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13 Cards in this Set
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robert ryman Winsor 34 1966 ryman was a process artist, his gridded all white surfaces. In this painting, ryman dragged a 2 inch brush across across the canvas in parallel rows. The brown canvas is visible in between each paint stroke. "painting the paint" instead of painting a picture |
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Frank Stella Die fahne Hoch! 1959 minimalist art 10x6 feet Pushes the line between figure and ground because the "whiteish" lines apear to be painted on the black, but it is in fact black paint on a white canvas "what you see is what you see" shown in "retrospect" |
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Frank Stella Takht I Sulayman 1967 part of the protractor series became hybrids, neither painting nor sculpture stella seemed to pass from a modernist analysis of painting to a posthistorical pastiche of styles with this art he wanted to break out of late-modernist history |
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Dan Flavin Monument for V. Tatlin 1966 seven florescent light fixtures of various lengths inspired by bizantine icons used in a constructivist manner to undo traditional compesition |
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Carl Andre equivalent (viii) 1966 fire bricks are combined to produce space rectangular unit flat on the floor Andre turned the ready made into a constructivist form |
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Sol Lewitt Modular Structure 1966 white painted wood claims that what the work of art looks like isnt too important this piece is a combination of the construction and the readymade there is little constructivism left, begini |
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Brice Marden Return I 1964 covered the entire surface except an open margin along the lower edge this margin emphasizes th blockage in the viewers attempt to penetrate the surface into depth |
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Donald Judd Untitled (box with trough) 1963 bright red wooden box with a shallow trough cut out of its upper face donald judd started with paintings, but transformed his art into three dimensional objects |
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Robert Morris Green Gallery 1964 an instilation set up in the green gallery a minimalist piece of artwork that didnt have the distraction of any figures or recognizeable objects, it was very abstract |
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Robert Morris 3 Ls (untitled) his idea was to take the same shape and repeat it several times, each in a different position this means that the effect of real space that each shapes takes on a different meaning they are identical shapes that appear different from one another because of their orientation |
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robert morris Untitled (tan felt) 1968 9 strips of fabric dematerialized art eccentric abstraction let his felt strips hand limply and his threadwaste sit humped |
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Donald Judd 100 untitled works 1982-6 proposing art as pure intensity rather than a specific experience permanent collection |
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James Turrell Milk Run III 2002 part of an instilation that threw everything into the expirence of the viewer. |
