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38 Cards in this Set
- Front
- Back
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Chiaroscuro
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modeling of form and space through light and dark graduation and contrast
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Pelin air
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outside setting
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Indigenismo
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nativism, asserting native-born people over immigrants
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Impressionism
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representation based on individual response of sensations, rejects academic imitation of three-dimensional forms, structured by discreet, unblended color units
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Art Nouveau
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a reaction to academic art of the 19th century, it is characterized by organic, especially floral and other plant-inspired motifs, as well as highly-stylized, flowing curvilinear forms
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Symbolism
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inward-directed art, anti-historical, intensely personal, and sometimes even confessional; visual strategies shift away from Classical concepts of imitating the natural world
--(Frida Kahlo) |
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Chicaroscuro
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technique using light and dark tones to create the sense of a solid 3D form
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Anita Malfatti (2)
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"The Fool" 1915-1916
"Mario de Andrade" 1922 |
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do Amaral (4)
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"Abaporu" 1928
"Black Woman" 1923 "Central Railway of Brazil" 1924 "Carnival in Madureira" 1924 |
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Emilio Pettoruti (1)
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"Blue Grotto of Capri" 1918
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Xul Solar (2)
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"Couple" 1923
"Nana Watzin" 1923 |
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Julio Ruelas (2)
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"The Hanged One" 1890
"The Initiation of Don Jesus Lujan into the 'Revista Moderna'" 1904 |
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Saturnino Herran (2)
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"The Offering" 1913
"The Shawl" 1916 |
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Egas (1, 4 letters 4 women)
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"Indigenous Festival" 1922
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Sabogal (1)
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"The Indian Mayor of Chincheros Varayoc" 1925
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Cesaro Bernaldo de Quiros (1)
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"The Lassoer" 1927
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Murillo (1)
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"The Paricutn Volcano Erupting" 1943
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Malharro (1)
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"Nocturn" 1902
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Fader
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"Shawls from Manila" 1911
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Riveron (2)
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"The Light Behind my Arbor" 1926
"The Beach" 1929 |
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Rivera (4)
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"Zapatista Landscape" 1915
"Creation" 1922-23 (National Prepatory School) "Day of the Dead" 1924 (Ministy of Education Building) "Detroit Industry" 1932-33 (The Detroit Institue of the Arts, South wall) |
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Jose Clemente Orozco (2)
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"Gods of the Modern World" 1932
"Cortes and Malinche" 1926 (National Prepatory School) |
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David Alfaro Siqueros (2 same year)
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"Revolutionary on a Horse" 1957 (National History Museum, Mexico City)
"The People in Arms" 1957 (National History Museum, Mexico City) |
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Pedro Figari (8)
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2x"Pericorn on the Patio" 1926
"Pericorn Under the Orange Trees" 1926 "Difficult Situations" 1925 "Candombe" 1926(red) 1927(green) 2x"Honeymoon" 1928 |
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Torres-Garcia (6)
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"Figure with Cityscape" 1917
"Construction in White" 1931 "Composition with Temple Pediment" 1931 "Inverted Map of America" 1936 "Cosmic Monument" 1938 "Constructive art" 1942 |
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O'Gorman (1)
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"Mexico City" 1942
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Colunga (1)
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"The Passion of the Lunatics" 1981
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Gironella (1)
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"Queen Mariana" 1960
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Botero (4)
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"The Arnolifini" 1967
"The Presidential Family" 1967 "War" 1973 "Abu Ghraib" Series 2005 |
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Frida Kahlo (5)
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"Self-Portrait" 1938
"Retablo to the Virgin of Sorrow for Frida Kahlo" 1925 (influenced by Retablo to the Lord of Saucito) "My Birth" 1932 "Self-Portrait" 1932 "The Two Fridas" 1939 |
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Wilfredo Lam (2 same year)
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"The Jungle" 1943
"The Green Morning" 1943 (compared to Altar for Eleggua) |
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Max Bill (1)
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"Tripartide Unity" 1947-48
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Cordeiro (1)
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"Visible Idea" 1956
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Sacilotto (1)
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"Concreation 6045" 1960
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Lygia Clark (4)
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"Concrete Painting" & "Animal" 1959-63
"Grub" & "Rubber Grub" 1964 |
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Helio Oiticica (4)
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"B 08 Glass Bolide 02" 1963-64
"B 14 Box Bolide 11" 1964 "Grand Nucleus" 1960-63 "Metascheme" 1958 |
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Ana Mendieta(7)
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"Body Tracks" 1982
"Bird Transformation" 1972 "Silueta" Series (Tree) 1977, Iowa "Silueta" Series (Earth) 1979, Iowa "Silueta" Series (Volcano) 1979, Iowa "Silueta" Series (Sand) 1976, Mexico "Silueta" Series (Steps) 1976, Oaxaca, Mexico |
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Maria Magdalena Campos-Pons (3)
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"Everything is Separated by Water (Including My Brain, My Heart, My Sex, My House)" 1990
"Untitled (MMCP Holds in Her Hands Two Popular Religious Figures)" 1989 "ISLA" 1989 |
