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55.
T: Lindisfarne Gospels: St. Matthew cross-carpet page
D: c. 700 C.E.
P: Early medieval
A: Eadfrith
OL: Europe
P: Unknown
M: Illuminated manuscript (ink, pigments, and gold on vellum)
F: Religious
DT: Maze like, symmetries, repetition
C: In the Lindisfarne Gospels, monastery made. Serpentine shapes designed by an illuminator
56.
T: Great Mosque
D: c. 785-786 C.E.
P: Medievel
A: Unknown
OL: Cordoba, Spain
P: N/A
M: Stone masonry
DT:
C:
57.
T: Pyxis of al-Mughira
D: c. 968
A: Umayyad
OL:
P:
M:
F:
DT: Relief
58.
T: Church of Sainte-Foy
D: c. 1050-1130 C.E.
P: Romanesque Europe
OL: Conques, France
P: Saint Foy
M: Stone; stone and paint; gold, silver, gemstones, and enamel over wood
59.
T: Bayeux Tapestry
D: c. 1066-1080
A:
M: Embroidery on linen
F: Celebrate William's conquest
DT: Tapestry
C: Created during King Harold's secession, 17 meters
60.
T: Chartres Cathedral
D: c. 1145-1155
P: Gothic Europe
OL: Chartres, France
M: Limestone, stained glass
61.
T: Dedication Page with Blanche of Castile and King Louis IX of France, Scenes from the Apocalypse from Bibles moralisees
D: c. 1225-1245
P: Medieval
OL: Gothic Europe
P: Blanche of Castile
M: Illuminated manuscript (ink, tempera, and gold leaf on vellum)
F: For King Louis IX to take it's lessons to heart
C: Shortly after the death of her husband King Luis VIII, Blanche of Castile took over from 1226-1234, the year her son took over the kingdom that for the time being was at peace.
62.
T: Rotten Pieta
D: c. 1300-1325
P: Late medieval Europe
M: Painted wood
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