Art Hist 3 Exam 1

Front 1

Back 1

1. The Stone Breakers
2. Courbet
3. Made fun of by critics
4. Realistic content
5. Hides faces forming inanimate objects

Front 2

Back 2

1. The Third Class Carriage,
2. Daumier
3. French Realism
4. Women have monumental form
5. Focuses on average people

Front 3

Back 3

1. Luncheon on the Grass
2. Manet
3. Realism
4. known prostitute
5. Proportions are off
6. Super radical form

7.Lack of detail in the background

Front 4

Back 4

1. Olympia
2. Manet
3. Everything points to her sexuality
4. She is looking at the viewers
5. Known prostitute.
6. White complexion was considered attractive

Front 5

Back 5

1. Horse Galloping
2. Muybridge
3. Proved that all four of a horse feet are off the ground at once when it gallops
4. Used 12 cameras
5. Origin of motion picture in the U.S.

Front 6

Back 6

1. Blessed art thou Among Women
2. Kasebier
3. Dreamlike
4. realism with idealism
5. radical form

Front 7

Back 7

1. City of Ambition
2. Steiglitz
3. Pictoralism

4. Made clouds abstract

5. Turned landscape into art

6. Allowed meteorological effects to upstage buildings

Front 8

Back 8

1. The Orchestra
2. Degas
3. Cropped after it was completed
4. Realism
5. Details fade as you go further back

6. Radical content: Ballerinas showing motion

Front 9

Back 9

1. On the Bank of the Seine
2. Monet
Impressionism
3. Objects in the shadows retain color

4. Trees frame the image

5. Only thing suggesting depth is the boat

6. Middle class leisure

Front 10

Back 10

1. The Gare St Lazare: arrival of a Train
2. Monet
3. 1 of 10 shed paintings
4. Haze softens everything

5. Hue modeling

Front 11

Back 11

1. The Child's Bath
2. Cassatt
3. Intense emotional and physical involvement
4. Colors and clothing show realism

5. Style shows Cassats attraction to Japanese prints

Front 12

Back 12

1. Mr. and Mrs. I.N. Phelps Stokes
2. Sargent
Realism
3. Represents the "New Woman"

4. Placement of the mans hat over his crotch was very controversial

5. Very daring presentation of women

Front 13

Back 13

1. Eiffel Tower
2. Eiffel
3. Made of iron

4. Symbol of Paris

5. 984 ft. high

6. Hated by everyone at first

Front 14

Back 14

1. Crystal Palace
2. Paxton
3. Made of steel and glass
4. Beginning of consumer capitalism
5. Clear roof made you feel like you were outside

Front 15

Back 15

1. Brooklyn Bridge
2. Roebling
3. America's Arch of Triumph

4. Very modern for its time
5. Example of how America was more pragmatic

Front 16

Back 16

1. A Sunday on La Grande Jatte
2. Seurat - Post-Impressionism
3. Understood color theory

4. Pointillism

5. Renders his figures as icons

Front 17

Back 17

1. A Still Life with Apples
2. Cezanne
3. Post Impressionism

4. Saturated colors

5. Hue modeling

6. No depth

Front 18

Back 18

1. Mont Ste-Victoire as Seen from Bibemus Quarry
2. Cezanne

3. Post impressionism

4. Very abstract

5. Overlapping of objects suggests depth

6. Simplified shapes

Front 19

Back 19

1. The Apparition (Dance of Salome)
2. Moreau

Symbolism
3. Good vs. Evil

4. Sexuality vs. Morality

5. Watercolor painting

Front 20

Back 20

1. The Eye Like a Strange Balloon Mounts Toward Infinity
2. Redon - Symbolism
3. Visual poem dedicated to Poe

4. Lithography

5. Shows another world Redon imagined

Front 21

Back 21

1. The Dream
2. Rousseau
3. Represents the Garden of Eden

4. Phallic objects represent male figures

5. Last completed work

Front 22

Back 22

1. The Vision After the Sermon
2. Gauguin
3. No collective vision/style
4. Post impressionism

5. Symbolist

6. Old testament theme

Front 23

Back 23

1. Where Do We Come From? What Are We? Where Are We Going?
2. Gauguin

3.Tahitian landscape

4. Evokes original sin

5. Points to heaven and the after life

Front 24

Back 24

1. Starry Night
2. Van Gogh

3. Beginning of expressionism

4. Nature symbolizes life

5. Radical form

6. Conveys emotion rather than reality

Front 25

Back 25

1. La Goulue
2. Toulouse-Loutrec

3. Influenced by Japanese art
4. Mostly made posters

5. Very cartoonish

6. Features the popular dancer from Moulin Rouge

Front 26

Back 26

1. Christ's Entry into Brussels
2. Ensor

3. Very distorted faces

4. Represents the second coming of Christ

5. Currently at the Getty

6. Radical style

7. Political image

Front 27

Back 27

1. Salome With the Head of John the Baptist
2. Beardsley

3. Art Nouveau

4. Horror vacuii

5. Organic curvy forms

Front 28

Back 28

1. A Wooded Landscape in Three Panels
2. Tiffany
3. Art Nouveau
4. uUsed silver technique to make glass glow
5. Favro glass

6. Based on nature

Front 29

Back 29

1. The Kiss
2. Klimt

3. Reflects his own life

4. Symbolist inspired

5. Woman is passive

6. Man is active

Front 30

Back 30

1. The Cry
2. Munch

3. Also known as "The Scream"

4. Thought to be autobiographical

5. Tons of emotional empathy

6. Very simplified shapes

7. Stolen and never recovered

Front 31

Back 31

1. Casa Mila
2. Gaudi
3. Art Nouveau

4. Very organic

5. No straight lines

Front 32

Back 32

1. Interior Stairwell, Tassel House
2. Horta
3. Art Nouveau
4. Made of iron

5. Staircase was the centerpiece

6. Organic interior

Front 33

Back 33

1. Wainright Building
2. Sullivan
3. Perfector of the modern skyscraper
4. Reflects the grid structure of the steel skeleton

5. Geometric form

Front 34

Back 34

1. Robie House
2. Frank Lloyd Wright
3. Cantilevered rooftops
3. Prairie Houses
4. Influenced by the Japanese

5. Broke away from tradition

6. Not easy to live in

Front 35

Back 35

1. Woman with the Hat
2. Matisse
3. Thought to be unfinished

4. Portrait of his wife

5. Fauvism

6. Controversial at the time

Front 36

Back 36

1. The Joy of Life
2. Matisse

3. Fauvism

4. No progression of space

5. Figures dissolve into one another

6. Early modernism

Front 37

Back 37

1. Women of Avignon
2. Picasso

3. Cubism

4. Very controversial

5. Women in a brothel

6. Much different than Picasso's other work

Front 38

Back 38

1. The Portuguese
2. Braque

3.Analytical Cubism

4. Shapes also function as signs

5. Shows a man playing guitar

Front 39

Back 39

1. Guitar, Sheet Music and Wine Glass
2. Picasso
3. Collage painting

4. Synthetic Cubism

5. Started a rivalry with Braque

Front 40

Back 40

1. Violin
2. Picasso

3. Synthetic cubism

4. Created a visual equivalent to music

5. Assembly of flat or slightly bent shapes

Front 41

Back 41

1. Bird in Space
2. Brancusi
3. Minimalistic

4. Presents the "Spirit of Flight"

5. Imagined it would be a mile high over the city

Front 42

Back 42

1. Self Portrait with an Amber Necklace
2. Modersohn-Becker

3. Reclaims the nude female form for women

4. Very direct with her forward gaze

5. Presents herself as an emblem of fertility

Front 43

Back 43

1. Street, Dresden
2. Kirchner

3. Shows the claustrophobic anxiety of the artist

4. Focuses on sexual confrontation

5. Inspired by Munch

Front 44

Back 44

1. The Last Supper
2. Nolde

3. The figures look very angry

4. Used bold slabs of paint for faces and bodies

5. Religious image

6. About the emotions of himself and Jesus

Front 45

Back 45

1. A Crystal Day
2. Heckel

3. Cubism

4. Long lines capture cosmic energy

5. Gives us the feeling of common life surging through nature

Front 46

Back 46

1. Sketch 1 for Composition VII
2. Kandinsky

3. Horror vacuii

4. Heard noises when he saw his paintings

5. Meant to capture the emotion of the artist

Front 47

Back 47

1. Animal Destinies
2. Marc

3. Deep saturated hues

4. Used cubism to interlock lifeforms

5. Suggests death

Front 48

Back 48

1. The Niesen
2. Klee
3. Done in watercolor.
4. Sky is filled with religious symbols

5. Extremely geometric

6. Echos folk art

Front 49

Back 49

1. Self Portrait
2. Schiele

3. Made of charcoal and splashes of watercolor

4. Shows his distorted self after his uncle cut him off financially

5. Sketched on paper

Front 50

Back 50

1. The Tempest
2. Kokoschka

3. Expressionism

4. About death

5. Violent brushstrokes show anxiety

6. Reflects the artist distress after a breakup

Front 51

Back 51

1. States of Mind I: Farewells
2. Boccioni

3. Cubism

4. Image of a train

5. Plastic dynamism

Front 52

Back 52

1. Installation Photograph of His Paintings in 0
-10
2. Malevich

3. Best known work was "Black Square"

4. Gave a sense of range and variety among his work

5. Supremetism

Front 53

Back 53

1. Counter Relief
2. Tatlin

3. Used the space of the room to create a small environment

4. Made of wood, cardboard, and metal

5. Not meant to evoke real objects

Front 54

Back 54

1. Suprematist Composition: Airplane Flying
2. Malevich

3. Tried to used the black squares as symbols

4. Created a sensation of movement

5. Suggests a connection with the universe

Front 55

Back 55

1. Model to Monument to the Third International
2. Tatlin

3. Actually a model for a building that was never built

4. Would have been the tallest structure in the wold at that time

5. Tatlins most famous work

Front 56

Back 56

1. Untitled Advertising Poster
2. Rodchenko
3. Constructivism

4. Very geometric

5. Promoted literacy

Front 57

Back 57

1. Design for Sportswear
2. Stepanova

3. Bright colors

4. Energetic geometry

5. No connection to class, time period, ethnicity, or region

Front 58

Back 58

1. I and The Village
2. Chagall

3. Cubism

4. Circular composition

5. Suggests the four seasons

6. Suggests the circle of life

7. Saturated colors

Front 59

Back 59

1. Melancholy and Mystery of a Street
2. de Chirico

3. Strong diagonal lines echo cubism

4. Wide open to interpretation

5. Offers a dreamscape

Front 60

Back 60

1. The Entombment of the Birds and the Butterflies
2. Arp

3. Evokes plant and animal forms

4. Title came after it was completed

5. Sought to capture abstract universal forces

Front 61

Back 61

1. Nude Descending a Staircase
2. Duchamp

3. Dadaism

4. Cubism

5. Wrote the name of the piece on it so people would know the figure was nude

6. Began as an illustration for a poem

Front 62

Back 62

1. Gift
2. Man Ray

3. Surrealism

4. Filled with innuendos of violence, pain, and sex

5. Dislocation of a hardware and a household item

Front 63

Back 63

1.Untitled 1922
2. Man Ray

3. Surrealism

4. Dadaism

5. Demonstrates the relationship between random and defiant art

Front 64

Back 64

1. The Spirit of Our Time
2. Hausmann

3. Dadaism

4. Made a dull object seem robotic

5. Objects used were initially considered junk

Front 65

Back 65

1. Cut with the Kitchen Knife
2. Hoch

3. Dadaism

4. Represents images of contemporary life

5. Collage

Front 66

Back 66

1. As in the Middle Ages
2. Hartfield

3. Collaged images together then photographed them

4. Shows that the Nazis brought back the barbaric past

Front 67

Back 67

1. Never Again War!
2. Kollwitz

3. Dadaism

4. Embodies personal content

5. Expressionism

Front 68

Back 68

1. Germany a Winter's Tale
2. Grosz

3. Dadaism

4. Expressionism

5. Cubism

Front 69

Back 69

1. Departure
2. Beckmann

3. Hidden during the Nazi regime

4. Found in a barn

5. Symbolism represents life itself

6. Very claustrophoic

Front 70

Back 70

1. Composition
2. Miro

3. Surrealism

4. Made from imagination

4. Evokes human needs and urges

5. Idea of sex, struggle, and fear

6. Very childlike

Front 71

Back 71

1. The Entire City
2. Ernst
3. Grattage technique

4. Evokes extinct civilization

Front 72

Back 72

1. The Persistence of Memory
2. Dali

3. Soft clocks were inspired by a plate of soft cheese

4. Surrealism

5. Created a dreamscape of mysterious objects

6. Title suggests looking to the past

Front 73

Back 73

1. A False Mirror
2. Margritte

3. Surrealism

4. Iris is an eery eclipsed sun

5. Reflects a distant sky

6. The eye absorbs the visual world

Front 74

Back 74

1. Object
2. Oppenheim

3. Surrealism

4. Fur represents cubic hair

5. Thought to be revolting

6. Designed to trigger the unconscious

Front 75

Back 75

1. Head of a Woman
2. Picasso

3. Surrealism

4. Reflects male perception and fear of women

5. Resembles African masks

Front 76

Back 76

1. Guernica
2. Picasso

3. Scene of pain and suffering

4. Bull represents brutality

5. Horse represents the people

Front 77

Back 77

1. Behind the Gare Saint-Lazare
2. Cartier-Bresson

3. Surrealism

4. Establishes a creepy dialogue among objects

5. His best known image

Front 78

Back 78

1. The Two Fridas
2. Kahlo

3. Folk style

4. Represents the Frida and was and the Frida she wanted to be

5. Painted after her divorce

Front 79

Back 79

1. Composition No. II
2. Mondrian

3. Each square was assigned its own identity

4. Has a feeling of space

5. Everything is balanced

6. No foreground or background

Front 80

Back 80

1.Steiner House
2. Loos

3. Very geometric

4. Elegant feast for the eye

5. Cantilevered flat roof

6. 5 partition walls

Front 81

Back 81

1. Light Space Modulator
2. Moholy-Nagy

3. Used as a prop in a ballet

4. Viewed as a tool to study light and space

5. Constructivism

Front 82

Back 82

1. Bauhaus
2. Gropius
3. Workshop

4. Looks like its floating

5. Looks like an empty glass box

Front 83

Back 83

1. Villa Savoye
2. Le Corbusier

3. Partition walls leave an open space

4. Perfect square box

5. His most famous house

Front 84

Back 84

1. German Pavillion
2. Van Der Rohe

3. Cantilevered roof

4. Very geometric

Front 85

Back 85

1. Three Women
2. Leger

3. Reduced to squares, circles, and cylinders

4. Nudes are practically identical

5. Color is kept to essentials

Front 86

Back 86

1. Fountain
2. Duchamp

3. Dadaism

4. Assisted readymade