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22 Cards in this Set
- Front
- Back
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Nashe |
Italy sporting place of murder |
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Granville-Barker |
women's sexual power causes destruction |
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Brown |
loose and rambling plot, no single revenger |
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Pagliaro |
Blake considered the world death-;aden |
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Dollimore |
Cornelia has internalized her position as one of the exploited by embracing the Christian ethic of humility and virtue. Webster parodies excess of power. Elicits sympathy for murderer and whore. |
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Lever |
Renaissance Europe, drama without heroes, crowds the play with irrelevant spectable |
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Brooke |
Flamineo is a victim to the rigid social hierachy |
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Erdman |
Blake kept in touch with his times |
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Arnold Kettle |
Shakespeare reveals from the very start a society in turmoil. Edmund has none of his father's amicable and conservative qualities. |
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Eagleton |
Goneril's love for Lear is indeed beyond value as it does not exist |
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Brandes |
Cordelia is an embodiment of womanly dignity |
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Dowden |
Edgar rises at last to be the judiciary who brings his brother sternly to punishment |
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Peck |
Edgar uses art and disguise to restore at least partial justice and order |
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Hunt |
Blake is an unfortunate lunatic |
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Motion |
Blake told the truth by telling the slant(brave but webster wanted to impress) |
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Kirsch |
virtues hold no reward |
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Hart |
No moral center to the play |
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Bradbrook |
For such a minor character, webster places great emphasis on Giovanni |
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Browne |
Situation at start is no different from the end, circular structure, leaving little hope that Giovanni will not be influenced by his uncle |
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Jones |
Giovanni symbol of James I son, witty and clever |
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Cook |
fearful political mood in London |
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Swift |
Vittoria is a kind of protestant hero |
