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37 Cards in this Set

  • Front
  • Back
rhetoric
speakers available means of persuasion
syllogisms
set of a propositions that are related to each other and draw a conclusion,
deductive.
enthymemes
syllogism based on probabilities, signs, and examples
Ethos, Logos, Pathos
ethos - perceived character of speaker
logos - logical proof
pathos - emotional proof (audience)
Epideictic Rhetoric
rhetoric that praises or blames audience
Forensic Rhetoric
speaker prompts feelings of guilt or innocence from audience
Deliberative Rhetoric
Speaker determines audiences course of action
Paradigm Shift
Great change in the way people see the world and its meanings
Narrative Rationality
standard for belief
Fidelity
judging credibility of story
mainstreaming
heavy t.v. viewers perceive dominant reality pictured in media
resonance
viewers reality coincides with media reality
Aristotle's canons of rhetoric
invention - available persuasion means
arrangement - assemble argument
style - present argument
delivery - voice, gestures
memory - extemporaneously
activity/activeness
what media consumer does

how much freedom audience has from mass media
positive/negative face
desire to be liked

desire to be autonomous and free from others
face saving

face restoration
efforts to avoid embarrassment

preserve autonomy and avoid loss of face
tact, solidarity, approbation
tact - respect for anothers autonomy

solidarity - accepting another to a group

approbation - focus on positive side of things
second shift
women who work 8 hours then a full days work at home
perception

evaluation
interpreting a message

judging a conversation
convergence

divergence
adapting to another's behavior

accentuate verbal and nonverbal differences b/t communicators
Narrative Paradigm Assumptions
humans are story tellers, base worth on good reason, rationality, choose among the world's stories
structural coherence

material coherence

characterological coherence
organization of ideas

important ideas missing or distorted?

believability, consistency, trust
Cultivation Analysis Assumptions
T.V. is different than other forms of mass media. T.V. shapes societies ways of thinking and relating. The influence of T.V. is limited.
First order/ Second order cultivation effects
first - learn facts

second - learn values and assumptions
aggression vs. violence
internal motivation vs. intentional harm causing behavior
Predictions... Catharsis
desensitization
social learning
vent anxiety by watching or doing violent or sexual acts - short term

less sensitive, more jaded and less aroused by violence - long term

short term - increases violent action
schramms fraction of selection
expected reward/ effort required
Uses and Gratifications Assumptions
active audience - goal orientated, chooses media, media competes with other sources, people are aware of choices and motives, value given by audience
4 politeness strategies
bald on record - no attempt to satisfy other's face needs

positive politeness - minimize threats to positive face

negative politeness - appeal to autonomy

indirect - avoid threat with both faces
5 conflict management strategies
avoiding
obliging - passive
compromising
dominating
integrating - collab to satisfy
4 processes of silencing
ridicule - make fun
ritual - weddings, last name
control
harrassment
theoretical roots of Comm. accommodation theory
Soc. Identity theory

identity is shaped by group individual is in, (in or out)
3 forms of over-accommodation
sensory - view other as "limited"

dependency - other is "lower status"

intergroup - dumps listeners into stereotype group
4 uses of media
diversion - escape
personal relationships - replace friends
personal identity - reinforce values
surveillance - learn about surroundings
types of audience activity
utility - uses of media
intentionality - prior motivations
selectivity - reflects existing interests
imperviousness to influence - create own meaning from content
4 steps of cultivation analysis
message system analysis, ?'s a/b viewers social realities, survey audience, light vs. heavy viewers
dis inhibition
inability to control arousal, leads to physiological trauma