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64 Cards in this Set

  • Front
  • Back
Trimeter
3 feet
Tetrameter
4 feet
Pentameter
5 feet
Hexameter (or Alexandrine)
6 feet
Heptameter (or "Fourteener")
8 feet
Prose
No measured length. We speak in prose
KINDS OF FEET
Iam
Unstress, stress ("invent")
Trochee
Stress, unstress ("dingbat")
Spondee
Stress stress
Pyrrhic
Unstress unstress
Blank Verse
Unrhymed iambic pentameter
Catalectic
When the unstressed syllable is cut out at the end of a trochaic line
Feminine Ending
Extra unstressed (or soft) syllable at the end of a poetic line
POETIC TERMS
Endstop
the stop at the end of the poetic line, usually indicated by punctuation
Caesura
"Slit" in the middle of a poetic line
Enjambment
A "striding over" - where there is no stop at the end of the poetic line; when the unit of sense carries over to the next line
TROPES AND FIGURES:
Simile
A comparative expression using "like" or "as" ("Love is like a rose.")
Epic Simile
(Homeric Simile) A special kind of extended simile found especially in epic narration
Metaphor
"Love is a rose"
Implicit Metaphor
"O, Rose, thou art sick!"
Structural Irony
Irony created by a structural feature such as a naive protagonist whose viewpoint is consistently wrong, shared by neither author nor reader.
Verbal Irony
A trope in which the meaning ostensibly expressed “differs sharply from” what the speaker really means. A common type of verbal irony is sarcasm,
Dramatic Irony
The quality exhibited in words spoken by a character in a play or narrative who, because of his ignorance of present or future circumstances that the audience is aware of, does not realize how the words apply to his situation. (Oedipus: “Why, I’d sooner marry my own mother than . . . “)
Allegory
Extended metaphor in which characters represent concepts, often symbolically.
HISTORICAL TERMS and OTHERS
Kenning
A compound expression in Old English with metaphorical meaning
Alliteration
Anglo-Saxon poetry characterized by two stressed alliterative sounds before the caesura, and usually one or two following. ("Victory is vital")
Irony
When the implicit meaning is opposed to the explicit meaning of a word or passage
Litotes
Double-negative, a form of understatement
Scop
"SchOp" - a professional or semi-professional singer, poet
Vulgate
Latin Bible translated by St. Jerome ca. 400. Used as common bible throughout Middle ages
Henry Howard, Earl of Surrey
credited for inventing Blank Verse in his translation of Virgil's Aeneid. Also credited with having invented the English Sonnet or Shakespearean Sonnet
Medieval Chivalric Romance
Long prose or verse narrative telling fantastic stories or "errant" knights with heroic qualities, fighting evil and going on a quest
DATES AND PERIODS
Middle Ages
Longest period in literary history
Renaissance
Starts approx 1500
Bede, Caedmon
Restoration
1660-?
The "Long Eighteenth Century"
1660-1900
J.R.R. Tolkien
Gave lecture "The Monsters and the Critics" in 1936. He was the first to appreciate the author of Beowulf as an imaginative author, writing with conscioous literary artistry. Represented human destiny
600-1200
Old English was spoken
1066
Norman Conquest
1649
Execution of Charles I; end of English Civil War (English Revolution)
Interregnum
Period between Kings (Charles I and Charles II= 1649-1660)
English Civil War
1640-1669
Cultural Relativity
A concept that cultural norms and values derive their meaning within a specific social context.
Satire
The use of humour, irony, exaggeration, or ridicule to expose and criticize people’s stupidity or vices, particularly in the context of contemporary politics and other topical issues
Estate Satire
Literature satirizing the three estates of the 14th Century (The Canterbury Tales)
Lyric
The poet writes the poem as his or her own experience; often the poet uses first person ("I"); however, this speaker is not necessarily the poet but may be a fictional character or persona.
Drama
The characters are obviously separate from the writer; in fact, they generally seem to have lives of their own and their speech reflects their individual personalities. The writer is present, of course, in stage directions, and occasionally a character acts as a mouthpiece for the writer.
Epic
This long narrative is primarily written in third person. However, the epic poet makes his presence known, sometimes by speaking in first person, as when the muses are appealed to for inspiration, or by reporting the direct speech of the characters.
Tragedy
Addresses serious themes, and concludes with the death or suffering of a protagonist. The tragic hero is a person of worth who is not perfect, and whose weakness, or tragic flaw, leads to their defeat. The purpose of tragedy is to induce a catharsis – a "cleansing" of emotion through pity and terror -- in the spectator.
Utopia
Imagined place or state of things in which everything is perfect.
Sonnet
A poem of fourteen lines using any of a number of formal rhyme schemes, in English typically having ten syllables per line.
Mock Epic
A satirical imitation or burlesque of the heroic manner or style.
Theodicy
The vindication of divine goodness and providence in view of the existence of evil.
Felix Culpa
(in Christian theology) the sin of Adam viewed as fortunate, because it brought about the blessedness of the Redemption.
In medias res
Into the middle of a novel, without preamble. (Paradise lost starts this way)
Invocation
The action of invoking something or someone for assistance or as an authority.
Couplet
Two successive lines the last words of which rhyme
Quatrain
A stanza or poem of 4 lines
Sestet
The last six lines of a sonnet, or just a stanza of six lines
Octave
A verse form consisting of eight lines of iambic pentameter (in English poetry)
Petrarchan Sonnet
Poem divided into two stanzas, the octave (the first eight lines) followed by the answering sestet (the final six lines). Follows specific rhyme scheme- A B B A A B B A
Shakespearean Couplet
Poem composed of three quatrains and a terminal couplet in iambic pentameter with the rhyme pattern abab cdcd efef gg
Heroic Couplets
Couplets with a meter of heroic pentameter
Zeugma
The use of a word to modify or govern two or more words although its use may be grammatically or logically correct with only one.