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22 Cards in this Set
- Front
- Back
Mysticism vs. Empiricism |
M: Mystical, overly spiritual, almost dematerialized as it focuses on the “other world” |
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Humanism
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Human potential, expanding knowledge, education, civic responsibility, personal glory
Private patronage, "naturalism", and personal glory first affected the arts |
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Florence
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Hub of early-mid Renaissance |
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Ghiberti
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Sacrifice of Isaac, "Gates of Paradise"
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Brunelleschi
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Sacrifice of Isaac (lost contest), Flr. Cth. Dome, Pazzi Chapel, Linear Perspective
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Donatello |
Saint Mark, Feast of Herod, David (freestanding nude?!) Perspective |
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Verrocchio
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David; Leonardo and Perugino's teacher
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Pollaiuolo
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Hercules & Antaeus, 10 Naked Men, cadaver dissection
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Fabriano
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Adoration of the Magi; "International Gothic"
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Massaccio
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Expulsion of Adam and Eve, Holy Trinity; short life, HIGHLY influential
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Fra Angelico
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Annunciation, simplicity, serenity of monastic life, "gem" like
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Castagno
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Last Supper (trippy), more "refectory" painting
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Fra Filippo Lippi
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Madonna and Child, not the best Fra, Botticelli's teacher
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Ghirlandio
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Birth of the Virgin; famous pupil drops out...
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Uccello
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Battle of San Romano; "Bird-Man" makes jump from Gothic Painting
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Botticelli
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Primavera, Birth of Venus; master of line, trouble from "pagan" works
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Girolamo Savonarola
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Dominican monk turned art & Medici critic
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Michelozzo
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Palazzo Medici-Ricardi; fan of Brunelleschi
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Alberti
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Santa Maria Novella, Sant'Andrea; chief historian of the Renaissance
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Perugino
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Delivery of the Keys (Sistine Chapel; Alberti C.P. Church); Raphael's teacher
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Piero Della Francesca
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Flagellation of the Christ
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Mantegna
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Camera Picta (first ceiling perspective view), Foreshortened Christ
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