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55 Cards in this Set
- Front
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Girl With Mandolin Picasso France 1940 |
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Guernica Picasso Spain 1937 |
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Painting Wols made by German in France 1946 |
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Hostages Jean Fautrier French 1943-1945 |
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Three Studies for Figures at the Base of a Crucifixion Francis Bacon English 1944 |
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Moon Woman Cuts the Circle Jackson Pollock American 1943 |
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No. 3/No. 13 Mark Rothko American 1949 |
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No. 1 Jackson Pollock American 1948 |
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Jackson Pollock Film Hans Namuth American 1950 |
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Attic Willem de Kooning American 1949 |
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Erased de Kooning Robert Rauschenberg American 1953 |
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Factum I and Factum II Robert Rauschenberg American 1957 |
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White Paintings Robert Rauschenberg American 1951-2 |
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Charlene Robert Rauschenberg American 1954 |
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Flag Jasper Johns American 1955 |
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Battle of the Bouvines Georges Mathieu French 1955 |
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Shooting Painting: American Embassy Niki de Saint Phalle Fench 1961 |
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Six Holes Saburo Murakami Japanese 1955 |
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18 Happenings in 6 Parts Allan Kaprow American 1959 |
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American Moon Robert Whitman American 1960 |
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"Blue Period" Exhibition in Milan Yves Klein French 1957 |
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Leap into the Void Newspaper Yves Klein French 1960 |
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Merde d'Artistia Piero Manzoni Italian 1961 |
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Just what is it that makes today's homes so different, so appealing? Richard Hamilton British 1956 |
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This is Tomorrow Exhibition, Whitechapel Art Gallery Smithsons and Nigel Henderson British 1956 |
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The Store Claes Oldenburg American 1961 |
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Superman Andy Warhol American 1961 |
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32 Soup Cans Andy Warhol American 1962 |
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Cubism |
geometric shapes, interlocking planes, and, later, collage. job of painting is to break it apart. ex: Picasso's "Girl with Mandolin" |
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Dada |
challenging the status quo. represents chaos. layering of images ex: Hannah Hoch's "Cut with a Kitchen Knife Through the First Weimar Beer-Belly" |
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Surrealism |
release the creative potential of the unconscious mind. avant-garde. ex: Salvador Dali's "The Persistence of Memory" |
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Entartete Kunst (Degenerate Art) |
term adopted by the Nazi regime in Germany to describe virtually all modern art. Such art was banned on the grounds that it was un-German. |
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Abstract Expressionism |
does not share a certain style. shares a same set of concerns. each artist has a different approach. New York 1943-1952 |
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Carl Jung |
the collective unconscious - refers to structures of the unconscious mind which are shared among beings of the same species. |
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Archetype |
Carl Jung believed that universal, mythic characters—archetypes—reside within the collective unconscious of people the world over. |
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Impasto |
laying on paint or pigment thickly so that it stands out from a surface. paint is elevated from surface. |
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Tenth Street Touch |
artists had their galleries at tenth street in New York City. those who tried to mimic them (especially de Kooning) had the "tenth street touch" |
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Clement Greenberg |
believes in achieving flatness. the meaning of modern art is to get a greater flatness. |
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Harold Rosenberg |
believes that the artist is the gladiator and you must surrender to the painting. this is called action painting. modern art is truly based on the method you paint (action painting) |
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John Cage |
musician. sonatas and interludes for prepared piano. tested with different types of musical objects and used alien materials. ex: 4'33" - silent for that amount of time |
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Combine |
partially a sculpture and partially a painting. combines three dimensional objects from the outside world onto a flat surface. |
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Index |
???? |
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Artnews |
magazine for abstract expressionism in the 1950s. featured works of Georges Mathieu. |
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Nouveau Realisme |
"The New Realism"
movement in France where French artists wanted to incorporate parts of Abstract Expressionism, but also parts of their past culture. ex: Niki de Saint Phalle, Georges Mathieu |
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Kinetic Sculpture |
???? three-dimensional sculptures and figures such as mobiles that move naturally or are machine operated. have moving parts. ex: Jean Tinguely |
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Gutai |
Japanese exhibits and movements. radical response to post war. ex: Kazoo Shiragh, Atsuko Tanaka |
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Meta-matics |
Jean Tinguely's kinetic works. elements rotate with different, incommensurable speeds. |
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Happenings |
performances (no objects). late 50s early 60s. downtown New York inspired by Pollock. ex: John Cage, Allan Kaprow, Jim Dine, Robert Whitman |
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Monochrome |
art that is a canvas of a single color. ex: Kazimir Malevich, Yves Klein |
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Independent Group |
met at the Institute of Contemporary Arts (ICA) in London, England, from 1952 to 1955. The IG consisted of painters, sculptors, architects, writers and critics who wanted to challenge prevailing modernist approaches to culture. ex: Alison and Peter Smithson, Nigel Henderson, Eduardo Paolozzi, Richard Hamilton |
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British Pop |
early 50s to mid 60s. art movement fantasizing abundance in England that they did not have |
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Bunk |
Eduardo Paolozzi Epidiascope, projects opaque materal |
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American Pop |
movement in the 1950s that ses the imagery, styles, and themes of advertising, mass media, and popular culture. ex: Claes Oldenburg, Lee Lozano, Vija Clemens, Andy Warhol, Roy Lichtenstein |
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Lee Lozano |
2 untitled works in 1962 that displayed giant paintings of people engaged in anxiety (plucking an eyebrow, popping a pimple) |
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Appropriation |
no signature. the brand "Campbell's" is signature-like because of cursive font and family name |
