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3 Cards in this Set
- Front
- Back
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Coda
bars 152 - 195 (bars 152-162) |
The first 10 bars resemble those of the codetta, except the tonality in now F major
Beethoven extends the music at this point by referring to motifs and ideas used earlier in the movement |
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Coda
bars 152 - 195 (bars 162 - 182) |
(bars 177 - 182) the violins play the repeated semiquaver rhythm originally given to the horns, in the exposition
from bar 182, the 2nd violins and violas play the dotted semiquaver demisemiquaver rhythm |
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Coda
bars 152 - 195 (bars 182 - 195) |
(184 - 186) the 1st violins play a descending scale like figure in the familiar dotted rhythm
strongly rooted to tonic-dominant relationship light 'pizzicato' bass (190-193) the horns have a chance to shine with their two note motif, combining with the violins and woodwind to conclude the movement |
