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35 Cards in this Set
- Front
- Back
Central Themes
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• Every relationship is filled with contradictions and tensions.
• Personal relationships are indeterminate processes of ongoing flux. • The dialectical tensions are opportunities for dialogue and growth. |
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Three Relational Dialectics
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Integration – Separation
Stability – Change Expression/nonexpression |
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• Integration – Separation
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o Connectedness/Separateness
o Primary strain in a relationship o Sacrifice of personal autonomy is necessary. o BUT too much connection may destroy the relationship. |
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• Stability – Change
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o Certainty/uncertainty
o While we want the stability of relationship, we also like mystery and spontaneity. o Conventionality – uniqueness |
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• Expression/nonexpression
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o Openness – Closedness
o Self-disclosure and privacy operate in cyclical patterns |
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Three Attitude Zones
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latitude of acceptance
latitude of rejection latitude of non commitment |
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• Latitude of acceptance
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o The range of ideas that a person sees as reasonable or worthy of consideration.
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• Latitude of rejection
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o The range of ideas that a person sees as unreasonable or objectionable.
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• Latitude of noncommitment
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o The range of ideas that a person sees as neither acceptable nor objectionable.
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Ego Involvement
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• The importance or centrality of an issue to a person’s life, often demonstrated by membership in a group with a known stand.
o How crucial is the issue to our lives? o The greater the ego involvement, the heavier the anchor point. |
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Contrast Effect
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• A perceptual error whereby people judge messages that fall within their latitude of rejection as further from their anchor than they really are.
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Assimilation Effect
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• A perceptual error whereby people judge messages that fall within their latitude of acceptance as less discrepant from their anchor than they really are.
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boomerang effect
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• Attitude change in the opposite direction of what the message advocates; listeners driven away from rather than drawn to an idea.
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Theory Essence
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• Sharing group fantasies creates symbolic convergence.
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Dramatizing Message
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• Creative interpretations of there-and-then
• Imaginative language to describe past, future or things outside the group • Must paint a picture or create an image |
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Fantasy
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• “Dramatizing messages that are enthusiastically embraced by the whole group”
• Shared interpretation that fulfills a group’s psychological or rhetorical needs |
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Fantasy Chain
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• The group’s (common) response to a member’s dramatizing message
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Fantasy Theme
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• The content of the message that sparks a fantasy chain reaction.
• Reveals group members’ meanings, emotions, motives, and actions. • Indexed by symbolic cue that ignites the reaction. • Fantasy type: A cluster of related fantasy themes |
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Symbolic Convergence:
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• When two or more private symbol worlds grow close and/or merge.
• Results in group consciousness. • Can lead to heightened group cohesiveness • Sometimes the group climate could be negative |
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Rhetorical vision:
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• Private group fantasies are shared in public speeches or messages.
• This forms a rhetorical community. |
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Cultural Approach Introduction
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• Clifford Geertz
o Cultures are webs of shared meaning, shared understanding, and shared sensemaking. • Michael Pacanowsky o communication creates and constitutes the taken-for-granted reality of the world. |
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Cultural Approach
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• Cultural studies of organizations are a soft science; not experimental but interpretive searching for meaning.
• Culture is not something that organization HAS but what an organization IS. |
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Cultural Elements
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Metaphors
Stories Rituals |
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Metaphors
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o Widely used metaphors offer a starting place for assessing the shared meaning of a corporate culture.
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Stories
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o Stories provide windows into organizational culture.
o Pacanowsky focuses on the script-like qualities of narratives that line out an employee’s role in the company play. • Three types of organizational narratives. Corporate stories reinforce management ideology and policies. Personal stories define how individuals would like to be seen within an organization. Collegial stories: are positive or negative anecdotes about others within the organization that pass on how the organization “really works.” -- usually unsanctioned by management. |
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Rituals
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o Rituals articulate multiple aspects of cultural life.
o Some rituals are nearly sacred and difficult to change. |
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Introduction to Critical Approach
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• Stanley Deetz’s theory seeks to balance corporate and human interests.
• The issue of power runs through all communication |
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Corporate colonization of everyday life
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• Deetz views multinational corporations as the dominant force in society.
• Corporate control has diminished the quality of life for most citizens. |
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Communication in organizations
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• Communication practices distort decision making improve workplace democracy
• Corporate communication is usually undemocratic |
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Two Models
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1. Information Model
2. Communication Model ----see review sheet |
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four types of decision making
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1. Strategy
2. Consent 3. Involvement 4. Participation |
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• Strategy: overt managerial moves to extend control
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o Managerialism values control above all else.
o The desire for control can even exceed the desire for corporate performance. o Employee resistance |
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• Consent: willing allegiance to covert control
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o Consent is developed through managerial control of corporate culture
o Systematically distorted communication operates without employees’ overt awareness. |
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• Involvement: free expression of ideas, but no voice
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o Free expression is not the same as having a “voice” in corporate decisions.
o Knowledge of this difference creates worker cynicism. |
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• Participation: stakeholder democracy in action
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o Deetz advocates open negotiations of power.
o Managers should mediate, rather than persuade |