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12 Cards in this Set
- Front
- Back
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Fauvism
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1904-08, France, intense color, distorted forms, vigorous brushstrokes, flat patterns (Matissem Vlaminick)
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Cubism
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1908-14 (pure), “little cubes”, inventive, analytical…fragmented, shattered; synthetic…collage, dismantled/ reassembled, added curves, representation/abstraction (Picasso, Braque)
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Futurism
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1909-18, Italy, forceful lines, aggressive, celebrate “beauty of speed” (Balla, Russolo)
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Constructivism
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1913-32, Russia, geometric, reflected technology, new way of thinking, stripping or of elitism (Tatlin, Popova)
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Precisionism
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1915-30, US, sleek urban forms (Dermuth, O’Keefe)
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Expressinoism
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1905-30,Germany & Russia, expressed feelings instead of real world images, subjective, Die Brüke (bridge)…intense, anguish, distorted forms, clashing colors, graphic arts (Kirchner, Kollwitz); Der Blaue Reiter (color alone)…abandoned reference to reality, lacks recognizable objects, patches of color, (Kandinsky, Klee)
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Dada
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1910’s. Germany (to France & US), derived from nonsense, protested war, overthrow authority and cultivate absurdity, awakened imagination (Duchamp, Arp)
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Surrealism
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1920-30’s, Europe & America, creating without concious control, dreamlike, grotesque, fantasy (Miró, Ernst, Dali)
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Social Realism
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1920-30’s, America, includes Ashcan School & Harlem Renaissance, urban subjects, realistic (Lukes, Bearden, Wood)
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Abstract Expressionism
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1940-50’s, New York expression of inner life through art, free application of paint, visual reality not important, all about the process (Pollock, de Kooning, Kline)
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Figural Expressionism
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outsider art, work expresses a “truth” beyond the surface, figure (people, animals) always present (Debuffet, Kahlo)
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Color Field
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1940-50’s, New York, focused on “fields” of color, huge canvases, sometimes monochromatic, sometimes blurred bars, stripes, or large organic shapes of color (Rothko, Newman)
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