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18 Cards in this Set
- Front
- Back
Intersections
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Johannson - "The Medici Effect" -2004
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Creativity, Creative Age, Diversity
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Earls - "Welcome to the Creative Age: Bananas, business, and the Death of Marketing" - 2002
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"different perspectives generate more stimulated thinking" - leads to synergy, more interesting solution
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Earls, "Welcome to the Creative Age", 2002, p.31
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Creativity = "ability to find new solutions to old problems"
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Earls, "Welcome to the Creative Age", 2002, p.20
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needs to be correct balance - diversity + homogeneity, X creative stagnation, X conflict, Need E.I
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Ind and Watt - "Inspiration: Capturing the Creative Potential of Your Org." - 2004
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Diversity represents potential for more thoughtful D-M. Confront opinions and knowledge of others from diverse backgrounds, = rethink P.o.V
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Simons, Pelled and Smith - "Making Use of Difference" - 1999 - p. 662
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Challenges of sustaining creativity: - intrinsic joy, market pressures, business savvy, teams+expanding=less control
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Cree et al. - "Where Angels Fear to Tread" - 2002
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Rise of cultural industries, significance of knowledge to all aspects of economic production/distribution/consumption, rise of services sector, = new economy, more informational, global, networked
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Flew - "New Media: An Introduction" - 2002
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Defn of CI's: activities with origin in individual creativity, skill + talent, potential for wealth and job creation, thru generation and exploitation of intellectual property
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UK Department of Culture Media and Sport (DCMS) 1998
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"consumers increasingly use commodities to construct a personal identity"
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Flew - "New Media" - 2002, p. 114
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consumption = increasingly symbolic of identity and social positioning
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O'Connor - Flew
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Strategy for developing the export potential of NZ Music Industry
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Creating Heat 2002, NZ Trade and Enterprise
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music export model by Creating Heat, plugging into global infrastructures
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NZ Out There
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Ideologies of Hip Hop - community, educational empowerment of marginalised people, opposition to hegemonic, racist, colonising forces
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Zemke-White - "Keeping it real (indigenous)" - 2004
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creativity = collective action and process, embedded in prestructured social and cultural identity - must regard environment as well
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Tschmuck - "How Creative are the CI's? A case of the music industry" - 2003
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3 traditional pillars of "Music as a Product" Paradigm: Control of Publishing Rights, Marketing Power, Distribution Channels
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Tschmuck - "How Creative?" - 2003
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Internet changes paradigm -Music as Product to Music as Service.
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-Music providers on net circumvent copyright regulations
-Smaller record labels X exclusively depend on distribution networks of major comps, can sell direct (Tschmuck - "How Creative?" -2003) |
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PostModern modes of culture (+author)
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-making $ and making culture = same
-antipathy to work VS leisure -reliance on informal networks -emphasis on intuition, emotional involvement, immersion -Cultural producers work for themselves, X 9-5 (O'Connor - Flew "New Media 2002) |