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13 Cards in this Set
- Front
- Back
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Ockeghem's writing style |
expanded range of voices, long melodies made using overlapping phrases, cantus firmus masses |
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Missa Prolationum |
Double mensuration cannon mass- 2 lines of melody 4 different time signatures |
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Missa Cuiusvis Toni |
One line of melody is assigned to different modes |
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Canon |
Strict Imitation |
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Franco Flemish Chanson Style |
3 voice cantelena style in formes fixes (Especially rondeau) smooth long arching melody, some syncopated rhythm, consonant harmony with careful dissonance, imitation, increasing use of duple meter and other 2 voices gain importance |
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Style of 2nd Generation Franco Flemish Composers |
1. 4 voices 2. clear texture-homophonic or imitation used 3. triadic harmony in root position or first in version 4. ars nova and formes fixes are out of fashion 5. instruments become more important as they are added to secular music. |
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Point of Imitation |
single fragment or phrase imitated among all voices |
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Text Painting |
Music illustrates text. Also known as text depiction and text expression |
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Significance of Josquin's Missa l'homme arme |
Each movement starts on a different note of the hexachord |
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Significance of Josquin's Missa Hercules dux Ferrariae |
uses soggeto cavota dalle vocali- subject carved of the vowels- vowel determines pitch based on hexachord name |
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Drive to the Cadence |
When music approaches the cadence, the notes become smaller and the rhythm is more active |
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2nd Gerneration Franco Flemish Chanson Style |
Abandon the Formes Fixes, 4 or 5 voice parts all equal, homophonic texture and imitation used |
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Paraphrase Mass |
Based on a pre-existing melody using the paraphrase technique |
