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39 Cards in this Set
- Front
- Back
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Andres serrano,piss christ, 1987 |
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Nkisi nkondi, 1800s to present |
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Chartres cathedral, 1200 ce |
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Garden at versailles, 1700 ce |
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Guerilla girls, how women get maximum exposure, 1989 |
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Francis Bacon, tryptych, 1973 |
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Diego velazquea, Las meninas, 1656 |
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Goya, black painting |
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Warhol, brillo boxes |
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Cindy sherman, untitled film stills |
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Barbara kruger, your body is a battleground |
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Judy chicago, dinner party, 1979 |
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Artemisia gentileschi, Judith slaying holofeenes, 1614 ish |
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Lucy lippard |
Art theirist and critic, wrote in defense if serranos work piss christ. |
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Kant |
Enlightenment philosopher that contributed to the theory of aesthetic. Kant believed the good judgement of aesthetics is within the artwork itself, not just in personal background. |
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Hume |
Emphasised in education and experience to build a definition of beauty, believing men of taste acquire certain abilities. |
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Freud |
Believed that art expresses unconscious feelings. |
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Clement greenberg |
Famously called kitsch, something vulgar and popular with gray mass appeal. |
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Plato |
Theory of ideas argues that non-physical forms represent the most accurate reality. |
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John dewey |
Art expresses the life of the community |
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Clive bell |
Form rather than content is how we see beauty in art. |
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Linda nochlin |
Believed that there are no female artists that match Michelangelo |
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David Sylvester |
Focuses on the form and ignores the emotional side of art. |
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Leo tolstoy |
He believed an artists chief job is to express and communicate emotions to an abundance |
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Richard Anderson |
Defines art as culturally significant. Meaning skilfully encoded in an affecting sensuous medium |
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Michel foucault |
The meaning of work shouldn't be interpreted too much from the author intended meaning, but find meaning in the work itself. |
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Arthur danto |
Anything can be art |
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George dickie |
Art is any artifact which has conferred upping it the status of candidate appreciation by some person or persons |
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Ritual |
Theory of art, an ordinary object or act acquires symbolic and affective significance through incorporation into s belief system shared by all participant. |
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Beauty |
Hume- people with the most highly developed aesthetic taste value art. Top-down Kant- something beautiful may be created or used with an eye to various practical goals Down-top |
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Mimesis |
Increasing accuracy as the representation of nature. |
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Context |
Refers to the cultural constraints in expectations that surround and influence artists creation. |
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Primitvism |
Western art that borrows visuals from non-western |
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Canon |
A list of greats or geniuses that made a mark in their field. |
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Episteme |
A system of understanding or a body of ideas which give shape to the knowledge of a given time period. |
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Significant form |
A particular combination of lines and forms that stir aesthetic emotion. |
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Genius |
That an artists somehow can make materials come together into a form that is recongnizably beautiful to viewers. |
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Diaspora |
A scattered population whose origin lies within a smaller geographical scale. |
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Colonialism |
The policy or practice of acquiring full or partial political control over another country, occupying it with settlers, and exploiting it economically. |