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61 Cards in this Set
- Front
- Back
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Boy with a Basket of Fruit
c. 1593 Galleria Borghese, Rome |
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Self-Portrait as Bacchus or 'Sick Little Bacchus'
c. 1593 Rome, Galleria Borghese |
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(repainted or copy?) Fortune-Teller
c. 1594 Pinacoteca Capitolina, Rome |
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The Cardsharps (I Bari)
c. 1594 Kimbell Art Museum, Fort Worth |
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Boy Bitten by a Lizard
c. 1595 National Gallery, London |
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Boy Bitten by a Lizard
c. 1600 Roberto Longhi Foundation, Florence |
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The Musicians
c. 1595 New York, The Metropolitan Museum of Art, Roger Fund |
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St. Francis in Ecstasy
c. 1595 Wadsworth Atheneum, Hartford, Connecticut |
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The Lute Player
c. 1596 Hermitage, Saint Petersburg |
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Still Life of a Basket of Fruit
c. 1596 (Grove 1598-1601) Pinacoteca Ambrosiana, Milan |
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Medusa
c. 1597 Uffizi, Florence |
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Jove, Neptune, and Pluto
c. 1597 Villa Bonocompagni-Ludovisi, Rome |
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Bacchus
1597-98 Galleria degli Uffizi, Florence |
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Fortune-Teller
1597-1598 Musee du Louvre, Paris |
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Penitent Magdalen
c. 1598 Galleria Doria Pamphili, Rome [pam-FEE-lee] |
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Rest on the Flight into Egypt
c. 1598 Galleria Doria Pamphili, Rome |
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Judith Beheading Holofernes
c. 1598 Galleria Nazionale d'Arte Antica, Palazzo Barberini, Rome |
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Portrait of Fillide
c. 1598 formerly Kaiser Friedrich Museum, Berlin (destroyed 1945) |
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Saint Catherine of Alexandrea
c. 1599 Thyssen-Bornemisza Collection, Madrid [TEE-sen born-a-ME-suh] |
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(attributed) Narcissus
1599 Galleria Nazionale d'Arte Antica, Palazzo Corsini, Rome |
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Conversion of Mary Magdalen
c. 1599 Detroit Institute of Arts, Detroit |
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Calling of Saint Matthew
1599-1600 Contarelli Chapel, San Luigi dei Francesi, Rome |
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Martydom of Saint Matthew
1599-1600 Contarelli Chapel, San Luigi dei Francesi, Rome |
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The chapel commemorates the French cardinal Matthieu Cointrel, (Contarelli in Italian), who on his death in 1585 left an endowment and instructions for the decoration of the chapel, first one to the left of the apse, which he had purchased within San Luigi dei Francesi ("Saint Louis of the French"), the church of the French community in Rome. The cardinal was rich—he had already paid for part of the construction of the church facade and put a large sum towards the high altar—and he specified that his chapel be decorated with scenes from the life of his name-saint, Matthew the Evangelist.
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The chapel was purchased in July 1600 by Monsignor Tiberio Cerasi, Consistorial Advocate and Treasurer-General to Pope Clement VIII.[1] Cerasi commissioned Carracci and Caravaggio, the two leading emerging artists of the day, to provide an altarpiece of The Assumption of Mary (Carracci) and The Conversion of Saint Paul on the Road to Damascus and The Crucifixion of Saint Peter (Caravaggio) for the two side walls. Cerasi's choice of the Assumption for the altar seems straight-forward enough, while the Saint Paul and Saint Peter honoured the two Apostles central to the Catholic Church, as well as the popular Counter-Reformation themes of conversion and martydom.
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The Conversion of Saint Paul
1600-01 Cerasi Chapel, Santa Maria del Popolo, Rome |
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Conversion of Saint Paul
1600-1601 Prince Guido Odescalchi, Rome |
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Crucifixion of Saint Peter
1600-1 Cerasi Chapel, Santa Maria del Popolo, Rome |
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Supper at Emmaus
1601 National Gallery, London |
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Victorious Cupid (Amor Vincit Omnia)
1601-2 Staatliche Museen, Berlin [staat-LEE-sheeuh] |
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Saint Matthew and the Angel (Inspiration of Saint Matthew)
1602 Bought by Vincenzo Giustiniani; formerly Kaiser Friedrich Museum, Berlin (destroyed 1945) |
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Saint Matthew and the Angel (Inspiration of Saint Matthew)
1602 Contarelli Chapel, San Luigi dei Francesi, Rome |
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Saint John the Baptist
1602 Pinacoteca Capitolina, Rome |
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Taking of Christ
1602 Society of Jesuits of Saint Ignatius, Dublin, on loan to the National Gallery of Ireland, Dublin |
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Entombment
1602-3 Pinacoteca Vaticana, Vatican City Commissioned for the church of Santa Maria in Vallicella by a nephew of Pietro Vittrice, majordomo and guardarobiere of Pope Gregory XIII, who died in 1600 Wikipedia: A majordomo is a person who speaks, makes arrangements, or takes charge for another. Typically, the term refers to the highest (major) person of a household (domo) staff, one who acts on behalf of the (often absent) owner of a typically large residence. Similar terms: butler, chamberlain, steward, concierge |
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Doubting Thomas
1603 Sanssouci [SAN-sue-see] Palace, Potsdam [near Berlin] |
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Sacrifice of Isaac
1603 Galleria degli Uffizi, Florence |
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(attributed) Portrait of Monsignor Maffeo Barberini
1603 Private collection, Florence |
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Madonna of Loreto
1603-4 Cavalletti Chapel, Sant'Agostino, Rome [Cavaletto= saw horse, easel] Model was courtesan Maddelena Antogneti, known as Lena. |
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(attributed) Agony in the Garden
c. 1604 formerly Kaiser Friedrich Museum, Berlin (destroyed 1945) Matthew 26:36: Then Jesus went with his disciples to a place called Gethsemane, and he said to them, "Sit here while I go over there and pray." 37He took Peter and the two sons of Zebedee along with him, and he began to be sorrowful and troubled. 38Then he said to them, "My soul is overwhelmed with sorrow to the point of death. Stay here and keep watch with me." 39Going a little farther, he fell with his face to the ground and prayed, "My Father, if it is possible, may this cup be taken from me. Yet not as I will, but as you will." 40Then he returned to his disciples and found them sleeping. "Could you men not keep watch with me for one hour?" he asked Peter. 41"Watch and pray so that you will not fall into temptation. The spirit is willing, but the body is weak." 42He went away a second time and prayed, "My Father, if it is not possible for this cup to be taken away unless I drink it, may your will be done." 43When he came back, he again found them sleeping, because their eyes were heavy. 44So he left them and went away once more and prayed the third time, saying the same thing. 45. Then he returned to the disciples and said to them, "Are you still sleeping and resting? Look, the hour is near, and the Son of Man is betrayed into the hands of sinners. 46Rise, let us go! Here comes my betrayer!" Luke 22:45: When he rose from prayer and went back to the disciples, he found them asleep, exhausted from sorrow. 46"Why are you sleeping?" he asked them. "Get up and pray so that you will not fall into temptation." |
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Saint John the Baptist
c. 1604 Nelson-Atkins Museum of Art, Kansas City |
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David and Goliath
c. 1605 Museo Nacional del Prado, Madrid |
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Death of the Virgin
1605 Musee du Louvre, Paris Commissioned by Laerzio Cerubini for the church of Santa Maria della Scala, in Trastevere, from which it was immediately removed |
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Madonna with the Serpent (Madonna dei Palafrenieri)
1606 Galleria Borghese, Rome |
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Supper at Emmaus
1606 Pinacoteca di Brera, Milan |
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The Seven Acts of Mercy
1606 Church of the Pio Monte della Misericordia, Naples |
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Madonna of the Rosary
1606-1607 Kunsthistorisches Museum, Vienna |
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Flagellation of Christ
1607 Museo e Galleria Nazionali di Capodimonte, Naples |
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Portrait of Alof de Wignacourt and a Page
1607 Musee du Louvre, Paris |
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(attributed) Portrait of Fra Antonio Martelli, A Knight of Malta
1608 Palazzo Pitti, Florence |
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Sleeping Cupid
1608 Palazzo Pitti, Florence |
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Beheading of John the Baptist
1608 Oratory, Co-cathedral of Saint John's, Valletta |
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Burial of Saint Lucy
1608 Museo Nazionale di Palazzo Bellomo, Syracuse |
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Salome with the head of Saint John the Baptist
c. 1608 National gallery, London |
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Raising of Lazarus
1608-9 Museo Regionale, Messina |
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(attributed) Annunciation
1608-10 Musee des Beaux-Arts, Nancy, France |
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Adoration of the Shepherds
1609 Museo Regionale, Messina |
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Nativity with Saints Laurence and Francis
1609 formerly Oratory of the Compagnia di San Lorenzo, Palermo (stolen 1969) |
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Denial of Saint Peter
1607/1610 Metropolitan Museum of Art, New York |
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Martyrdom of Saint Ursula
April-May 1610 Banca Commerciale Italiana, Naples |
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David with the Head of Goliath
1610 Galleria Borghese, Rome |
