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42 Cards in this Set
- Front
- Back
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Enguerrand Quarton, Coronation of the Virgin, 1454, Tempera on panel |
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Albrecht Dürer, Self Portrait at Age 26, Oil on wood panel, 1498 |
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Albrecht Dürer, Self-portrait at the age of 13, Silverpoint drawing on paper, 1484 |
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Albrecht Dürer, Self-portrait, 1500, oil on lime panel |
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Jean de Beaumetz, Crucifixion with a Carthusian Monk, Tempera on Wood, c. 1390-95 |
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Claus Sluter, Well of Moses, Painted and gilded limestone, 1395-1406 |
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Claus Sluter, Torso of Christ (fragment of Crucifixion statue) limestone, 1399 |
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Jacques de Baerze, Retable of the Crucifixion, 1390-99, gilded and polychrome wood |
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Melchior Broederlam, The Crucifixion Retable, 1393-99, Tempera on Wood (exterior wings in closed position |
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Limbourg Brothers, Les très riches heurs du Duc de Berry: February, 1412-16, Illuminated Manuscript |
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Limbourg Brothers, Les très riches heures du Duc de Berry: January, 1412-16, Illuminated Manuscript |
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Limbourg Brothers, Les très riches heures du Duc de Berry: October, 1412-16, Illuminated Manuscript |
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Limbourg Brothers, Les très riches heures du Duc de Berry: August, 1412016, Illuminated Manuscript |
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Master of Flémalle, Mérode Altarpiece, c. 1427, oil on wood |
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Rogier van der Wenden (?), Frontispiece to the Chroniques de Hainaut, c. 1447, manuscript illumination |
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Jan van Eyck, Portrait of a Man in a Red Turban (Self Portrait?) oil on panel, 1433 |
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Jan van Eyck, The Virgin of Chancellor Rolin, 1435, oil on panel |
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Rogier van der Weyden, Altar of the Last Judgment, oil on wood c. 1445-50 (open) |
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Rogier van der Weyden, Altar of the Last Judgment (closed), oil on wood, c. 1445-50 |
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Rogier van der Weyden, Descent from the Cross, oil on oak panel, 1435 |
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Jan van Eyck, Portrait of Giovanni Arnolfini and his Wife, 1434, oil on oak |
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Rogier van der Weyden, Annunciation (central panel of Annunciation Altarpiece), c. 1440, oil on oak panel |
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Jan van Eyck, Virgin of Canon van der Paele, Oil on Wood, 1434-36 |
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Rogier van der Weyden, Portrait Diptych of Philippe de Croy, c. 1460, oil on oak panel |
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Hans Memling, diptych of Maarten Nieuwenhove, 1487, oil on oak panel |
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Jan Gossart, Carondelet Diptych, 1517, oil on panel |
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Jan Gossart, Carondelet Diptych, (reverse) 1517, oil on panel |
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Hans Pleydenwurff, Diptych of Count Georg von Lowenstein c. 1457, distemper on wood (left) |
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Hans Pleydenwurff, Diptych of Count Georg von Lowenstein c. 1457, distemper on wood (right) |
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Master of Mary of Burgundy, Mary of Burgundy at Prayer, Mary of Burgundy's Book of Hours c. 1480, Manuscript miniature |
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Master of Mary of Burgundy, Christ Nailed to the Cross, Mary of Burgundy's Book of Hours c. 1480, Manuscript |
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Jan van Eyck, Madonna in the Church, c. 1426-28, oil on wood |
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Jan van Eyck, Ghent Altarpiece (closed), 1432, oil on wood |
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Jan van Eyck, Ghent Altarpiece (open), 1432, oil on wood |
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Jan van Eyck, Ghent Altarpiece: Donor Jodocus Vijd and the Patron saint of his chapel, St. John the Baptist, 1432 oil on wood |
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Jan van Eyck, The Ghent Altarpiece: Donor's wife Isabella Borluut and St. John the Evangelist, 1432, oil on wood |
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Jan van Eyck, Ghent Altarpiece: Annunciation on external wings, 1432, oil on wood |
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Jan van Eyck, Ghent Altarpiece: Adoration of the Lamb, 1425-1429 |
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Hans Memling, Tommasso Portinari and Maria Baroncelli (wife), c. 1470, oil on wood |
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Hugo van der Goes, Portinari Triptych, 1476-79, oil on wood |
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Hugo van der Goes, Portinari Triptych closed, 1476-79, oil on wood |
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Hugo van der Goes, Portinari Triptych central panel: Adoration of the Shepherds, 1476-79, oil on wood |
