective in reducing dandruff or relieving other scalp conditions. |
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Clarifying shampoo |
Contains an active chelating agent that binds to metals ( such as iron and copper) and removes them from the hair, as well as an equalizing agent that enriches hair, helps retain moisture, and makes hair more manageable. |
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Balancing shampoo |
For oily hair and scalp, balancing shampoo will wash away excess oiliness, while preventing the hair from drying out. |
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When to use a Dry shampoo |
Sometimes, the state of a clients health makes a wet shampoo uncomfortable or hard to manage. For instance, an elderly client may experience some discomfort at the shampoo bowl due to pressure in the back of the neck. In such case, it is advisable to use a dry shampoo. |
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pH-balanced shampoo |
Is balanced to the pH of skin and hair (4.5-5.5) |
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Conditioning shampoo |
Also known as moisturizing shampoo, is designed to make the hair appear smooth and shiny and to improve the manageability of the hair. |
|
|
Medicated shampoo |
Contains special ingredients that are very effective in reducing dandruff or relieving other scalp conditions. |
|
|
Clarifying shampoo |
Contains an active chelating agent that binds to metals ( such as iron and copper) and removes them from the hair, as well as an equalizing agent that enriches hair, helps retain moisture, and makes hair more manageable. |
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Balancing shampoo |
For oily hair and scalp, balancing shampoo will wash away excess oiliness, while preventing the hair from drying out. |
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When to use a Dry shampoo |
Sometimes, the state of a clients health makes a wet shampoo uncomfortable or hard to manage. For instance, an elderly client may experience some discomfort at the shampoo bowl due to pressure in the back of the neck. In such case, it is advisable to use a dry shampoo. |
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Dry shampoo |
Also known as powder shampoo, which cleanses the hair without the use of soap and water. |
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pH-balanced shampoo |
Is balanced to the pH of skin and hair (4.5-5.5) |
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|
Conditioning shampoo |
Also known as moisturizing shampoo, is designed to make the hair appear smooth and shiny and to improve the manageability of the hair. |
|
|
Medicated shampoo |
Contains special ingredients that are very effective in reducing dandruff or relieving other scalp conditions. |
|
|
Clarifying shampoo |
Contains an active chelating agent that binds to metals ( such as iron and copper) and removes them from the hair, as well as an equalizing agent that enriches hair, helps retain moisture, and makes hair more manageable. |
|
|
Balancing shampoo |
For oily hair and scalp, balancing shampoo will wash away excess oiliness, while preventing the hair from drying out. |
|
|
When to use a Dry shampoo |
Sometimes, the state of a clients health makes a wet shampoo uncomfortable or hard to manage. For instance, an elderly client may experience some discomfort at the shampoo bowl due to pressure in the back of the neck. In such case, it is advisable to use a dry shampoo. |
|
|
Dry shampoo |
Also known as powder shampoo, which cleanses the hair without the use of soap and water. |
|
|
Color-enhancing shampoo |
Is created by combining the surfactant base with basic color pigment. It is similar to a temporary color rinse because it is attracted to porous hair and result in only slight color changes that are removed with plain shampooing. Color- enhancing shampoos are used to brighten, to add a slight hint of color, and to eliminate unwanted color tones, such as gold or brassiness and overly cool strands. |
|
|
pH-balanced shampoo |
Is balanced to the pH of skin and hair (4.5-5.5) |
|
|
Conditioning shampoo |
Also known as moisturizing shampoo, is designed to make the hair appear smooth and shiny and to improve the manageability of the hair. |
|
|
Medicated shampoo |
Contains special ingredients that are very effective in reducing dandruff or relieving other scalp conditions. |
|
|
Clarifying shampoo |
Contains an active chelating agent that binds to metals ( such as iron and copper) and removes them from the hair, as well as an equalizing agent that enriches hair, helps retain moisture, and makes hair more manageable. |
|
|
Balancing shampoo |
For oily hair and scalp, balancing shampoo will wash away excess oiliness, while preventing the hair from drying out. |
|
|
When to use a Dry shampoo |
Sometimes, the state of a clients health makes a wet shampoo uncomfortable or hard to manage. For instance, an elderly client may experience some discomfort at the shampoo bowl due to pressure in the back of the neck. In such case, it is advisable to use a dry shampoo. |
|
|
Dry shampoo |
Also known as powder shampoo, which cleanses the hair without the use of soap and water. |
|
|
Color-enhancing shampoo |
Is created by combining the surfactant base with basic color pigment. It is similar to a temporary color rinse because it is attracted to porous hair and result in only slight color changes that are removed with plain shampooing. Color- enhancing shampoos are used to brighten, to add a slight hint of color, and to eliminate unwanted color tones, such as gold or brassiness and overly cool strands. |
|
|
What are the three basic types of conditioners? |
- rinse- out conditioner - treatment or repair conditioner - leave-in conditioner |
|
|
pH-balanced shampoo |
Is balanced to the pH of skin and hair (4.5-5.5) |
|
|
Conditioning shampoo |
Also known as moisturizing shampoo, is designed to make the hair appear smooth and shiny and to improve the manageability of the hair. |
|
|
Medicated shampoo |
Contains special ingredients that are very effective in reducing dandruff or relieving other scalp conditions. |
|
|
Clarifying shampoo |
Contains an active chelating agent that binds to metals ( such as iron and copper) and removes them from the hair, as well as an equalizing agent that enriches hair, helps retain moisture, and makes hair more manageable. |
|
|
Balancing shampoo |
For oily hair and scalp, balancing shampoo will wash away excess oiliness, while preventing the hair from drying out. |
|
|
When to use a Dry shampoo |
Sometimes, the state of a clients health makes a wet shampoo uncomfortable or hard to manage. For instance, an elderly client may experience some discomfort at the shampoo bowl due to pressure in the back of the neck. In such case, it is advisable to use a dry shampoo. |
|
|
Dry shampoo |
Also known as powder shampoo, which cleanses the hair without the use of soap and water. |
|
|
Color-enhancing shampoo |
Is created by combining the surfactant base with basic color pigment. It is similar to a temporary color rinse because it is attracted to porous hair and result in only slight color changes that are removed with plain shampooing. Color- enhancing shampoos are used to brighten, to add a slight hint of color, and to eliminate unwanted color tones, such as gold or brassiness and overly cool strands. |
|
|
What are the three basic types of conditioners? |
- rinse- out conditioner - treatment or repair conditioner - leave-in conditioner |
|
|
What do most conditioners contain? |
Silicone also with moisture-binding humectants. |
|
|
pH-balanced shampoo |
Is balanced to the pH of skin and hair (4.5-5.5) |
|
|
What are humectants? |
Substances that absorb moisture or promote the retention of moisture. |
|
|
Conditioning shampoo |
Also known as moisturizing shampoo, is designed to make the hair appear smooth and shiny and to improve the manageability of the hair. |
|
|
Medicated shampoo |
Contains special ingredients that are very effective in reducing dandruff or relieving other scalp conditions. |
|
|
Clarifying shampoo |
Contains an active chelating agent that binds to metals ( such as iron and copper) and removes them from the hair, as well as an equalizing agent that enriches hair, helps retain moisture, and makes hair more manageable. |
|
|
Balancing shampoo |
For oily hair and scalp, balancing shampoo will wash away excess oiliness, while preventing the hair from drying out. |
|
|
When to use a Dry shampoo |
Sometimes, the state of a clients health makes a wet shampoo uncomfortable or hard to manage. For instance, an elderly client may experience some discomfort at the shampoo bowl due to pressure in the back of the neck. In such case, it is advisable to use a dry shampoo. |
|
|
Dry shampoo |
Also known as powder shampoo, which cleanses the hair without the use of soap and water. |
|
|
Color-enhancing shampoo |
Is created by combining the surfactant base with basic color pigment. It is similar to a temporary color rinse because it is attracted to porous hair and result in only slight color changes that are removed with plain shampooing. Color- enhancing shampoos are used to brighten, to add a slight hint of color, and to eliminate unwanted color tones, such as gold or brassiness and overly cool strands. |
|
|
What are the three basic types of conditioners? |
- rinse- out conditioner - treatment or repair conditioner - leave-in conditioner |
|
|
What do most conditioners contain? |
Silicone also with moisture-binding humectants. |
|
|
pH-balanced shampoo |
Is balanced to the pH of skin and hair (4.5-5.5) |
|
|
What are humectants? |
Substances that absorb moisture or promote the retention of moisture. |
|
|
Cortex |
The cortex is made up 90% of the hair strand. The cortex can be penetrated with protien conditioner. |
|
|
Conditioning shampoo |
Also known as moisturizing shampoo, is designed to make the hair appear smooth and shiny and to improve the manageability of the hair. |
|
|
Medicated shampoo |
Contains special ingredients that are very effective in reducing dandruff or relieving other scalp conditions. |
|
|
Clarifying shampoo |
Contains an active chelating agent that binds to metals ( such as iron and copper) and removes them from the hair, as well as an equalizing agent that enriches hair, helps retain moisture, and makes hair more manageable. |
|
|
Balancing shampoo |
For oily hair and scalp, balancing shampoo will wash away excess oiliness, while preventing the hair from drying out. |
|
|
When to use a Dry shampoo |
Sometimes, the state of a clients health makes a wet shampoo uncomfortable or hard to manage. For instance, an elderly client may experience some discomfort at the shampoo bowl due to pressure in the back of the neck. In such case, it is advisable to use a dry shampoo. |
|
|
Dry shampoo |
Also known as powder shampoo, which cleanses the hair without the use of soap and water. |
|
|
Color-enhancing shampoo |
Is created by combining the surfactant base with basic color pigment. It is similar to a temporary color rinse because it is attracted to porous hair and result in only slight color changes that are removed with plain shampooing. Color- enhancing shampoos are used to brighten, to add a slight hint of color, and to eliminate unwanted color tones, such as gold or brassiness and overly cool strands. |
|
|
What are the three basic types of conditioners? |
- rinse- out conditioner - treatment or repair conditioner - leave-in conditioner |
|
|
What do most conditioners contain? |
Silicone also with moisture-binding humectants. |
|
|
pH-balanced shampoo |
Is balanced to the pH of skin and hair (4.5-5.5) |
|
|
What are humectants? |
Substances that absorb moisture or promote the retention of moisture. |
|
|
Medicated shampoo |
Contains special ingredients that are very effective in reducing dandruff or relieving other scalp conditions. |
Contains special ingredients that are very effective in reducing dandruff or relieving other scalp conditions. |
|
Protein conditioner |
Products designed to penetrate the cortex and reinforce the hair shaft from within, to temporarily reconstruct the hair. |
|
|
Conditioning shampoo |
Also known as moisturizing shampoo, is designed to make the hair appear smooth and shiny and to improve the manageability of the hair. |
|
|
Medicated shampoo |
Contains special ingredients that are very effective in reducing dandruff or relieving other scalp conditions. |
|
|
Clarifying shampoo |
Contains an active chelating agent that binds to metals ( such as iron and copper) and removes them from the hair, as well as an equalizing agent that enriches hair, helps retain moisture, and makes hair more manageable. |
|
|
Balancing shampoo |
For oily hair and scalp, balancing shampoo will wash away excess oiliness, while preventing the hair from drying out. |
|
|
When to use a Dry shampoo |
Sometimes, the state of a clients health makes a wet shampoo uncomfortable or hard to manage. For instance, an elderly client may experience some discomfort at the shampoo bowl due to pressure in the back of the neck. In such case, it is advisable to use a dry shampoo. |
|
|
Dry shampoo |
Also known as powder shampoo, which cleanses the hair without the use of soap and water. |
|
|
Color-enhancing shampoo |
Is created by combining the surfactant base with basic color pigment. It is similar to a temporary color rinse because it is attracted to porous hair and result in only slight color changes that are removed with plain shampooing. Color- enhancing shampoos are used to brighten, to add a slight hint of color, and to eliminate unwanted color tones, such as gold or brassiness and overly cool strands. |
|
|
What are the three basic types of conditioners? |
- rinse- out conditioner - treatment or repair conditioner - leave-in conditioner |
|
|
What do most conditioners contain? |
Silicone also with moisture-binding humectants. |
|
|
Spray-on thermal protector |
Is applied to hair prior to any thermal service to protect the hair from the harmful effects of blow drying, thermal irons, or electric rollers. |
|
|
Spray-on thermal protector |
Is applied to hair prior to any thermal service to protect the hair from the harmful effects of blow drying, thermal irons, or electric rollers. |
|
|
Scalp astringent lotion |
Removed oil accumulation from the scale and are used after a scalp treatment and before styling. |
|
|
Hair type: dry and damaged (perms, color, relaxers, blow drying, sun hot irons) |
Fine: - gentle cleansing shampoo - light leave-in conditioner Coarse: - deep-moisturizing shampoo for damaged hair - leave-in conditioner -deep- conditioning treatments and hair masks |
|
|
Hair type: dry and damaged (perms, color, relaxers, blow drying, sun hot irons) |
Fine: - gentle cleansing shampoo - light leave-in conditioner Coarse: - deep-moisturizing shampoo for damaged hair - leave-in conditioner -deep- conditioning treatments and hair masks |
|
|
Pre- service procedure |
Is an organized step-by-step plan for the cleaning and disinfecting of your tools, implements, and materials; for setting up your station; and for meeting, greeting, and escorting your client to your service area. |
|
|
Cleaning and disinfecting |
Rinse away all traces of soap with warm running water. The presence of soap in most disinfectants can cause them to become inactive. Dry the item thoroughly with a clean fabric or disposable towel, or allow them to air dry on a clean towel. Your implements are now Properly cleaned and ready to be disinfected. |
|
|
Advising clients and promote products |
Advise the client about proper at-home maintenance for the service received and explain how using the recommended professional products will ensure that the hair service maintains its beauty and performance until your client returns for another visit. This is the time to discuss your retail product recommendations. Explain why the recommended products are important and how to use them. |
|
|
Shampoo bowl |
Turn on the water and adjust volume and temperature of water spray. Test water temperature on inner wrist; monitor by keeping fingers under spray. Saturate the hair with warm water. |
|
|
When shampooing |
Apply a small amount of shampoo. Begin at the hairline, and work back and into lather using the cushions(pads) of fingertips. |
|
|
Client comsultation |
Is always the first step in the hairstyling process. |
|
|
Client comsultation |
Is always the first step in the hairstyling process. |
|
|
Finger wave |
Is the process of shaping and directing the hair into an S pattern through the use of the fingers combs, and waving lotion. |
|
|
Client comsultation |
Is always the first step in the hairstyling process. |
|
|
Finger wave |
Is the process of shaping and directing the hair into an S pattern through the use of the fingers combs, and waving lotion. |
|
|
Finger waving was all the rage in the 1920s and 1930s, which may have you wondering why you are being asked to learn this technique today? |
The answer is that many women today are influenced by the movie stars and celebrities they see wearing gorgeous, dramatic finger waves. |
|
|
Client comsultation |
Is always the first step in the hairstyling process. |
|
|
Finger wave |
Is the process of shaping and directing the hair into an S pattern through the use of the fingers combs, and waving lotion. |
|
|
Finger waving was all the rage in the 1920s and 1930s, which may have you wondering why you are being asked to learn this technique today? |
The answer is that many women today are influenced by the movie stars and celebrities they see wearing gorgeous, dramatic finger waves. |
|
|
Horizontal finger waves |
Are sideways and parallel around the head. The procedure for both vertical and horizontal are the same. |
|
|
Client comsultation |
Is always the first step in the hairstyling process. |
|
|
Finger wave |
Is the process of shaping and directing the hair into an S pattern through the use of the fingers combs, and waving lotion. |
|
|
Finger waving was all the rage in the 1920s and 1930s, which may have you wondering why you are being asked to learn this technique today? |
The answer is that many women today are influenced by the movie stars and celebrities they see wearing gorgeous, dramatic finger waves. |
|
|
Horizontal finger waves |
Are sideways and parallel around the head. The procedure for both vertical and horizontal are the same. |
|
|
Parts of a curl: base |
Is the stationary(non-moving) foundation of the curl, which is the area closest to the scalp, the panel of hair on which the roller is placed. |
|
|
Curl mobility is classified as: no stem, half stem, and full stem. -No stem curl |
The no-stem curl is placed directly on the base of the curl. It produces a tight, firm, long-lasting curl and allows minimum mobility. |
|
|
Curl mobility is classified as: no stem, half stem, and full stem. -No stem curl |
The no-stem curl is placed directly on the base of the curl. It produces a tight, firm, long-lasting curl and allows minimum mobility. |
|
|
Where do you begin a pin curl? |
Always begin a pin curl at the open end, or convex side, of a shaping. |
|
|
Pin curl bases or foundations: |
The most commonly shaped base is the arc base ( half- moon or C shaped). Others are rectangular, triangular, or square. |
|
|
Rectangular base pin curls |
Are usually recommended at the side front hairline for a smooth, upswept effect. To avoid splits in the comb out, the pin curls must overlap. |
|
|
Rectangular base pin curls |
Are usually recommended at the side front hairline for a smooth, upswept effect. To avoid splits in the comb out, the pin curls must overlap. |
|
|
Triangular base pin curls |
Are recommended along the front or facial hairline to prevent breaks or splits in the finished hairstyle. The triangular base allows a portion of the hair from each curl to overlap the next, and this style can be combed into a wave without splits. |
|
|
Rectangular base pin curls |
Are usually recommended at the side front hairline for a smooth, upswept effect. To avoid splits in the comb out, the pin curls must overlap. |
|
|
Triangular base pin curls |
Are recommended along the front or facial hairline to prevent breaks or splits in the finished hairstyle. The triangular base allows a portion of the hair from each curl to overlap the next, and this style can be combed into a wave without splits. |
|
|
Arc base pin curls |
Also known as half-moon or c shaped base curls, are carved out of a shaping. Arc bas pin curls give good direction and may be used at the hairline or in the nape. |
|
|
Rectangular base pin curls |
Are usually recommended at the side front hairline for a smooth, upswept effect. To avoid splits in the comb out, the pin curls must overlap. |
|
|
Triangular base pin curls |
Are recommended along the front or facial hairline to prevent breaks or splits in the finished hairstyle. The triangular base allows a portion of the hair from each curl to overlap the next, and this style can be combed into a wave without splits. |
|
|
Arc base pin curls |
Also known as half-moon or c shaped base curls, are carved out of a shaping. Arc bas pin curls give good direction and may be used at the hairline or in the nape. |
|
|
Square base pin curls |
Are suitable for curly hairstyles without much volume or lift. They can be used on any part of the head and will comb out with lasting results. To avoid splits in the comb out, stagger the sectioning. ( square base, brick-lay fashion) |
|
|
Rectangular base pin curls |
Are usually recommended at the side front hairline for a smooth, upswept effect. To avoid splits in the comb out, the pin curls must overlap. |
|
|
Triangular base pin curls |
Are recommended along the front or facial hairline to prevent breaks or splits in the finished hairstyle. The triangular base allows a portion of the hair from each curl to overlap the next, and this style can be combed into a wave without splits. |
|
|
Arc base pin curls |
Also known as half-moon or c shaped base curls, are carved out of a shaping. Arc bas pin curls give good direction and may be used at the hairline or in the nape. |
|
|
Square base pin curls |
Are suitable for curly hairstyles without much volume or lift. They can be used on any part of the head and will comb out with lasting results. To avoid splits in the comb out, stagger the sectioning. ( square base, brick-lay fashion) |
|
|
Carved curls |
Also known as sculptured curls, Pin curls sliced from a shaping and formed without lifting the hair from the head. |
|
|
Rectangular base pin curls |
Are usually recommended at the side front hairline for a smooth, upswept effect. To avoid splits in the comb out, the pin curls must overlap. |
|
|
Triangular base pin curls |
Are recommended along the front or facial hairline to prevent breaks or splits in the finished hairstyle. The triangular base allows a portion of the hair from each curl to overlap the next, and this style can be combed into a wave without splits. |
|
|
Arc base pin curls |
Also known as half-moon or c shaped base curls, are carved out of a shaping. Arc bas pin curls give good direction and may be used at the hairline or in the nape. |
|
|
Square base pin curls |
Are suitable for curly hairstyles without much volume or lift. They can be used on any part of the head and will comb out with lasting results. To avoid splits in the comb out, stagger the sectioning. ( square base, brick-lay fashion) |
|
|
Carved curls |
Also known as sculptured curls, Pin curls sliced from a shaping and formed without lifting the hair from the head. |
|
|
Ridge curls |
Are pin curls placed immediately behind or below a ridge to form a wave. |
|
|
Rectangular base pin curls |
Are usually recommended at the side front hairline for a smooth, upswept effect. To avoid splits in the comb out, the pin curls must overlap. |
|
|
Triangular base pin curls |
Are recommended along the front or facial hairline to prevent breaks or splits in the finished hairstyle. The triangular base allows a portion of the hair from each curl to overlap the next, and this style can be combed into a wave without splits. |
|
|
Arc base pin curls |
Also known as half-moon or c shaped base curls, are carved out of a shaping. Arc bas pin curls give good direction and may be used at the hairline or in the nape. |
|
|
Square base pin curls |
Are suitable for curly hairstyles without much volume or lift. They can be used on any part of the head and will comb out with lasting results. To avoid splits in the comb out, stagger the sectioning. ( square base, brick-lay fashion) |
|
|
Carved curls |
Also known as sculptured curls, Pin curls sliced from a shaping and formed without lifting the hair from the head. |
|
|
Ridge curls |
Are pin curls placed immediately behind or below a ridge to form a wave. |
|
|
Skip waves |
Are two rows of ridge curls, usually on the side of the head. Skip waves create a strong wave pattern with well- defined lines between the waves. This technique represents a combination of finger waving and pin curls |
|
|
Rectangular base pin curls |
Are usually recommended at the side front hairline for a smooth, upswept effect. To avoid splits in the comb out, the pin curls must overlap. |
|
|
Triangular base pin curls |
Are recommended along the front or facial hairline to prevent breaks or splits in the finished hairstyle. The triangular base allows a portion of the hair from each curl to overlap the next, and this style can be combed into a wave without splits. |
|
|
Arc base pin curls |
Also known as half-moon or c shaped base curls, are carved out of a shaping. Arc bas pin curls give good direction and may be used at the hairline or in the nape. |
|
|
Square base pin curls |
Are suitable for curly hairstyles without much volume or lift. They can be used on any part of the head and will comb out with lasting results. To avoid splits in the comb out, stagger the sectioning. ( square base, brick-lay fashion) |
|
|
Carved curls |
Also known as sculptured curls, Pin curls sliced from a shaping and formed without lifting the hair from the head. |
|
|
Ridge curls |
Are pin curls placed immediately behind or below a ridge to form a wave. |
|
|
Skip waves |
Are two rows of ridge curls, usually on the side of the head. Skip waves create a strong wave pattern with well- defined lines between the waves. This technique represents a combination of finger waving and pin curls |
|
|
Barrel curls |
Have large centre openings and are fastened to the head in a standing position on a rectangular base. They have the same effect as stand-up pin curls. A barrel curl's effect is similar to that of a roller, but does not have the same tension as a roller when it is set. |
|
|
Rectangular base pin curls |
Are usually recommended at the side front hairline for a smooth, upswept effect. To avoid splits in the comb out, the pin curls must overlap. |
|
|
Triangular base pin curls |
Are recommended along the front or facial hairline to prevent breaks or splits in the finished hairstyle. The triangular base allows a portion of the hair from each curl to overlap the next, and this style can be combed into a wave without splits. |
|
|
Arc base pin curls |
Also known as half-moon or c shaped base curls, are carved out of a shaping. Arc bas pin curls give good direction and may be used at the hairline or in the nape. |
|
|
Square base pin curls |
Are suitable for curly hairstyles without much volume or lift. They can be used on any part of the head and will comb out with lasting results. To avoid splits in the comb out, stagger the sectioning. ( square base, brick-lay fashion) |
|
|
Carved curls |
Also known as sculptured curls, Pin curls sliced from a shaping and formed without lifting the hair from the head. |
|
|
Ridge curls |
Are pin curls placed immediately behind or below a ridge to form a wave. |
|
|
Skip waves |
Are two rows of ridge curls, usually on the side of the head. Skip waves create a strong wave pattern with well- defined lines between the waves. This technique represents a combination of finger waving and pin curls |
|
|
Barrel curls |
Have large centre openings and are fastened to the head in a standing position on a rectangular base. They have the same effect as stand-up pin curls. A barrel curl's effect is similar to that of a roller, but does not have the same tension as a roller when it is set. |
|
|
Cascade curls |
Also known as stand-up curls, are used to create height in the hair design. |
|
|
Rectangular base pin curls |
Are usually recommended at the side front hairline for a smooth, upswept effect. To avoid splits in the comb out, the pin curls must overlap. |
|
|
Triangular base pin curls |
Are recommended along the front or facial hairline to prevent breaks or splits in the finished hairstyle. The triangular base allows a portion of the hair from each curl to overlap the next, and this style can be combed into a wave without splits. |
|
|
Arc base pin curls |
Also known as half-moon or c shaped base curls, are carved out of a shaping. Arc bas pin curls give good direction and may be used at the hairline or in the nape. |
|
|
Square base pin curls |
Are suitable for curly hairstyles without much volume or lift. They can be used on any part of the head and will comb out with lasting results. To avoid splits in the comb out, stagger the sectioning. ( square base, brick-lay fashion) |
|
|
Carved curls |
Also known as sculptured curls, Pin curls sliced from a shaping and formed without lifting the hair from the head. |
|
|
Ridge curls |
Are pin curls placed immediately behind or below a ridge to form a wave. |
|
|
Skip waves |
Are two rows of ridge curls, usually on the side of the head. Skip waves create a strong wave pattern with well- defined lines between the waves. This technique represents a combination of finger waving and pin curls |
|
|
Barrel curls |
Have large centre openings and are fastened to the head in a standing position on a rectangular base. They have the same effect as stand-up pin curls. A barrel curl's effect is similar to that of a roller, but does not have the same tension as a roller when it is set. |
|
|
Cascade curls |
Also known as stand-up curls, are used to create height in the hair design. |
|
|
The three parts of a roller curl: |
The base The stem The curl |
|
|
Rectangular base pin curls |
Are usually recommended at the side front hairline for a smooth, upswept effect. To avoid splits in the comb out, the pin curls must overlap. |
|
|
The base |
Is the panel of hair on which the roller is placed. The base should be the same length and width as the roller. The type of base affects the volume. |
|
|
Triangular base pin curls |
Are recommended along the front or facial hairline to prevent breaks or splits in the finished hairstyle. The triangular base allows a portion of the hair from each curl to overlap the next, and this style can be combed into a wave without splits. |
|
|
Arc base pin curls |
Also known as half-moon or c shaped base curls, are carved out of a shaping. Arc bas pin curls give good direction and may be used at the hairline or in the nape. |
|
|
Square base pin curls |
Are suitable for curly hairstyles without much volume or lift. They can be used on any part of the head and will comb out with lasting results. To avoid splits in the comb out, stagger the sectioning. ( square base, brick-lay fashion) |
|
|
Carved curls |
Also known as sculptured curls, Pin curls sliced from a shaping and formed without lifting the hair from the head. |
|
|
Ridge curls |
Are pin curls placed immediately behind or below a ridge to form a wave. |
|
|
Skip waves |
Are two rows of ridge curls, usually on the side of the head. Skip waves create a strong wave pattern with well- defined lines between the waves. This technique represents a combination of finger waving and pin curls |
|
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Barrel curls |
Have large centre openings and are fastened to the head in a standing position on a rectangular base. They have the same effect as stand-up pin curls. A barrel curl's effect is similar to that of a roller, but does not have the same tension as a roller when it is set. |
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|
Cascade curls |
Also known as stand-up curls, are used to create height in the hair design. |
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|
The three parts of a roller curl: |
The base The stem The curl |
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|
Rectangular base pin curls |
Are usually recommended at the side front hairline for a smooth, upswept effect. To avoid splits in the comb out, the pin curls must overlap. |
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|
The base |
Is the panel of hair on which the roller is placed. The base should be the same length and width as the roller. The type of base affects the volume. |
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|
The stem |
Is the hair between the scalp and the first turn of the roller. The stem gives the hair direction and mobility. |
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|
Triangular base pin curls |
Are recommended along the front or facial hairline to prevent breaks or splits in the finished hairstyle. The triangular base allows a portion of the hair from each curl to overlap the next, and this style can be combed into a wave without splits. |
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|
Arc base pin curls |
Also known as half-moon or c shaped base curls, are carved out of a shaping. Arc bas pin curls give good direction and may be used at the hairline or in the nape. |
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|
Square base pin curls |
Are suitable for curly hairstyles without much volume or lift. They can be used on any part of the head and will comb out with lasting results. To avoid splits in the comb out, stagger the sectioning. ( square base, brick-lay fashion) |
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|
Carved curls |
Also known as sculptured curls, Pin curls sliced from a shaping and formed without lifting the hair from the head. |
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Ridge curls |
Are pin curls placed immediately behind or below a ridge to form a wave. |
|
|
Skip waves |
Are two rows of ridge curls, usually on the side of the head. Skip waves create a strong wave pattern with well- defined lines between the waves. This technique represents a combination of finger waving and pin curls |
|
|
Barrel curls |
Have large centre openings and are fastened to the head in a standing position on a rectangular base. They have the same effect as stand-up pin curls. A barrel curl's effect is similar to that of a roller, but does not have the same tension as a roller when it is set. |
|
|
Cascade curls |
Also known as stand-up curls, are used to create height in the hair design. |
|
|
The three parts of a roller curl: |
The base The stem The curl |
|
|
Rectangular base pin curls |
Are usually recommended at the side front hairline for a smooth, upswept effect. To avoid splits in the comb out, the pin curls must overlap. |
|
|
The base |
Is the panel of hair on which the roller is placed. The base should be the same length and width as the roller. The type of base affects the volume. |
|
|
The stem |
Is the hair between the scalp and the first turn of the roller. The stem gives the hair direction and mobility. |
|
|
The curl |
Also known as circle, is the hair that is wrapped around the roller. It determines the size of the wave or curl. |
|
|
Triangular base pin curls |
Are recommended along the front or facial hairline to prevent breaks or splits in the finished hairstyle. The triangular base allows a portion of the hair from each curl to overlap the next, and this style can be combed into a wave without splits. |
|
|
Arc base pin curls |
Also known as half-moon or c shaped base curls, are carved out of a shaping. Arc bas pin curls give good direction and may be used at the hairline or in the nape. |
|
|
Square base pin curls |
Are suitable for curly hairstyles without much volume or lift. They can be used on any part of the head and will comb out with lasting results. To avoid splits in the comb out, stagger the sectioning. ( square base, brick-lay fashion) |
|
|
Carved curls |
Also known as sculptured curls, Pin curls sliced from a shaping and formed without lifting the hair from the head. |
|
|
Ridge curls |
Are pin curls placed immediately behind or below a ridge to form a wave. |
|
|
Skip waves |
Are two rows of ridge curls, usually on the side of the head. Skip waves create a strong wave pattern with well- defined lines between the waves. This technique represents a combination of finger waving and pin curls |
|
|
Barrel curls |
Have large centre openings and are fastened to the head in a standing position on a rectangular base. They have the same effect as stand-up pin curls. A barrel curl's effect is similar to that of a roller, but does not have the same tension as a roller when it is set. |
|
|
Cascade curls |
Also known as stand-up curls, are used to create height in the hair design. |
|
|
The three parts of a roller curl: |
The base The stem The curl |
|
|
Rectangular base pin curls |
Are usually recommended at the side front hairline for a smooth, upswept effect. To avoid splits in the comb out, the pin curls must overlap. |
|
|
The base |
Is the panel of hair on which the roller is placed. The base should be the same length and width as the roller. The type of base affects the volume. |
|
|
The stem |
Is the hair between the scalp and the first turn of the roller. The stem gives the hair direction and mobility. |
|
|
The curl |
Also known as circle, is the hair that is wrapped around the roller. It determines the size of the wave or curl. |
|
|
Create a c-shape curl |
One complete turn around the roller |
|
|
Triangular base pin curls |
Are recommended along the front or facial hairline to prevent breaks or splits in the finished hairstyle. The triangular base allows a portion of the hair from each curl to overlap the next, and this style can be combed into a wave without splits. |
|
|
Arc base pin curls |
Also known as half-moon or c shaped base curls, are carved out of a shaping. Arc bas pin curls give good direction and may be used at the hairline or in the nape. |
|
|
Square base pin curls |
Are suitable for curly hairstyles without much volume or lift. They can be used on any part of the head and will comb out with lasting results. To avoid splits in the comb out, stagger the sectioning. ( square base, brick-lay fashion) |
|
|
Carved curls |
Also known as sculptured curls, Pin curls sliced from a shaping and formed without lifting the hair from the head. |
|
|
Ridge curls |
Are pin curls placed immediately behind or below a ridge to form a wave. |
|
|
Skip waves |
Are two rows of ridge curls, usually on the side of the head. Skip waves create a strong wave pattern with well- defined lines between the waves. This technique represents a combination of finger waving and pin curls |
|
|
Barrel curls |
Have large centre openings and are fastened to the head in a standing position on a rectangular base. They have the same effect as stand-up pin curls. A barrel curl's effect is similar to that of a roller, but does not have the same tension as a roller when it is set. |
|
|
Cascade curls |
Also known as stand-up curls, are used to create height in the hair design. |
|
|
The three parts of a roller curl: |
The base The stem The curl |
|
|
Rectangular base pin curls |
Are usually recommended at the side front hairline for a smooth, upswept effect. To avoid splits in the comb out, the pin curls must overlap. |
|
|
The base |
Is the panel of hair on which the roller is placed. The base should be the same length and width as the roller. The type of base affects the volume. |
|
|
The stem |
Is the hair between the scalp and the first turn of the roller. The stem gives the hair direction and mobility. |
|
|
The curl |
Also known as circle, is the hair that is wrapped around the roller. It determines the size of the wave or curl. |
|
|
Create a c-shape curl |
One complete turn around the roller |
|
|
Create a wave |
One and a half turns around the roller |
|
|
Triangular base pin curls |
Are recommended along the front or facial hairline to prevent breaks or splits in the finished hairstyle. The triangular base allows a portion of the hair from each curl to overlap the next, and this style can be combed into a wave without splits. |
|
|
Arc base pin curls |
Also known as half-moon or c shaped base curls, are carved out of a shaping. Arc bas pin curls give good direction and may be used at the hairline or in the nape. |
|
|
Square base pin curls |
Are suitable for curly hairstyles without much volume or lift. They can be used on any part of the head and will comb out with lasting results. To avoid splits in the comb out, stagger the sectioning. ( square base, brick-lay fashion) |
|
|
Carved curls |
Also known as sculptured curls, Pin curls sliced from a shaping and formed without lifting the hair from the head. |
|
|
Ridge curls |
Are pin curls placed immediately behind or below a ridge to form a wave. |
|
|
Skip waves |
Are two rows of ridge curls, usually on the side of the head. Skip waves create a strong wave pattern with well- defined lines between the waves. This technique represents a combination of finger waving and pin curls |
|
|
Barrel curls |
Have large centre openings and are fastened to the head in a standing position on a rectangular base. They have the same effect as stand-up pin curls. A barrel curl's effect is similar to that of a roller, but does not have the same tension as a roller when it is set. |
|
|
Cascade curls |
Also known as stand-up curls, are used to create height in the hair design. |
|
|
The three parts of a roller curl: |
The base The stem The curl |
|
|
Rectangular base pin curls |
Are usually recommended at the side front hairline for a smooth, upswept effect. To avoid splits in the comb out, the pin curls must overlap. |
|
|
The base |
Is the panel of hair on which the roller is placed. The base should be the same length and width as the roller. The type of base affects the volume. |
|
|
The stem |
Is the hair between the scalp and the first turn of the roller. The stem gives the hair direction and mobility. |
|
|
The curl |
Also known as circle, is the hair that is wrapped around the roller. It determines the size of the wave or curl. |
|
|
Create a c-shape curl |
One complete turn around the roller |
|
|
Create a wave |
One and a half turns around the roller |
|
|
Where does the roller sit when it is on base. |
Also known as full base. For full volume, the roller sits directly on its base. |
|
|
Triangular base pin curls |
Are recommended along the front or facial hairline to prevent breaks or splits in the finished hairstyle. The triangular base allows a portion of the hair from each curl to overlap the next, and this style can be combed into a wave without splits. |
|
|
Arc base pin curls |
Also known as half-moon or c shaped base curls, are carved out of a shaping. Arc bas pin curls give good direction and may be used at the hairline or in the nape. |
|
|
Square base pin curls |
Are suitable for curly hairstyles without much volume or lift. They can be used on any part of the head and will comb out with lasting results. To avoid splits in the comb out, stagger the sectioning. ( square base, brick-lay fashion) |
|
|
Carved curls |
Also known as sculptured curls, Pin curls sliced from a shaping and formed without lifting the hair from the head. |
|
|
Ridge curls |
Are pin curls placed immediately behind or below a ridge to form a wave. |
|
|
Skip waves |
Are two rows of ridge curls, usually on the side of the head. Skip waves create a strong wave pattern with well- defined lines between the waves. This technique represents a combination of finger waving and pin curls |
|
|
Barrel curls |
Have large centre openings and are fastened to the head in a standing position on a rectangular base. They have the same effect as stand-up pin curls. A barrel curl's effect is similar to that of a roller, but does not have the same tension as a roller when it is set. |
|
|
Cascade curls |
Also known as stand-up curls, are used to create height in the hair design. |
|
|
The three parts of a roller curl: |
The base The stem The curl |
|
|
Rectangular base pin curls |
Are usually recommended at the side front hairline for a smooth, upswept effect. To avoid splits in the comb out, the pin curls must overlap. |
|
|
The base |
Is the panel of hair on which the roller is placed. The base should be the same length and width as the roller. The type of base affects the volume. |
|
|
The stem |
Is the hair between the scalp and the first turn of the roller. The stem gives the hair direction and mobility. |
|
|
The curl |
Also known as circle, is the hair that is wrapped around the roller. It determines the size of the wave or curl. |
|
|
Create a c-shape curl |
One complete turn around the roller |
|
|
Create a wave |
One and a half turns around the roller |
|
|
Where does the roller sit when it is on base. |
Also known as full base. For full volume, the roller sits directly on its base. |
|
|
Where does the roller sit when it is off base. |
For the least volume, the roller sits completely of the base. |
|
|
Triangular base pin curls |
Are recommended along the front or facial hairline to prevent breaks or splits in the finished hairstyle. The triangular base allows a portion of the hair from each curl to overlap the next, and this style can be combed into a wave without splits. |
|
|
Arc base pin curls |
Also known as half-moon or c shaped base curls, are carved out of a shaping. Arc bas pin curls give good direction and may be used at the hairline or in the nape. |
|
|
Square base pin curls |
Are suitable for curly hairstyles without much volume or lift. They can be used on any part of the head and will comb out with lasting results. To avoid splits in the comb out, stagger the sectioning. ( square base, brick-lay fashion) |
|
|
Carved curls |
Also known as sculptured curls, Pin curls sliced from a shaping and formed without lifting the hair from the head. |
|
|
Ridge curls |
Are pin curls placed immediately behind or below a ridge to form a wave. |
|
|
Skip waves |
Are two rows of ridge curls, usually on the side of the head. Skip waves create a strong wave pattern with well- defined lines between the waves. This technique represents a combination of finger waving and pin curls |
|
|
Barrel curls |
Have large centre openings and are fastened to the head in a standing position on a rectangular base. They have the same effect as stand-up pin curls. A barrel curl's effect is similar to that of a roller, but does not have the same tension as a roller when it is set. |
|
|
Cascade curls |
Also known as stand-up curls, are used to create height in the hair design. |
|
|
The three parts of a roller curl: |
The base The stem The curl |
|
|
Indentation |
Is the point where curls of opposite meet, forming a recessed area. |
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Indentation |
Is the point where curls of opposite meet, forming a recessed area. |
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|
What are hot rollers only supposed to be used on? |
Dry hair |
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Indentation |
Is the point where curls of opposite meet, forming a recessed area. |
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|
What are hot rollers only supposed to be used on? |
Dry hair |
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|
What are Velcro rollers only supposed to be used on? |
Dry hair, using them on wet hair will snag and pull the hair. |
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|
How long do Velcro rollers need to stay in the hair? |
Only 5-10minutes, be pending on how much set you want in the hair. |
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Backcombing |
Also known as teasing, ratting, matting, or french lacing, involves combing small sections of hair from the ends toward the scalp. |
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Back rushing |
Also known as ruffing, is used to build a soft cushion or to mesh two or more curl patterns together for a uniform and smooth comb out. |
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Back rushing |
Also known as ruffing, is used to build a soft cushion or to mesh two or more curl patterns together for a uniform and smooth comb out. |
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|
Smooth hair |
To smooth hair that is backcombed, hold the teeth of a comb (or the bristles of a brush) at a 45-degree angle pointing away from you, and lightly move your comb over the surface of the hair. |
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Hair wrapping |
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Hair wrapping |
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Blow dry styling |
Is the technique of drying and styling damp hair in one operation, and it has revolutionized the hair styling world. |
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Concentrator |
Is a blow dryers nozzle attachment. It is a directional feature that creates a concentrated stream of air. |
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When should you use a hood dryer versus a blow dryer? |
A hood dryer is the best used for any kind of wet set- finger waves, pin curls, or rollers. |
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Combs and picks |
Teeth that are closely spaced remove definition from the curl and create a smooth surface. |
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