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35 Cards in this Set

  • Front
  • Back

Claudio Monteverdi

Baroque (end Renaissance to brginning of Baroque)


Mostly vocal compositions

Henry Purcell

Baroque


English* (Baroque arrived later in England than in Germany/France due to the English Civil War)

Antonio Vivaldi

Baroque


Italian


Many concertos for violin


Notable exponent of the sonata


Four Seasons* Violin concertos

George Frideric Handel

Baroque


German


Highly prolific and influential


Particularly in opera and large scale vocal works


Works:


Rinaldo


Giuluo Cesare in Egitto


Alcina


Ariodante


Coronation


Music for the Royal Fireworks


Saul


Israel in Egypt


Messiah

Johann Sebastian Bach

Most famous as a performer - keyboardist and violinist


Profound and enduring influence as a composer particularly in counterpoint


German


Works:


The Well Tempered Clavier


Suites for Cello


Sonatas for Violin


Partitas for Violin


Brandenburg Concertos


St Matthew Passion


St John Passion


Art of Fugue

Wolfgang Amadeus Mozart

Classical


Austrian


Died at 35


Wrote a tone of music


Mastered all major genres:


Orchestral


Chamber music


Solo instrumental


Choral


Serious and comic opera


German Singspiel



Works:


Idomeneo


Le nozze di Figaro


Die Zauberflote


the Requiem****



Compositions are typical of Classical style: balanced phrase lengths, clear texture of melody plus accompaniment, sontata form***


Joseph Haydn

Classical


Austrian


Majority working for Esterhazy family (Hungarian Nobles)


Refined and developed string quartet


Sticks to sonata form and rondo


Wrote 106 Symphonies


Regarded as father of String Quartet and the Symphony


Beethoven's teacher



Works:


Oratorio:


The Creation


The Seasons



Symphonies:


Farewell


Surprise

Ludwig Van Beethoven

Classical


Pioneer of Romantic


Studied with Haydn and Salieri


*linking movements of a work through a single unifying motive in the Fifth Symphony


Used fugues in mamy of his sonatas and string quartets


Great innovator - tried to be original as much as possible

Robert Schumann

Romantic


German composer


Cyclical approach to piano pieces (?)


Profusion of Lieder, song cycles, symphonies, chamber works

Franz Schubert

Romantic


Austrian


About 600 Lieders


8 symphonies


Piano music


Opera


Etc

Felix Mendelssohn

Romantic


Lutheran German of Jewish ancestry


1809-47


His own genre - concert overture - self standing, programmatic orchestral work e.g. Hebrides overture, Songs without Words



Works:


Spring song (piano)


String Octet 1825


Midsummer Night's Dream overture 1826


Symphony No.3 "Scottish"


Elijah (oratorio)


Violin Concerto in E Minor

Luise Reichardt

Romantic


Female*


German


Daughter of composer Johann Friedrich Reichardt

Fanny Mendelssohn

Romantic


Female*


German


Felix Mendelssohn's elder sister

Fryderyk Chopin

Romantic


Polish pianist, composer


Noted exponent of short dance pieces, suitable for salons

Hector Berlioz

Romantic


1803-69


Works:


Romeo et Juliette


Harold en Italie


Symphonie Fantastique



Five Operas:


Les Troyens - Virgil's Aenied


Franz Liszt

Romantic


Greatest pianist of his time


Influenced Wagner, Strauss, Debussy


Created solo recital


Developed new orchestral genre: symphonic poem



13 Symphonic poems


E.g. Hamlet, Orpheus, Prometheus



Works:


B minor sonata


Hungarian Rhapsodies


Nuages Gris

Richard Wagner

Romantic


German


Composed almost exclusively operas


Works:


Der Ring des Nibelungen


Parsifal


Tristan und Isolde


Controversial - anti semitism/Hitler's Third Reich?

Jean Sibelius

Late 19th/Early 20th


Finnish


Distinct Finnish sound*


National hero in Finland

Bedrich Smetana

Late 19th/Early 20th


Czech

Gustav Mahler

Late 19th/Early 20th


Austrian


Conductor of Vienna Court Opera and Philharmonic Orchestra

Leonard Bernstein

Late 19th/Early 20th


Composer/pianist/educator


Russian/jewish


Works:


West Side Story


On the Town


Jeremiah Symphony

The Mighty Handful

*Moguchaya Kuchka*


Mily Balakirev


Aleksandr Borodin


Cesar Cui


Modest Mussorgsky


Nikolay Rimsky Korsakov


None of the had formal musical training


Wanted to find a compositional approach that properly represented Russia in a time when Russian music was dominated by Western European models


Imcorporate folk melodies


Pyotr Il'yich Tchaikovsky

Late 19th/Early 20th


Russian

Johannes Brahms

Late 19th/Early 20thGermanConsidered a would-be successor of BeethovenWorks:the Fourth SymphonyViolin ConcertoEin deutsches RequiemHungarian DancezLibeslieder Walzer

Claude Debussy

Late 19th/Early 20th


French


Innovated in harmony and timbre


Influenced by Impressionism

Mauric Ravel

Late 19th/Early 20thFrenchUsed unusual chords and bitonalityInfluenced by Impressionism

Edward Elgar

Late 19th/Early 20th


English

Ralph Vaughan Williams

Late 19th/Early 20th


English


*The Lark Ascending*

Holst

Late 19th/Early 20th


English

Arnold Schoenberg

Late 19th/Early 20th


Austrian


Pioneer of Serialism


Works:


Verklarte Nacht


Erwartung


Variations for the Orchestra

Anton Webern

Late 19th/Early 20th


Austrian


Schoenberg's student

Pierre Boulez

Late 19th/Early 20th


French


Leading figure in postwar serialism

Igor Stravinsky

Russian


1882 - 1971


Works


The Rite of Spring


The Firebird


Petrushka


Symphony in C


Octet


The Rake's Progress

Germaine Taillefere

French


1892 - 1983


Female member of Les Six


Works:


Violin Concerto


Cantate du Narcisse


Du style gallant au style


Le Marchand d'oiseaux


Paris Magie


Quadrille


Parisiana

Aaron Copland

American


1900 - 1990


Works:


Billy the Kid


Rodeo


Appalachiab Spring


Piano Concerto


Piano Variations


Fanfare for the Common Man


El Salon Mexico