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31 Cards in this Set

  • Front
  • Back

Name: Church of Hagia Sophia (8-2)


Date: 532-537


Location: Constantinople, Modern Istanbul


Civilization: Early Byzantine


Makers: Anthemius and Isidorus


Significance: Largest free standing dome from ancient times.


Made under the reign of Justinian I and Theodora. It is a central plan church built in only 5 years/ means "Holy Wisdom"

Plan of hagia sophia


half domes- conches

Name: Church of San Vitale (8-5)


Date: 520-547 Consecrated in 547


Location: Ravenna, Italy


Civilization: Early Byzantine


Significance: It is a martyrium; built over the grave of St. Vitalis.


Bishop Ecclesius commissioned its building. Finished after Justinian conquered Ravenna. Central plan church. Martyium; built over grave of martyr St. Vitalis.

Plan of church of san vitale

Christ Enthroned located in apse of church of San Vitale


Flanked by angels and St. Vitalis and bishop Ecclesius.

Emperor Justinian and His Attendants


North Wall of the Apse in Church of San Vitale


Bishop Maximianus is at his left

Empress Theodora and Her Attendants


South Wall of the Apse in Church of San Vitale


Name: The Archangel Michael Diptych (8-12)


Date: Early 6th Century


Location: Court Workshop at Constantinople


Civilization: Early Byzantine


Material: Ivory


Very Roman- standing under arch/ staff in one hand globe in the other- related to Roman emperor/ commemorative ivory diptychs are two carved panels hinged together. This is half of a diptych

Name: Virgin and Child with Saints and Angels (8-14)


Date: Second half of 6th century


Location: Monastery of St. Catherine, Mount Sinai, Egypt


Civilization: Early Byzantine


Material: Encaustic on Wood


It is an icon used in worship. flanked by the warrior saints Theodore (left) and George (right). Iconoclastic period was a when icons were outlawed and destroyed/ all have halos around their heads

Name: Monastery Churches at Hosios Loukas


(8-17)


Date: Katholikon main church (left) Early 11th century and church of the Theotokos (right) late 10th century


Location: Central Greece/ few miles from the villae of Stiris


Civilization: Middle Byzantine


Katholikon is the main church and is a central plan.


Name: Christ Pantokrater with Scenes From the Life of Christ (8-21)


Date: 1100


Location: Church of the Dormition, Daphni, Greece


Civilization: Middle Byzantine


Style: Mosaic


On the dome roof of the church of the Dormition. The four corners show episodes from his life.

Name: Virgin of Vladamir (8-28)


Date: 12th century


Location: probably painted in Constantinople. Moved to Kiev and eventually to Vladimir.


Civilization: Middle Byzantine


Material: Tempera on panel


Was an icon created after iconoclasm.

Name: The Dome of the Rock (9-3)


Date: begun 691


Location: Jerusalem, Israel, built on a rocky outcrop called the Harim al-Sharif (Noble Sanctuary)


Civilization: Early Islamic/ The Early Period


Believed by Muslims to be the place Muhammed accented into heaven/ Also holy for Christians and Jews/ Solomon/ Creation of Adam/ Abraham to sacrifice Isaac

Name: Interior of the dome of the rock (9-4)


Arches are encrusted with golden mosaics.

Name: Prayer Hall (9-6)


Date: 785


Location: The Great Mosque of Corboda, Spain


Civilization: Early Islmamic/ Umayyad Dynasty


Ruler: Abd al-Rahman


Columns are made of marble. The arches are alternating white stone and red-brick style adopted from Byzantines and Romans. The ruler or emir Abd al-Rahman fled to Spain and made a capital of the Umayyads at Corboda


Name: Dome in Front of the Mihrab (9-8)


Date: 965


Location: The Great Mosque of Cordoba, Spain


Civilization: Early Islamic/ Umayyad Dynasty


Ruler: Al-Hakam II commissioned its building


The ceiling was installed with ceramic and glass tiles by a Byzantine master.

Name: Chi Rho Iota Page from the Book of Kells


(15-1)


Date: Late 8th early 9th century


Location: Iona, Scotland/ maybe Ireland


Civilization: Early Medieval


Material: Oxgall inks and pigments on vellum


Significance: Signals Christ's first appearance within the gospel of Matthew.


Purpose: Would evoke Christ's presence on the altar where it was housed.


The book of Kells is an illustrative book of the Gospel/ Was probably brought to Kells by monks after the island of Iona was raided by vikings/ Chi Rho Iota abbreviates the phrase Christi from Matthew 1:18


Name: Matthew Writing His Gospel, Lindisfarne Gospel Book (15-7)


Date: 715-720


Location: Lindisfarne/ British Isles


Civilization: Early Medieval


Material: Ink and tempera on vellum


Creator: Written by Eadfrith bound by Ethelwald


The Lindisfarne Gospel Book was primarily used for carrying in processions and to be displayed on the altar. A priest named Aldred added a section describing the books history. Early Chrisitian Art of the British Isles. Required 300 calf skins to make the vellum it is composed of

Name: South Cross, Ahenny (15-9)


Date: 8th Century


Location: County Tipperary, Ireland


Civilization: Early Medieval


Material: Sandstone


design of monumental stone crosses was influenced by metalworking traditions. Early Christian Art of the British Isles


Name: Borgund Stave Church (15-14)


Date: 1125-1150


Location: Borgund Norway


Civilization: The Viking Era/ Early Medieval


Material: Timber


The Vikings became Orthodox Christians/ named after the four huge timber staves that from the structure

Name: Equestrian Portrait of Charles the Bald (15-15)


Date: 9th Century


Civilization: Carolingian/ Early Medieval


Material: Bronze


Purpose: Represents the Carolingian rulers' ascent to the Roman imperium.


Charles the Bald was Charlemagne's grandson. The mustache he has is a Frankish sign of nobility

Name: Palace Chapel of Charlemagne (15-16)


Date: 792-805


Location: Aachen, Germany


Civilization: Carolingian/ Early Medieval


this chapel was located in Charlemagne's palace complex/ The chapel was a central plan church/ They added a western entrance block called a westwork that had an upper story throne room for the emperor to view the liturgy

Plan of palace chapel of charlemagne

Name: Westwork Abbey Church of Corvey


(15-17)


Date: Late 9th Century/ upper stories mid 12th


Location: Westphalia, Germany


Civilization: Carolingian/ Early Medieval


Purpose: Carolingian Westworks functioned symbolically as a sign of an important building. Originally designed for practical protection and display.

Name: Saint Gall Plan (5-18)


Date: 817


Location: Saint Gall, Switzerland


Civilization: Carolingian/ Early Medieval


Material: Original in red ink on parchement


Creator: Abbot Haito of Reichenau was asked by abbot Gozbert of Saint Gall to make it


Reflects the basic design used in the layout of medieval monasteries/ still used today for Benedictine Monastaries

Saint Gall Plan

Name: Page with St. Matthew the Evangelist, Coronation Gospels (15-19)


Date: Early 9th Century


Civilization: Carolingian/ Early Medieval


Purpose: It was used in coronation ceremonies


Significance: Possible buried with Charlemagne and later removed from his tomb by Otto III.


Style may have been learned from Byzantium manuscripts or from artists fleeing Byzantium as a result of the iconoclastic controversy.


Name: Page with St. Matthew The Evangelist, Ebbo Gospels (15-20)


Date: second quarter of 9th century


Civilization: Carolingian


Material: Ink, gold, and colors on vellum


Location: Abbey of Hautvillers


Purpose: Made for Archbishop Ebbo of Reims


Calligraphic painting/ manuscript painting



Name: The Convent Church of St. Cyriakus, Gernrode (15-23)


Date: Begun 961


Location: Harz, Saxony-Anhalt, Germany


Civilization: Ottonian Empire/ Early Medieval


Founded by Gero/ Gero appointed his daughter-in-law to be the convent's first abbess



Name: Gero Crucifix (15-24)


Date: 970


Location: Cologne Cathedral, Germany


Civilization: Ottonian Empire/ Early Medieval


Material: Painted and gilded wood/ oak


Purpose: To be a crucifix suspended over an altar and a special kind of reliquary. A cavity on the back of the head was made to hold a piece of communion bread.


Archbishop Gero of Cologne comissioned the sculpture for his cathedral/ the Ottonian chronicle of Thietmar of Meresburg said Gero placed a fragment of the true cross into a crack that formed.



Name: Doors of Bishop Bernward/ The Hildesheim Doors (15-25)


Date: 1015


Location: Church of St. Michael, Hildesheim, Germany


Material: Bronze


Civilization: Ottonian Empire/ Early Medieval


Made by Bernward a skilled goldsmith/ Displays story of Adam and Eve on left and Jesus's life on right