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35 Cards in this Set

  • Front
  • Back
Central Themes
• Every relationship is filled with contradictions and tensions.
• Personal relationships are indeterminate processes of ongoing flux.
• The dialectical tensions are opportunities for dialogue and growth.
Three Relational Dialectics
Integration – Separation
Stability – Change
Expression/nonexpression
• Integration – Separation
o Connectedness/Separateness
o Primary strain in a relationship
o Sacrifice of personal autonomy is necessary.
o BUT too much connection may destroy the relationship.
• Stability – Change
o Certainty/uncertainty
o While we want the stability of relationship, we also like mystery and spontaneity.
o Conventionality – uniqueness
• Expression/nonexpression
o Openness – Closedness
o Self-disclosure and privacy operate in cyclical patterns
Three Attitude Zones
latitude of acceptance
latitude of rejection
latitude of non commitment
• Latitude of acceptance
o The range of ideas that a person sees as reasonable or worthy of consideration.
• Latitude of rejection
o The range of ideas that a person sees as unreasonable or objectionable.
• Latitude of noncommitment
o The range of ideas that a person sees as neither acceptable nor objectionable.
Ego Involvement
• The importance or centrality of an issue to a person’s life, often demonstrated by membership in a group with a known stand.
o How crucial is the issue to our lives?
o The greater the ego involvement, the heavier the anchor point.
Contrast Effect
• A perceptual error whereby people judge messages that fall within their latitude of rejection as further from their anchor than they really are.
Assimilation Effect
• A perceptual error whereby people judge messages that fall within their latitude of acceptance as less discrepant from their anchor than they really are.
boomerang effect
• Attitude change in the opposite direction of what the message advocates; listeners driven away from rather than drawn to an idea.
Theory Essence
• Sharing group fantasies creates symbolic convergence.
Dramatizing Message
• Creative interpretations of there-and-then
• Imaginative language to describe past, future or things outside the group
• Must paint a picture or create an image
Fantasy
• “Dramatizing messages that are enthusiastically embraced by the whole group”
• Shared interpretation that fulfills a group’s psychological or rhetorical needs
Fantasy Chain
• The group’s (common) response to a member’s dramatizing message
Fantasy Theme
• The content of the message that sparks a fantasy chain reaction.
• Reveals group members’ meanings, emotions, motives, and actions.
• Indexed by symbolic cue that ignites the reaction.
• Fantasy type: A cluster of related fantasy themes
Symbolic Convergence:
• When two or more private symbol worlds grow close and/or merge.
• Results in group consciousness.
• Can lead to heightened group cohesiveness
• Sometimes the group climate could be negative
Rhetorical vision:
• Private group fantasies are shared in public speeches or messages.
• This forms a rhetorical community.
Cultural Approach Introduction
• Clifford Geertz
o Cultures are webs of shared meaning, shared understanding, and shared sensemaking.
• Michael Pacanowsky
o communication creates and constitutes the taken-for-granted reality of the world.
Cultural Approach
• Cultural studies of organizations are a soft science; not experimental but interpretive searching for meaning.
• Culture is not something that organization HAS but what an organization IS.
Cultural Elements
Metaphors
Stories
Rituals
Metaphors
o Widely used metaphors offer a starting place for assessing the shared meaning of a corporate culture.
Stories
o Stories provide windows into organizational culture.
o Pacanowsky focuses on the script-like qualities of narratives that line out an employee’s role in the company play.
• Three types of organizational narratives.
 Corporate stories reinforce management ideology and policies.
 Personal stories define how individuals would like to be seen within an organization.
 Collegial stories: are positive or negative anecdotes about others within the organization that pass on how the organization “really works.” -- usually unsanctioned by management.
Rituals
o Rituals articulate multiple aspects of cultural life.
o Some rituals are nearly sacred and difficult to change.
Introduction to Critical Approach
• Stanley Deetz’s theory seeks to balance corporate and human interests.
• The issue of power runs through all communication
Corporate colonization of everyday life
• Deetz views multinational corporations as the dominant force in society.
• Corporate control has diminished the quality of life for most citizens.
Communication in organizations
• Communication practices distort decision making improve workplace democracy
• Corporate communication is usually undemocratic
Two Models
1. Information Model
2. Communication Model
----see review sheet
four types of decision making
1. Strategy
2. Consent
3. Involvement
4. Participation
• Strategy: overt managerial moves to extend control
o Managerialism values control above all else.
o The desire for control can even exceed the desire for corporate performance.
o Employee resistance
• Consent: willing allegiance to covert control
o Consent is developed through managerial control of corporate culture
o Systematically distorted communication operates without employees’ overt awareness.
• Involvement: free expression of ideas, but no voice
o Free expression is not the same as having a “voice” in corporate decisions.
o Knowledge of this difference creates worker cynicism.
• Participation: stakeholder democracy in action
o Deetz advocates open negotiations of power.
o Managers should mediate, rather than persuade