Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
749 Cards in this Set
- Front
- Back
"painting with scissors"
|
Matisse
|
|
"Real Allegory"
|
Courbet
|
|
"Sleep"
|
Courbet
|
|
"The Falling Rocket"
|
Nocturne in Black and Gold(: The Falling Rocket)
|
|
(1894-1895) Madonna
|
Munch
|
|
(A) Dance to the Music of Time
|
(Nicolas) Poussin
|
|
(A) Friend in Need
|
(C.M.) Coolidge
|
|
(Portrait of) Madame X
|
(John Singer) Sargent
|
|
(The) Battle of Alexander at Issus
|
Altdorfer
|
|
(The) Calling of Saint Matthew
|
Carvaggio!
|
|
(The) Dance
|
(Henri) Matisse
|
|
(The) Death of General Wolfe
|
West
|
|
(The) Green Stripe
|
(Henri) Matisse
|
|
(The) Gross Clinic
|
Eakins
|
|
(The) Gulf Stream
|
Homer
|
|
(The) Massacre at Chios
|
Delacroix
|
|
(The) Red Room
|
Matisse
|
|
(The) Surrender of Breda or The Pikemen
|
Velazquez
|
|
(The) Swimming Hole
|
Eakins
|
|
1947 Jazz Series
|
Matisse
|
|
A Bar at the Folies Begere
|
Manet
|
|
A blue garbed man reclines on the marble stars, reads a pamphlet, and is thought to be Diogenes.
|
School of Athens
|
|
A book and phial lie on a table next to a parabola-forming red curtain in this painting
|
(The) Nightmare
|
|
A boy with a brightly-plumed hat secretly holds a five of hearts behind has back while an older man signs to that boy the contents of his opponent’s hand. A pile of coins sits to the left of the players.
|
(The) Cardsharps
|
|
A brown businessman and a man in red pants and a white shirt feature in Max Ernst’s depiction of this scene, subtitled “Revolution by Night”
|
Pieta
|
|
A bunch of skeletons clad in priests' robes stand behind a cross in this Breughel work
|
(The) Triumph of Death
|
|
A Carnival Evening
|
Rosseau
|
|
A crescent moon visible in the upper left appears with the setting sun in the lower right of the sky, and an opening in the clouds features a floating red banner, under which two tremendous armies clash
|
(The) Battle of Alexander at Issus
|
|
A dark-skinned marauder looks threatening in the background while the title woman stands on broken pillars in his Greece Expiring on the Ruins of Missolonghi
|
Delacroix
|
|
A Dash for Timber
|
(Frederic) Remington
|
|
A duck in the bottom left corner watches the title figure entrance several of the title creatures, including one wrapped around his neck
|
(The) Snake-Charmer
|
|
A figure at the back right of this work holds his bald head in both hands, while at the back left, a figure turns to his right with his hands outstretched.
|
(The) Burghers of Calais
|
|
A former mayor donning a brown bowler hat is seated across an actress in this painting
|
(The) Luncheon of the Boating Party
|
|
A gang of people rips off Christ’s red tunic in this altarpiece made for the Cathedral of Toledo
|
(The) Disrobing of Christ
|
|
A Harlot's Progress
|
Hogarth
|
|
A large lantern on the ground illuminates the center of the painting, while the terrified madrilenos and the soldiers are mostly in shadow. The only fully lit figure is wearing yellow pants and a white shirt, and is kneeling with arms outstretched while being shot
|
Third pf May, 1808
|
|
A maiden in orange is fishing near a clump of water grass on the left of this work.
|
(A) Sunday Afternoon on the Island of la Grande Jatte
|
|
A man waves a blue and yellow flag in this work's the background, and one woman is dressed in gold and has a chicken hanging from her belt; that figure is next to a man dressed in red loading a rifle.
|
(The) Night Watch
|
|
A man with a large red cloth draped around his head clutches a naked man at left, while two men wave red and white cloths at back.
|
(The) Raft of the Medusa
|
|
A May Morning in the Park
|
Eakins
|
|
A multi-leveled crown and a red garment adorn Jesus at the top center of this work, also known as the Adoration of the Lamb, which Jan van Eyck and his brother Hubert painted
|
Ghent Altarpiece
|
|
A mysterious figure in this painting has the head of a girl and has her right hand behind her back as presents a honeycomb with her left hand
|
Venus, Cupid, Folly, and Time
|
|
A number of his designs are centered around Vincenza, including the Villa Godi, and the most influential of those inspired Thomas Jefferson's plans for Monticello.
|
Palladio
|
|
A pair of circular lights in the background unevenly frame the central figure of this work, who wears a gold bracelet on her right wrist and a gold locket around her neck. The artist’s name appears on a label in the bottom right, and background figures include a woman looking through binoculars at a trapeze in the upper left.
|
(A) Bar at the Folies Bergere
|
|
a portrait of Baldassare Castiglione
|
Raphael
|
|
A precariously perched lamp is seen to the left of the title figure, whose white dress billows down to the footstool
|
Portrait of Madame Recamier
|
|
A Rake's Progress
|
Hogarth
|
|
A scruffy man in white stockings and a red shirt is playing a bagpipe-like instrument at the left, and cooks continue to bring out dishes of white and orange food at the right.
|
(The) Peasant Wedding Feast
|
|
A series by this artist includes the section "The Corselet-bearers" and "The Elephants"
|
Mantegna
|
|
A short film by this man shows several rotating spiral disks interspersed with phrases attributed to his female alter ego
|
(Marcel) Duchamp
|
|
A single lit candle appears on a chandelier in the upper area of this painting. A table on the left holds three fruits, and one more sits on the windowsill.
|
Arnolfini Wedding
|
|
A small blue-clad passenger and four rowers are slightly visible near a white sailboat. A black dog in the foreground is sniffing the earth, and a brown dog leaps by in the center.
|
Sunday Afternoon on the Island of la Grande Jatte
|
|
A white-clad woman holds out her arms between two naked soldiers and a woman in yellow holds a baby above her head in this David painting, set shortly after a certain abduction
|
(The) Intervention of the Sabine Women [or (The) Sabine Women Enforcing Peace (by Running) Between the Combatants]
|
|
A Woman Bathing in a Stream
|
Rembrandt
|
|
A yellow hat sits on the bank of a stream as four figures stretch and recline in one work, and in another a man with a pipe and brown hat seated at a table faces another with a hat in purple and blue
|
Cezanne
|
|
A “Florentine” one made by the sculptor of the most famous one unusually includes Nicodemus and Mary Magadalen; unlike the most famous one, the other female figure is not made unnaturally large, young, or triangular as she sits astride Golgotha.
|
Pieta
|
|
Adjacent to a column in the back center, a potted plant can be seen on a windowsill of this painting. In the far right of this painting, a servant looks at a girl in white, peering into a chest. In the foreground, a spotted dog is curled up next to the titular figure of this painting who lies on a red couch holding a handful of flowers, fully nude
|
Venus of Urbino
|
|
Aeneas, Anchises, and Ascanius
|
Bernini
|
|
Agnolo Bronzino was a member of this period
|
Mannerism
|
|
Agrippina Landing at Brundisium with the Ashes of Germanicus
|
West
|
|
Along with his wife Jeanne-Claude, this French wrapping enthusiast installed the Gates in Central Park and surrounded the Reichstag with polypropylene
|
Christo
|
|
Alternately known as "The Pikemen," that shows two sides shaking hands after the ceasefire at the titular locale
|
(The) Surrender of Breda [or At Breda; accept (La) Rendicion de Breda]
|
|
Amalthea with the Infant Zeus
|
Bernini
|
|
American Gothic
|
Wood
|
|
An essay by Dali concerns the “Tragic Myth” of one of this artist's works
|
Millet
|
|
An oar boat paddles between the old-fashioned arch bridge to the left and the darker modern bridge that makes up the center of this composition
|
Rain, Steam, and Speed(: The Great Western Railway)
|
|
Another painting, originally intended to depict this scene, was retitled to a setting at the house of Levi. In addition to those works by Tintoretto and Veronese, another of these paintings contains a mysterious knife and separates the figures into three groups, with the central one wearing blue and red and one side of the table unoccupied.
|
(the) Last Supper
|
|
Another work from this movement features the pale title figure floating next to some weeds, and was created when the model Elizabeth Siddal was forced to stay in an icy tub for several hours. Siddal was also used to model as a character from The Divine Comedy in a painting from this movement titled Beata Beatrix.
|
Pre-Raphaelite Brotherhood
|
|
Aphrodite of Cnidus
|
Praxiteles
|
|
Apollo and Daphne
|
Bernini
|
|
Apollo Sauroktonos
|
Praxiteles
|
|
Arbor Day
|
Wood
|
|
Aristide Maillol dubbed this work “frightful” and wondered whether it was carved of Marseille soapstone, while Waldstein posits that the central figure’s gaze displays “inward dreaming.”
|
Hermes Holding the Infant Dionysus [accept anything involving Hermes and Dionysus; accept Hermes of Olympia or close equivalents]
|
|
Aristotle with a Bust of Homer
|
Rembrandt
|
|
Art critic Johann Winkelmann described the “great and tranquil soul” of this work’s central figure, which led Gotthold Lessing to claim that literature and art cannot be criticized with the same theories.
|
Laocoon Group [or Laocoon and His Sons]
|
|
Artemisia
|
Rembrandt
|
|
Ashes
|
Munch
|
|
Asheville
|
De Kooning
|
|
Aspects of Negro Life
|
Douglas
|
|
Aspiration
|
Douglas
|
|
Assumption of the Virgin
|
Titian
|
|
Assunta
|
Titian
|
|
At the bottom of this painting, an arm can be seen holding a broken sword. Jose Luis Sert was responsible for displaying this work at a famous event where it was accompanied by a poem written by Paul Eluard. To the right, a man can be seen with an outstretched arm holding a light.
|
Guernica
|
|
At the Piano
|
Whistler
|
|
At the Races
|
Degas
|
|
At the top of this painting Cupid points an arrow at the three Graces, who dance next to Mercury, who serves as the guardian of the orange grove
|
(La) Primavera
|
|
Bacchus and Ariadne
|
Titian
|
|
Ball at the Moulin de las Galette
|
Renoir
|
|
Banquet of Officers of the Civic Guard of St. Hadrian
|
Hals
|
|
Banquet of the Offcers of the St. George Milita
|
Hals
|
|
Bather at Griffon
|
Renoir
|
|
Bathers at Asnieres
|
Seurat
|
|
Bathers at Rest
|
Cezanne
|
|
Bauhaus
|
Gropius
|
|
Bearded Prophet
|
Donatello
|
|
Beardless Prophet
|
Donatello
|
|
Beasts of the Sea
|
Matisse
|
|
Beata Ludovica Albertoni
|
Bernini
|
|
Bedroom in Arles
|
van Gogh
|
|
Beer Street
|
Hogarth
|
|
Beethoven Frieze
|
Klimt
|
|
Beginning of the World
|
Brancusi
|
|
Beheading of Saint John the Baptist
|
Carvaggio
|
|
Benjamin Waterhouse
|
Stuart
|
|
Biagio da Cesena was derisively depicted as Minos, judge of the Underworld, and on the bottom right Charon appears rowing a boat. At the center of this fresco Christ holds up his right hand to cast sinners down to hell.
|
(The) Last Judgement
|
|
Bird in Space series
|
Brancusi
|
|
Birth of Venus
|
Botticelli
|
|
Black Magic
|
Morand
|
|
Black on Maroon
|
Rothko
|
|
Black Paintings
|
Goya
|
|
Blue Poles
|
Pollock
|
|
Born Emmanuel Radnitzky
|
Man Ray
|
|
Both Members of this Club
|
Bellows
|
|
Boy with a Basket of Fruit
|
Carvaggio
|
|
Boy with the Squirrel
|
Copley
|
|
Bridge at Narni
|
Corot
|
|
Brighton Beach with Colliers
|
Constable
|
|
Bronco Buster
|
Remington
|
|
Building More Stately Mansions
|
(Aaron) Douglas
|
|
Burial at Ornans
|
Courbet
|
|
Camera degli Sposi
|
Mantegna
|
|
Caprichos
|
Goya
|
|
Caravaggio created two depictions of this meal in which the recently-resurrected Jesus reveals his identity to two disciples. The second version is markedly darker than the first
|
Supper at Emmaus
|
|
Carnation, Lily, Lily, Rose
|
Sargent
|
|
Carnival Evening
|
Rosseau
|
|
Carved ceiling figures extend nearly halfway to the floor as a man takes a bowl from a woman at a bucket of water in one version of this event.
|
(the) Last Supper
|
|
Cellini also created this ivory and gold work in which four personifications of winds support figures of Ceres and Neptune and was crafted for the table of Francis I of France.
|
(The) Salt Cellar
|
|
Cestello Annunciation
|
Botticelli
|
|
Charing Cross Bridge
|
Derain
|
|
Charles V at Muhlberg
|
Titian
|
|
Children's Games
|
P Bruegel the Elder
|
|
Christ Carrying the Cross
|
Titian
|
|
Christ in the House of Mary and Martha
|
Vermeer
|
|
Christo's real name
|
(Christo Vladimirov) Javacheff
|
|
Christ’s head serves as the vanishing point for this work, in which Jesus’s followers stand in a semicircle facing an official, who wears a short, orange tunic
|
(The) Tribute Money
|
|
Cirque
|
Matisse
|
|
Claude Monet Painting at the Edge of a Wood
|
Sargent
|
|
Clearing Winter Storm
|
(Ansel) Adams
|
|
Coffee Grinder
|
(Marcel) Duchamp
|
|
Cole belonged to this artistic school
|
Hudson River
|
|
Coresus Sacrifices Himself to Save Callirhoe
|
Fragonard
|
|
Cornachini incorrectly restored the right arm of one figure by making it point upward, it is currently located in the Belvedere of the Vatican.
|
Laocoon Group [or Laocoon and His Sons]
|
|
Creation, mural
|
Rivera
|
|
Cross in the Mountains
|
(Caspar David) Friedrich
|
|
Crucifixion
|
(Albrecht) Altdorfer
|
|
Cycle
|
Escher
|
|
Dali created a stereoscopic work melded this work with The Fire in the Borgo.
|
School of Athens
|
|
Danaide
|
Brancusi
|
|
Dance of Death
|
Holbein the Younger
|
|
Daughters of Edward Darley Boit
|
Sargent
|
|
Daughters of Revolution
|
Wood
|
|
Daughters of the Revolution
|
Wood
|
|
David
|
Donatello
|
|
David (bent over con sling)
|
Bernini
|
|
David with the Head of Goliath
|
Carvaggio
|
|
Dead Lovers
|
Grunewald
|
|
Death and the Miser
|
Bosch
|
|
Death in the Sickroom
|
Munch
|
|
Death of Socrates
|
David
|
|
Death of the Virgin
|
Carvaggio
|
|
Death on a Pale Horse
|
West
|
|
Dedham Vale
|
Constable
|
|
Dedham Vale: Morning
|
Constable
|
|
Depicting the Maison Fournaise, this painting features the artist’s patron, Gustave Caillebotte, staring at the artist’s wife across the table of food.
|
(The) Luncheon of the Boating Party
|
|
designed the Glass House
|
Johnson
|
|
Designed the Wainwright Building
|
(Louis) Sullivan
|
|
Desolation
|
Cole
|
|
Destruction
|
Cole
|
|
Destruction of Empire
|
Cole
|
|
Detroit Industry
|
Rivera
|
|
didn't do paintings for the Seagram Building
|
Rothko
|
|
Disasters of War series
|
Goya
|
|
Disembarkation at Marseilles
|
Rubens
|
|
Dora Maar au Chat
|
Picasso
|
|
Dr. Gachet
|
van Gogh
|
|
Drinking a Toast
|
Sargent
|
|
During World War II, this sculptor shifted to drawing sketches that chronicled London’s experience during air raids
|
(Henry) Moore
|
|
El Greco belonged to this period
|
Mannerism
|
|
Epsom Derby
|
Gericault
|
|
Et in Arcadia Ego
|
(Nicolas) Poussin
|
|
Evening on Karl Johan
|
Munch
|
|
Every figure depicted in this work is barefoot, and the central figure has a long beard and moustache.
|
(The) Burghers of Calais
|
|
Explusion (from the Garden of Eden)
|
Massacio
|
|
Eyes in the Heat
|
Pollock
|
|
Fagus Shoe Factory's designer
|
Gropius
|
|
Fallingwater
|
Wright
|
|
Family of Charles IV
|
Goya
|
|
Farnsworh House
|
Mies van der Rohe
|
|
Farnsworth House
|
Mies van de Rohe
|
|
Feast in the House of Levi
|
Veronese
|
|
Feast of Herod
|
Donatello
|
|
Features of this structure include a 75-foot diameter cylindrical exhibition hall, which balances a theater cantilevered over Lake Erie
|
Rock and Roll Hall of Fame (and Museum)
|
|
Five ships at various distances from shore mark the progression of age in this painter’s Stages of Life.
|
(Caspar David) Friedrich
|
|
Flatford Mill
|
Constable
|
|
Flemish painter of Descent from the Cross
|
Rubens
|
|
Flight of a Bee around a Pomegranate a Second Before Awakening
|
Dali
|
|
Flowering Garden at Sainte-Adresse
|
Monet
|
|
Fog Warning
|
Homer
|
|
For 15 points, name this never-completed Renaissance funerary monument by Michelangelo, which also includes the horned “Moses” statue.
|
Tomb of (Pope) Julius II
|
|
Fortitude
|
Botticelli
|
|
Found in Rome in 1506, it is attributed to three sculptors from Rhodes named Athenodorus, Agesander, and Polydorus.
|
Laocoon Group [or Laocoon and His Sons]
|
|
Fountain
|
Duchamp
|
|
Fountain of the Four Rivers
|
Bernini
|
|
Four Evangelists
|
Cimabue (chee-muh-BOO-ay]
|
|
Four Freedom series
|
Rockwell
|
|
Four wing-like shapes form an X at the center of another of his works, which shows men in gas masks at the top left and a hand holding a crystal ball at the center. For 10 points, name this painter of Creation and Man at the Crossroads, which was removed from Rockefeller Center
|
Rivera
|
|
Frederic Edwin Church and Albert Bierdstadt belonged to this school
|
Hudson River
|
|
Freedom from Want
|
Rockwell
|
|
Freedom of Speech
|
Rockwell
|
|
Freedom of Worship
|
Rockwell
|
|
Frida Kahlo did a self-portrait with a tiny Itzcuintli one
|
dog
|
|
Frogman
|
Pollock
|
|
Full Fathom Five
|
Pollock
|
|
Fur Traders Descending the Missouri
|
(George Caleb) Bingham
|
|
Galaxy
|
Pollock
|
|
Ganymede Riding the Eagle
|
Cellini
|
|
Gargantua
|
(Honore) Daumier
|
|
Gassed
|
(John Singer) Sargent
|
|
Gattamelata
|
Donatello
|
|
Gin Lane
|
Hogarth
|
|
Girl Reading a Letter at an Open Window
|
Vermeer
|
|
Girl with a Pearl Earring
|
Vermeer
|
|
Girls at Piano
|
Renoir
|
|
Going West
|
Pollock
|
|
Good Samaritan
|
Hogarth
|
|
Greece Expiring on the Ruins of Missolonghi
|
Delacroix
|
|
Green and red cords lie next to the central figure, who wears crumpled beige pants. A whitecap, an incoming storm on the top left, and a three masted rescue vessel form this painting’s background.
|
(The) Gulf Stream
|
|
Grey Weather
|
Seurat
|
|
Group f/64
|
(Ansel) Adams
|
|
Guardians of the Secret
|
Pollock
|
|
Guggenheim
|
Wright
|
|
Guido Reni depicts the title character as a big-boned woman in red clutching a creature wearing a wreath of flowers.
|
(The) Rape of Europa
|
|
Hannibal Crossing the Alps
|
Turner
|
|
Harmony in Red
|
Matisse
|
|
Haystacks
|
Monet
|
|
he also frequently painted the cathedral at Rouen, as well as a Japanese footbridge near his house in Giverny
|
Monet
|
|
he also painted group portraits of the Regents and Regentesses of the Old Men’s Almshouse
|
Hals
|
|
He attacked classical economics in such writings as Munera Pulveris and Unto This Last, and he coined the term "pathetic fallacy" in one of his volumes of criticism. For 10 points, name this author of The Seven Lamps of Architecture and Modern Painters
|
Ruskin
|
|
He created a brooch featuring Leda and the Swan for Gabbriello Cesarino, while a life-size marble crucifix by him was given to the Escorial
|
Cellini
|
|
he created a painting that was rejected by the 1876 Centennial Exposition and depicts a demonstration at Jefferson Medical College
|
Eakins
|
|
He depicted Hadleigh Castle in one of his full-size sketches, and he would later create numerous cloud sketches and depict the chain pier at Brighton Beach
|
Constable
|
|
He designed the San Giorgio Monastery's refectory where a 1563 depiction of the Marriage at Cana is housed
|
Palladio
|
|
He discussed how “regulating lines” characterize architecture of the past in the chapter “The Lesson of Rome” found in a book outlining his five points of architecture. This author of the book Towards a New Architecture planned the Indian city of Chandigarh
|
Corbusier
|
|
He laid out nine "parametric" rules that defined the dimensions of such objects as walls, doors, and windows.
|
Palladio
|
|
He often mocked Impressionists for their outdoor paintings, and was very unhappy when the term was also applied to him
|
Degas
|
|
He painted an Adoration of the Magi in the monastery at San Donato a Scopeto.
|
Leonardo da Vinci
|
|
He painted Antiochus and Stratonice
|
David
|
|
He was an assistant to Giorgione
|
Titian
|
|
He was Director of Architecture at the Illinois Institute of Technology for twenty years
|
Mies van der Rohe
|
|
He's not Uccello, but he painted Saint George and the Dragon
|
Raphael
|
|
Head of an Old Man
|
Fragonard
|
|
Hecate
|
(William) Blake
|
|
Henri Rousseau painted a work that features the main scene of this painting in a forest entitled The Dream.
|
Venus of Urbino
|
|
Henry Fuseli claimed that the paintings of this man made him call for “my great coat and umbrella.”
|
Constable
|
|
Henry Ward Beecher
|
Borglum
|
|
Hermes Bearing the Infant Dionysus
|
Praxiteles
|
|
His first work accepted by the Salon was his Scene of War in the Middle Ages
|
Degas
|
|
His most famous work incorrectly shows Colonel Simon Fraser present at the Battle of the Plains of Abraham
|
West
|
|
His paintings include one that features his friend rowing and another that depicts a group of nude students at the title location
|
(Thomas) Eakins
|
|
Homer and Calliope
|
David
|
|
Honorable Augustus Keppel
|
Reynolds
|
|
House of the Hanged Man
|
Cezanne
|
|
Husband of O'Keefe
|
(Alfred) Stieglitz
|
|
I and the Village
|
Chagall
|
|
I Saw the Figure Five in Gold
|
(Charles) Demuth
|
|
Identify this movement led by William Holman Hunt, John Everett Millais, and Dante Gabriel Rossetti.
|
Pre-Raphaelite Brotherhood
|
|
Il Penseroso
|
Cole
|
|
Il Redentore
|
(Andrea) Palladio
|
|
Impression, Sunrise
|
Monet
|
|
In addition to Robert Campin's "Merode" one, another example of this form unusually depicts St. Sebastian and was done for St. Anthony's monastery by Matthias Grunewald
|
Altarpiece
|
|
In addition to versions by Cranach the Elder and Michelangelo, one depiction of this scene shows a bright light that is unseen by a servant and the large horse that is standing over the title figure. In that version, the title figure is lying on his back and reaching upward.
|
(the) Conversion of (St) Paul [or Saul]
|
|
In its original version, a green curtain is drawn back at the top left corner, and the somewhat surprised woman at the right wears a light pink dress and carries a large floral arrangement. Blue and gold shoes, a gold bracelet, and a black choker are the only clothing worn by the central figure, modeled on prostitute Victorine Meurent
|
Olympia
|
|
In one of this artist's early works, a man playing two pipes sits at the left, several figures are adorned with medieval-style haloes, and the center of the work is cut away with a different version of the scene occupying the inset.
|
Rivera
|
|
In one painting from this movement Jesus knocks on a door while carrying a lantern. Notable works from this movement include King Cophetua and the Beggar Maid and Light of the World.
|
Pre-Raphaelite Brotherhood
|
|
In one version of this scene, a man in yellow comforts the title figure while onlookers look upward in horror.
|
(the) Conversion of (St) Paul [or Saul]
|
|
In the back-right of this painting, some bluish gables poke up from a depression and a man on horseback looks on. Saint-Victor dubbed the central figures of this painting as the “three Fates of pauperdom”
|
(The) Gleaners
|
|
In the background, a woman knee-deep in a pond clutches a translucent dress to herself and reaches her right hand towards the ground, juxtaposed closely with the outstretched arm of a bearded man in the foreground whose other hand holds a cane.
|
Luncheon on the Grass
|
|
In the left foreground, angelic figures watch the titular figure seated on a very luxurious chair with green and red pillows at her feet. The title figures elongated fingers hold back her shawl, and her eyes focus on the very alien-looking child in her lap
|
Madonna with a Long Neck
|
|
In this El Greco painting, a cherub flies above a group of people who are disrobing, while a still-dressed figure on the left raises his hands to heaven.
|
(The) Opening of the Fifth Seal of the Apocalypse
|
|
In this painting, a tree outside is obscured from the viewer by a column. The artist of this work originally refused to paint it, until Pietro Aretino suggested depicting a prostitutute's body. In the back right of this painting, two servants are looking for something in a chest. On the figure’s bed, a dog rests. The main figure is reclined fully nude on the bed, with her left hand covering her crotch and her left holding some flowers as she stares directly at the viewer.
|
Venus of Urbino
|
|
In this painting, a vase lies next to a reclining mandolin player, clad in a rainbow-colored outfit and clutching a walking stick in her right hand
|
(The) Sleeping Gypsy
|
|
In this painting, dark green curtains are let down in the background on the right and drawn up in the upper left corner. An obscure black cat stands erect on the far right, not far from the central figure’s feet, which are wearing gold shoes. The central figure also wears a gold bracelet, a black string around her neck, and a flower behind her ear. To her right a black servant is bringing flowers.
|
Olympia
|
|
In this work, the title figure has her hand on her breast, and her right foot rests on two pillows. In the right background of this painting near the lush pink drapery , there is a miniature man unfolding a scroll in front of an unfinished line of columns without capitals.
|
Madonna with a Long Neck
|
|
Isenheim Altarpiece
|
Grunewald
|
|
It depicts a line of standing soldiers wearing cloth over their eyes, admist a field full of people dead and dying
|
Gassed
|
|
It depicts bosom buddies William Cullen Bryant and Thomas Cole standing on a promontory
|
Kindred Spirits
|
|
It is believed that a lamb is being brought in by butchers on the elevated walkway, while the artist himself is holding a viola da gamba next to Bassano
|
(The) Wedding at Cana [accept synonyms for Wedding]
|
|
It portrays Virginie Gautreau
|
(Portrait of) Madame X
|
|
It resides to the left of The Tribute Money
|
Expulsion (from the Garden of Eden)
|
|
It shows a benefactor of Santo Tomé who was allegedly lowered into his grave by the spirits of Saints Stephen and Augustine
|
(The) Burial of (the) Count of Orgaz
|
|
It was designed during its architect’s partnership with Dankmar Adler that also resulted in their co-design of the Chicago Stock Exchange building
|
Wainwright Building
|
|
It was named by Karl Schmidt-Rottluff, who joined such figures as Ernst Kirchner to found this group. For 15 points, name this artistic circle which emphasized authenticity and saw some of its greatest success in the work of two later additions, Max Pechstein and Emil Nolde.
|
The Bridge
|
|
Jeremiah
|
Donatello
|
|
Jeremiah
|
Donatello
|
|
John Hancock Tower (Boston)
|
Pei
|
|
Kindred Spirits
|
Asher Durand
|
|
Kiss Gate
|
Brancusi
|
|
Kneeling Woman: Monument to Debussy
|
Malliol
|
|
L'Allegro
|
(Thomas) Cole
|
|
L.H.O.O.Q.
|
Duchamp
|
|
La Grande Odalisque
|
Ingres
|
|
La Parade
|
Seurat
|
|
La Parade
|
Seurat
|
|
La Primavera
|
Botticelli
|
|
Lady with an Ermine
|
Leonardo da Vinci
|
|
Lamentation
|
Giotto
|
|
Landscape with a Footbridge
|
Altdorfer
|
|
Landscape with the Fall of Icarus
|
P(ieter) Breughel the Elder [prompt on partial answers, need all parts]
|
|
Landscape: Noon
|
Constable
|
|
Las Meninas
|
(Diego) Velazquez
|
|
Le Chahut
|
Seurat
|
|
Le Pere Tanguy
|
van Gogh
|
|
Leda
|
Brancusi
|
|
Liberty Leading the People
|
Delacroix
|
|
Like Luca della Robbia, he designed a cantoria for the Florence cathedral, and this man revived interest in reliquary bust with his sculpture of San Rossore
|
Donatello
|
|
Lobster Trap and Fish Tail
|
Calder
|
|
Love Conquers
|
(Jean-Francois) Millet
|
|
Luca Giordano decorated the Ambassadors’ Hall located in the Palace of Pleasant Retreat, which was incorporated into this institution
|
the Prado
|
|
Luncheon of the Boating Party
|
(Auguste) Renoir
|
|
Luncheon on the Grass
|
Manet
|
|
Madonna and Child in a Garden
|
Grunewald
|
|
Madonna Enthroned with Saint Francis
|
Cimabue
|
|
Madonna of the Goldfinch
|
Raphael
|
|
Madonna of the Rocks
|
Leonardo da Vinci
|
|
Madonna with the Long Neck
|
Parmigianino
|
|
Maiastra
|
Brancusi
|
|
Malle Babbe
|
Hals
|
|
Man at the Crossroads
|
Rivera
|
|
Man Ray took several photographs of this artist's alter ego, Rrose Sélavy.
|
(Marcel) Duchamp
|
|
Manneristic pink, green, and orange robes on awed figures divide the top and bottom halves of his 1520 Transfiguration
|
Raphael
|
|
Marie de Medici cycel
|
Rubens
|
|
Mars Resting
|
Velazquez
|
|
Massacre in Korea
|
Picasso
|
|
Max Schmitt in a Single Scull
|
Eakins
|
|
Merode Altarpiece
|
Campi
|
|
Meyer Altarpiece
|
Holbein the Younger
|
|
Mile High Center (Denver)
|
Pei
|
|
Miracle of the Slave
|
Tinoretto
|
|
Mobius Strip II
|
Escher
|
|
Moonlight
|
Munch
|
|
Mr. and Mrs. Andrews
|
Gainsborough
|
|
Mrs. Siddons
|
Gainsborough
|
|
Mt. Rushmore
|
Borglum
|
|
Mural
|
Pollock
|
|
Music in the Tuileries
|
Manet
|
|
Myself: Portrait Landscape
|
Rosseau
|
|
NADAR Elevating Society to Art
|
Daumier
|
|
Name this 1897 painting which sees a lion approach the title dark-skinned woman under a moonlit sky.
|
(The) Sleeping Gypsy
|
|
Name this architect who also designed Germany's pavilion for the Barcelona International Exposition in 1927.
|
Mies van de Rohe
|
|
name this designer of the Villa Rotunda and author of the Four Books of Architecture.
|
Palladio
|
|
Name this painting depicting a peeking horse’s head and a devilish incubus perched on top of a white-clad woman sprawled on a bed
|
(The) Nightmare
|
|
Name this painting in which a man with a harpoon and a horrified black man look on while the title animal opens its mouth.
|
Watson and the Shark
|
|
Name this painting in which a ship's billowing sail, a ploughman in a red shirt, and a shepherd tending his flock all turn away from the title boy's plight
|
(Landscape with the) Fall of Icarus
|
|
Name this painting that features a wavy tree, a church steeple, and some swirly nocturnal skies.
|
(The) Starry Night
|
|
Name this painting which depicts Jesus’s miracle of turning water into wine at the title location in Galilee.
|
(The) Wedding at Cana
|
|
Name this painting, found in the Brancacci Chapel, which depicts the institution of the Catasto in Florence.
|
(The) Tribute Money
|
|
Napoleon I on His Imperial Thrones
|
(Jean Auguste Dominique) Ingres
|
|
Next to a gentleman with a cane and black top hat, a reclining man in a red shirt and dark cap is smoking a pipe. Also visible are at least four parasols, despite the shade of the trees around women holding them, and a monkey on a leash.
|
Sunday Afternoon on the Island of la Grande Jatte
|
|
Nickname was Zuccone, meaning pumpkin-head
|
Donatello
|
|
Nicknamed "Le Douanier"
|
(Henri) Rosseau
|
|
Night Cafe (at Arles)
|
van Gogh
|
|
Nine "malic" molds
|
Duchamp
|
|
Noah's Ark
|
Douglas
|
|
Noli me Tangere
|
Holbein the Younger
|
|
Nude Descending a Staircase, No. 2
|
Duchamp
|
|
Nude Maja
|
Goya
|
|
Oath of Horatii
|
David
|
|
Old Battersea
|
Whistler
|
|
Old Testament
|
Holbein the Younger
|
|
Old Woman Frying Eggs
|
(Diego) Velazquez
|
|
Olympia
|
Manet
|
|
On the left side of this work there are white birds and a unicorn drinking from a small lake, and in the middle birds rest on a pink fountain. On the far right, a bird headed creature can be seen eating a human leg and defecating another person into a pot as fires rage on in the background. The central panel of this work also includes many nude people around a communal pool, as well as many strange animals and large fruits
|
(The) Garden of Earthly Delights
|
|
On the right of this painting, a thresher persists through the precipitation
|
Rain, Steam, and Speed(: The Great Western Locomotive)
|
|
On the right of this painting, six women in black mourn the titular event which may concern the artist’s great uncle Claude-Etienne Teste. A white dog has its head turned in this painting which includes a tall crucifix that juts into the sky. In this painting only one man kneels in front of the two red-clad priests, and that man is located near the middle bottom grave
|
(A) Burial at Ornans
|
|
On the top left-hand corner of this painting, a figure uses a staff decorated with two fighting dragons to banish some wispy clouds.
|
(La) Primavera
|
|
One appears in front of a canvas, between a young boy and a female nude in Courbet's Artist's Studio, while a spotted one appears near the shore of The Hay Wain.
|
dog
|
|
One figure on the bottom right is shown with donkey ears and writhing snakes surround his body to hide his nudity. In this painting Pietro Aretino was the basis for the figure of St. Bartholomew whose flayed skin reveals a self-portrait of the artist.
|
(The) Last Judgement
|
|
One notable work in this form shows a man on the right with blue headgear and carpenter's tools, as a red-clad woman in the center is visited by an angel.
|
Altarpiece
|
|
One of his paintings depicts the return to Italy of the mother of Caligula
|
(Benjamin) West
|
|
One of his works depicts a mounted archer during the apocalypse
|
West
|
|
One of his works may depict Mary Magdalene instead of St. John, and that work also casts Judas’s face in shadow.
|
Leonardo da Vinci
|
|
One of his writings discusses the "truth of water" and "truth of vegetation," while sacrifice and memory are among the title principles of another of his works.
|
Ruskin
|
|
One of its central figures is dressed in gold and leads a group of men with pikes. For 10 points, name this painting depicting the militia of Franz Banning Cocq and William van Ruytenburch, named for the dark varnish of the painting
|
(The) Night Watch
|
|
One of the title characters of this work holds a cane and his hat in his hands, while the other holds a portfolio.
|
Kindred Spirits
|
|
One of the title figures of this work clutches a flowing sheet in his left arm, which he rests on an upright carved tree trunk. The smaller title figure is missing his left arm, which may have been grasping at a bunch of grapes that the larger title figure may have held.
|
Hermes Holding the Infant Dionysus [accept anything involving Hermes and Dionysus; accept Hermes of Olympia or close equivalents]
|
|
One of these animals is depicted with stop-motion inspired leg movement in a Giacomo Balla Futurist painting showing its "dynamism."
|
dog
|
|
One of this artist's works shows his black-shawled mother sitting on a red loveseat with her knitting as his sister plays
|
Cezanne
|
|
One of this man’s depictions of Judith shows her curling fingers clutching Holophernes’ hair
|
(Gustav) Klimt
|
|
One story says the artist witnessed the scene on the hill of Príncipe Pío (PREEN-see-pay PEE-o) from his window, and hurried up there with a lantern later to sketch it. The result inspired Manet’s Execution of Maximilian.
|
Third of May, 1808
|
|
One version of this scene sees the central figure wear a suit of armor and look toward a figure in a red cape at the upper left.
|
(the) Conversion of (St) Paul [or Saul]
|
|
Originally titled "The Bath"
|
Luncheon on the Grass
|
|
Orphan Girl at the Cemetery
|
Delacroix
|
|
painter of series of depictions of Mont Sainte-Victoire
|
Cezanne
|
|
Painting: A knight in golden armor spears a sea monster with a great lance from the back of a hippogriff
|
Roger Freeing Angelica
|
|
Painting: A nude woman faces forward pouring water out of a jug on her shoulder
|
(The) Source
|
|
Paradise
|
Tinoretto
|
|
Park Guell
|
Gaudi
|
|
Parnassus
|
Mantegna
|
|
Parson Weem's Fable
|
Wood
|
|
Peasant Wedding
|
P(ieter) Breughel the Elder [prompt on partial answer, need all parts]
|
|
Penn's Treaty with the Indians
|
West
|
|
Perseus with the Head of Medusa
|
Cellini
|
|
Persistence of Memory
|
Dali
|
|
Pesaro Altarpiece
|
Titian
|
|
Pierrot
|
Watteau
|
|
Pierrot's Funeral
|
Matisse
|
|
Pieta: Revolution by Night
|
(Max) Ernst
|
|
Plaid Sweater
|
Wood
|
|
Portrait of Pere Tanguy
|
van Gogh
|
|
Princess X
|
Brancusi
|
|
Probably painted the Cascia Altarpiece
|
Massacio
|
|
Progress of Love cycle
|
Fragonard
|
|
Puberty
|
Munch
|
|
pupil of Fuseli
|
(William) Blake
|
|
Rain, Steam, and Speed: The Greate Western Railway
|
Turner
|
|
Raising the Flag on Iwo Jima (photograph)
|
Rosenthal
|
|
Rape of Europa
|
Titian
|
|
Rape of Prosperina (sculpture)
|
Bernini
|
|
Rape of the Sabine Women
|
(Nicolas) Poussin
|
|
Raphael’s version of this scene sees a figure with a green plume in his helmet hold a sword over his right shoulder while attempting to strike a black beast. Uccello’s version has strange patches on the ground to depict perspective.
|
(Saint) George and the Dragon
|
|
Reclining Figures
|
(Henry) Moore
|
|
Relativity
|
Escher
|
|
Rembrandt’s Artemisia and Roger van der Weyden’s The Descent from the Cross are among the “15 masterpieces” of this institution, which also houses many works painted in the “Deaf Man’s Villa” and a work showing the ladies-in-waiting to the infanta Margarita
|
Prado
|
|
Return from Bohemia
|
Wood
|
|
Return of the Herd
|
Fragonard
|
|
Rideau, Cruchon et Compotier
|
Cezanne
|
|
Rinaldo and Armida
|
Boucher
|
|
Robert Louis Stevenson and His Wife
|
Sargent
|
|
Robie House
|
Wright
|
|
Rock and Roll Hall of Fame
|
(I.M.) Pei
|
|
Roger Freeing Angelica
|
Ingres
|
|
Rogier van der Weyden’s features a red-clad praying donor and a blue-clad Saint John.
|
Pieta
|
|
Rokeby Venus
|
Velazquez
|
|
Roots
|
Kahlo
|
|
Rose and Driftwood
|
(Ansel) Adams
|
|
Sacred and Profane Love
|
Titian
|
|
Sarah Siddons as the Tragic Muse
|
Reynolds
|
|
Saturn Devouring His Son
|
Goya
|
|
Saturn Devouring his Son
|
Goya
|
|
Savage State
|
Cole
|
|
Scene of War in the Middle Ages
|
Degas
|
|
School of Athens
|
Raphael
|
|
Screaming Popes series
|
Bacon
|
|
Seated Woman, aka The Mediterranean
|
Malliol
|
|
Self Portrait: Between Clock and Bed
|
Munch
|
|
Self-Portrait with Burning Cigarette
|
Munch
|
|
Semiramis Building Bablyon
|
Degas
|
|
Shop-sign of Gersaint
|
Watteau
|
|
Shotgun Hospitality
|
(Frederick) Remington
|
|
Skull of a Skeleton with a Burning Cigarette
|
van Gogh
|
|
Sleeping Muse
|
Brancusi
|
|
Slef-Portrait as the Allegory of Painting
|
Gentileschi
|
|
Snap the Whip
|
Homer
|
|
Sometimes called “Venus and the Bride,” this Titian painting depicts Venus and Cupid seated upon a sarcophagus while attending to Laura Bagarotto, the wife of this work’s commissioner Niccolo Aurelio.
|
Sacred and Profane Love
|
|
Sorrow
|
van Gogh
|
|
Southern Justice (Murder in Mississippi)
|
Rockwell
|
|
Spanish Dancer Wearing a Lace Mantilla
|
(Mary) Cassatt
|
|
Spoonbridge and Cherry
|
(Claes) Oldenburg
|
|
St. George and the Dragon
|
Altdorfer
|
|
St. John on Patmos
|
Bosch
|
|
Stag at Sharkey's
|
Bellows
|
|
Still Life with Apples and Oranges
|
Cezanne
|
|
Still Life with Lobsters
|
Delacroix
|
|
Still Life with Spherical Mirror
|
Escher
|
|
Stone City
|
Wood
|
|
Stone Mountain
|
Borglum
|
|
Stone-Breakers
|
Courbet
|
|
Structural damage on its seventeen rhombus-shaped nodes was corrected in 2000 by Mihai Radu and the World Monuments Fund. Identify this ninety-eight-foot-tall “axis mundi,” a stylized funerary monument located in Targu Jiu.
|
(The) Endless Column
|
|
Summer, sculpture
|
Malliol
|
|
Sunday Afternoon on the Isle of La Grande Jatte
|
Seurat
|
|
Supper at Emmaus
|
Carvaggio!
|
|
Susanna and the Elders
|
(Artemisia) Gentileschi
|
|
Symmetry Drawings
|
Escher
|
|
Table of Silence
|
Brancusi
|
|
The Absinthe Drinker
|
Degas
|
|
The Allegory of Painting
|
Vermeer
|
|
The Ambassadors
|
Holbein the Younger
|
|
The Angelus
|
Millet
|
|
The Anger of Achilles
|
David
|
|
The Artist Moved by the Grandeur of Ancient Ruins
|
Fuseli
|
|
The artist of this work depicted its subject receiving a secret from her husband in the charcoal study sketch Whispers
|
Madame X
|
|
The Artist's Studio
|
Courbet
|
|
The Barque of Dante
|
Delacroix
|
|
The Barque of Dante
|
Delacroix
|
|
The Battle of Tailleburg
|
Delacroix
|
|
The black silhouette of a cat is depicted at the left-front of this work, and the older of the two title characters wears a stocking "liberty cap" and a red-pinstriped shirt.
|
Fur Traders Descending the Missouri
|
|
The Blue Boy
|
Gainsborough
|
|
The Blue Nude
|
Matisse
|
|
The Boating Party
|
(Mary) Cassatt
|
|
the book Jazz
|
Matisse
|
|
The Bride
|
Chagall
|
|
The Bride Stripped Bare by Her Bachelors
|
Duchamp
|
|
The building on the left has closed for the day, and a lone object can be seen in a window. The second floor is orange, while the bottom is green. The building on the right features the name of a cigar company across the top. All three men in the painting wear hats. One of them and a woman in a red dress are seated together, looking at the man in white behind the counter. He looks back at them as though saying something. The third man is seated alone, looking away from the viewer.
|
Nighthawks
|
|
The Burghers of Calais
|
Rodin
|
|
The Burial of the Count of Orgaz
|
El Greco
|
|
The Burning of the Houses of Parliament
|
Turner
|
|
The Card Players
|
Cezanne
|
|
The Cardplayers
|
Cezanne
|
|
The Cardsharps
|
Carvaggio!
|
|
the Casa Mila apartments
|
Gaudi
|
|
The Cellist
|
Courbet
|
|
the cenral triptych in the Cathedral of Our Lady in Antwerp
|
Rubens
|
|
The central figure of this work stands upon a female torso and is has wings attached his feet and helmet.
|
Perseus with the Head of Medusa
|
|
The central object in the painting is decorated by a maroon elongated crescent and contains a dark-cross shaped cleat bound by a thin brown rope
|
(The) Gulf Stream
|
|
The Chess Players
|
(Honore) Daumier
|
|
The Child's Bath
|
Cassatt
|
|
The Church at Auvers-sur-Oise
|
van Gogh
|
|
The Circus
|
Seurate
|
|
The Circus, shown at the Armory
|
Bellows
|
|
The city in which the Wainwright Building resides
|
St. Louis
|
|
The Coiffure
|
Cassatt
|
|
The Columny of Apelles
|
Botticelli
|
|
The Concert of Angels
|
Klimt
|
|
The Conversion of Saint Paul
|
Carvaggio!
|
|
The Coronation of Napoleon
|
David
|
|
The Course of Empire
|
Cole
|
|
The Cradle
|
Morisot
|
|
The Cure of Folly
|
Bosch
|
|
The Dance Class
|
Degas
|
|
The Dance of Life
|
Munch
|
|
The Daughter of Jepthah
|
Degas
|
|
The Dead Christ
|
Mantegna
|
|
The Dead Mother
|
Munch
|
|
The Death of Chatham
|
Copley
|
|
The Death of Marat
|
David
|
|
The Death of Sardanopolis
|
Delacroix
|
|
The Deliverance of Arsenoe
|
Tinoretto
|
|
The Departure of Regulus from Rome, which earned him a royal comission
|
West
|
|
The Deposition of Christ
|
Carvaggio
|
|
The Descent from the Cross
|
(Roger) van der Weyden
|
|
The Dinner Horn
|
Homer
|
|
The Discovery
|
Rockwell
|
|
The Discovery of America by Christopher Columbus
|
Dali
|
|
The Dream
|
Rosseau
|
|
The Ecstasy of Saint Theresa
|
Bernini
|
|
The Embarkation for Cythera
|
Watteau
|
|
The Entry of the Crusaders into Constantinople
|
Delacroix
|
|
The face of one figure dancing a “rondei” in this painting is based on Caterina Sforza. The central figure of this painting stands in front of a myrtle tree and is surprisingly depicted wearing clothes. On the right side, Zephyr grabs the nymph Chloris
|
(La) Primavera
|
|
The Fifer
|
Manet
|
|
The Fighting Temeraire
|
Turner
|
|
The Fire in the Borgo
|
Dali
|
|
The floor design in this painting is modeled on the Cosmati pavement in Westminster Abbey, and an unused oriental rug is lying on the top shelf. In the upper left corner of the painting, there is a crucifix that is partially obscured by the green curtain. The shelves in the center of the painting contain a sundial, a lyre, and two globes, among other things. There also is an anamorphic skull on the floor.
|
(The) Ambassadors
|
|
The Flower Carrier
|
Rivera
|
|
The Fool of Bethesda
|
Hogarth
|
|
The Forge of Vulcan
|
Tinoretto
|
|
The Four Doctors
|
Sargent
|
|
The Fox in the Snow
|
(Jean Desire Gustave) Courbet
|
|
The Garden of Earthly Delights
|
Bosch
|
|
The Garden of Love
|
Rubens
|
|
The Gate of the Kiss
|
Brancusi
|
|
The Gleaners
|
Millet
|
|
The Greek Slave
|
Powers
|
|
The Green Stripe
|
Matisse
|
|
The Hay Wain
|
Constable
|
|
The Hippopotamus Hunt
|
Rubens
|
|
The Hostile Forces
|
Klimt
|
|
The House with Burst Walls
|
Cezanne
|
|
The Hunters in the Snow
|
P(ieter) Breughel the Elder
|
|
The Imaginary Malady
|
(Honore) Daumier
|
|
The Judgement of Paris
|
Raimondi
|
|
The Kiss
|
Klimt
|
|
The Last Judgement
|
Michelangelo
|
|
The Last of Old Westminster
|
Whistler
|
|
The Laughing Cavalier
|
Hals
|
|
The Law Student
|
Rockwell
|
|
The Little Deer
|
Kahlo
|
|
The Love Letter
|
Vermeer
|
|
The Lute Player
|
Carvaggio
|
|
The Madonna of Victory altarpiece
|
(Andrea) Mantegna
|
|
The Madwoman
|
Gericault
|
|
The main figure on the left of this painting wears a ring on his index finger and a cross on a colorfully beaded necklace. The top of this painting shows a red house and a green house, both upside down. Two houses to the left, a priest looks out of the entrance of a yellow colored church, topped by a cross. A man with a sickle is next to an upside down violinist. The bottom of this painting shows a branch bearing fruit being held by one of the main figures, while the left depicts a woman milking a cow, which is inside the profile image of a white cow staring directly across to a large, green-faced farmer.
|
I and the Village
|
|
The Man with a Pipe
|
Courbet
|
|
The Mandolin Player
|
(Mary) Cassatt
|
|
The Mocking of Christ
|
Grunewald
|
|
The Models
|
Seurat
|
|
The most famous depiction of this scene shows two cherubs wrestling above a mountainous background in the upper right, while a third cherub surfs up to the central scene riding a fish
|
(The) Rape of Europa
|
|
The Murder
|
Cezanne
|
|
The Music Party
|
Carvaggio
|
|
The New Orleans Cotton Exchange
|
Degas
|
|
The Night Watch
|
Rembrandt
|
|
The Nightmare
|
Fuseli
|
|
The Nymph of Fountainebleau
|
Cellini
|
|
The Opening of the Fifth Seal of the Apocalypse
|
El Greco
|
|
The Origin of the World
|
Courbet
|
|
The Overture to Tannhauser
|
Cezanne
|
|
The Oxbow
|
Cole
|
|
The painted statue on the right flanks the main scene and holds a lyre, while the statue on the left holds the Aegis.
|
School of Athens
|
|
The painting opposite this one is its artist’s The Disputation of the Holy Sacrament.
|
School of Athens
|
|
The Peacock Room
|
Whistler
|
|
the poet and art historian Ephrussi stands at back talking to his secretary
|
(The) Luncheon of the Boating Party
|
|
The Polar Sea
|
(Caspar David) Friedrich
|
|
The Polish Rider
|
Rembrandt
|
|
The positioning of figures in this painting bears the influence of an engraving itself influenced by the depiction of River Gods on a Roman sarcophagus, Raimondi's The Judgment of Paris.
|
Luncheon on the Grass
|
|
The Potato Eaters
|
(Vincent) van Gogh
|
|
The Princess of the Land of Porcelain
|
Whistler
|
|
The Problem We All Live With
|
Rockwell
|
|
The proprietor of the location portrayed stands to the left wearing a straw hat, another one of which is being worn by Aline Charigot, who is holding a dog at left
|
(The) Luncheon of the Boating Party
|
|
The Quarry
|
Gaudi
|
|
The Race Track
|
Ryder
|
|
The Raft of the Medusa
|
(Theodore) Gericault
|
|
The Red Cross Knight
|
Copley
|
|
The Red Studio
|
Matisse
|
|
The River, sculpture
|
(Aristride(s)) Mallilol
|
|
The Rokeby Venus
|
Velazquez
|
|
the Sagrada Familia
|
Gaudi
|
|
The Salt Cellar
|
Cellini
|
|
The Scourging of Christ
|
Titian
|
|
The Scream
|
Munch
|
|
The Seagram Building's "Ordinary"
|
Calder
|
|
The She-Wolf
|
Pollock
|
|
The Sick Child
|
Munch
|
|
The Skater (William Grant)
|
Stuart
|
|
The sketch for this painting did not include the fifth figure on the left wearing a white bonnet. A timepiece reads seven o’clock in the upper left hand corner of this painting, and a teapot sits in the bottom right corner directly below a woman pouring chicory into four cups.
|
(The) Potato Eaters
|
|
The Slave Ship
|
Turner
|
|
The Sleeper
|
Courbet
|
|
The Sleeping Gypsy
|
(Henri) Rosseau
|
|
The Snake-Charmer
|
Rosseau
|
|
The Source
|
Ingres
|
|
The Sower
|
Millet
|
|
The Steerage
|
Stieglitz
|
|
The Sultan of Morocco
|
Delacroix
|
|
The sun appears as a yellow dot in a large grey cloud at the upper left of this painting, and cloud dominate the canvas except for rocks and human figures in a strip at bottom.
|
Hannibal Crossing the Alps
|
|
The Swimming Hole
|
Eakins
|
|
The Swing
|
Fragonard
|
|
The Sword Swallower
|
Matisse
|
|
The Temptation of Saint Anthony
|
Rivera
|
|
The Third of May, 1808
|
Goya
|
|
The Third-Class Carriage
|
(Honore) Daumier
|
|
The three tables in this work all lack legs
|
(The) Absinthe Drinker
|
|
The title character holds her flapping red robe above her head as she is whisked away by a white bull.
|
(The) Rape of Europa
|
|
The title figure has his chin up and wears a robe in this other Rodin bronze, sculpted after the artist spent seven years reading the works of its subject to understand his spirit.
|
(The Monument to) Balzac
|
|
The title tax collector, formerly known as Levi, is seated at a table with his assistants. Just to the right of a window, Saint Peter enters the scene with Christ, who beckons toward a bewildered Levi.
|
(The) Calling of Saint Matthew
|
|
The title woman scarcely notices the pipe-smoking man to her right resting his arm on her table.
|
(The) Absinthe Drinker
|
|
The titular wooden ship can be seen on the left, with a smaller, smoke-emitting ship to her right
|
(The) Fighting Temeraire (Tugged to Her Last Berth to be Broken Up)
|
|
The Toliet of Venus
|
Boucher
|
|
The top section of this painting is flanked by rustic cliffs, and the only thing that interrupts the upper landscape is a tall staff on the left held by a white-clad man who stands near two boys, one of which holds a lantern
|
(A) Burial at Ornans
|
|
The Tribute Money
|
Massacio
|
|
The Triumph of Caesar
|
Mantegna
|
|
The two men depicted in this 1849 painting are not models but actual workers in the title profession. The artist met them while walking down the road and painted them as they were, down to the tears in their tattered clothes. The grass beside the road slopes up slightly, but shadows hide most of the background. Seemingly out of place is a pot resting on the right edge of the painting. The older man wears a hat and wields a hammer while kneeling.
|
(The) Stone Breakers
|
|
The Umbrellas
|
Renoir
|
|
The upright figure at the front right of this work walks with the aid of a cane.
|
(The) Burghers of Calais
|
|
The Violinist
|
Courbet
|
|
The Voice
|
Munch
|
|
The Voyage of Life
|
Cole
|
|
The Waitress
|
Manet
|
|
The Wandering Saltimbanques
|
Daumier
|
|
The Wedding at Cana
|
(Paolo) Veronese
|
|
The White Girl [or Symphony in White or Composition in White]
|
Whistler
|
|
The White Horse
|
Constable
|
|
The White Legs
|
(Jean Desire Gustave) Courbet
|
|
The White Negress
|
Brancusi
|
|
The Women of Algiers
|
Delacroix
|
|
The Women of Algiers in Their Apartment
|
Delacroix
|
|
The Wounded Cuirassier
|
Gericault
|
|
The Wounded Man
|
Courbet
|
|
The Yellow Christ
|
Gaugin
|
|
The Young Ladies of Avignon
|
Picasso
|
|
The Young Spartans
|
Degas
|
|
The “dying,” “awakening,” and “rebelling” slaves were all created for this work
|
Tomb of (Pope) Julius II
|
|
The “Fig-Leaf” campaign to censor this work for showing nude figures was led by Cardinal Carafa
|
(The) Last Judgement
|
|
This 1908 brick edifice is located in Chicago's Hyde Park neighborhood and is the pinnacle of Wright's Prairie Style of design.
|
Robie House
|
|
This 1970 Robert Smithson work is constructed from basalt and juts out into the Great Salt Lake. It is now a light pink color due to salt encrustation
|
Spiral Jetty
|
|
This architect designed a "Chippendale Top" for the AT&T Building in New York
|
Johnson
|
|
This architect redesigned a church in Ronchamp and claimed, “a house is a machine for living in.” For 10 points, name this Swiss proponent of the International Style who designed Notre Dame du Haut and the Villa Savoye.
|
Corbusier
|
|
This architect's Unites d’Habitation were the building blocks of his ideal “Radiant City.” This architect planned a city that would include the Palace of Assembly and the Palace of Justice
|
Corbusier
|
|
This artist attached a juniper sprig next to the motto “Beauty is Virtue” on the back of his painting of Ginerva de Benci.
|
Leonardo da Vinci
|
|
This artist cast a large bronze statue of a horse for Francesco Sforza
|
Leonardo da Vinci
|
|
This artist contrasted a landscape near Lake Nemi with an ideal landscape in two works inspired by Milton’s sonnets
|
(Thomas) Cole
|
|
This artist created a self portrait as a kneeling monk in a painting that also contains a portrait of his wife on a banner held by the title character, who is stepping ashore near a sea urchin.
|
Dali
|
|
This artist penned the influential text "An Analysis of Beauty", which argues for the perfect ogee-curve
|
Hogarth
|
|
This artist produced a number of wax sculptures of horses and a series of stop-motion photographs with Edward Muybridge
|
(Thomas) Eakins
|
|
This artist sculpted a bald prophet in his piece Habbakuk
|
Donatello
|
|
This artist was one of the dying figures in Raft of the Medusa
|
Delacroix
|
|
This artist worked on the sets for Stravinsky's The Firebird and for Ravel's Daphnis and Chloe
|
Chagall
|
|
This artist’s 1832 journeys to Africa led to The Women of Algiers in Their Apartment and The Sultan of Morocco.
|
Delacroix
|
|
This Brancusi work, a series of seven marble and nine bronze depictions of its titular avian, was once the subject of a customs tax-related court case.
|
Bird in Space
|
|
This building’s ornamentation is intended to make its supporting piers appear to be columns, and it was groundbreaking because part of its framework is semi-visible from the exterior.
|
Wainwright Building
|
|
This El Greco painting of a scene from the Book of Revelation was once referred to as Profane Love.
|
(The) Opening of the Fifth Seal of the Apocalypse
|
|
This French sculptor created a lead sculpture of a nude woman falling sideways into the water
|
(Aristide(s)) Mallilol
|
|
This man became the mentor to Maxime Maufra, Emile Bernard, and other members of the Pont-Aven School.
|
Gaugin
|
|
This man carved a relief sculpture of St. Peter receiving the keys to the church.
|
Donatello
|
|
This man first published the manifesto of the Photo-Secessionist movement in his journal Camera Work
|
(Alfred) Stieglitz
|
|
This man is not Lucas van Leyden, but he painted a work titled Young Man Holding a Skull showing a boy with a large feather in his cap
|
(Frans) Hals
|
|
This museum with a spiraling central gallery was one of Wright's last projects. Artists like Willem de Kooning and Robert Motherwell protested that the building overshadowed the modern art works within it.
|
Guggenheim in NY
|
|
This painting features on its right a man standing on one leg and leaning on the wall behind him, scribbling into a book.
|
School of Athens
|
|
This painting likely inspired a Wallace Stevens poem, and it is believed to have been painted over a portrait of a woman.
|
(The) Old Guitarist
|
|
This painting was commissioned by Andrés Núñez, and in it a boy points toward St. Stephen, who holds the title character’s body with St. Augustine
|
(The) Burial of the Count of Orgaz
|
|
This painting was commissioned by Cosimo de Medici who presented it to Francis I of France, and it shows an old man extending a blue curtain in the back as two of the title figures embrace in the foreground
|
Venus, Cupid, Folly, and Time
|
|
This painting was parodied in Portrait: Twins, in which Yasumasa Morimura inserted himself into the central role
|
Olympia
|
|
This painting which depicts the rescuing of the title French ship after its 1816 crash off Mauritania’s coast.
|
(The) Raft of the Medus
|
|
This painting’s artist was inspired by Jean de La Bruyere’s book The Characters of Theophraste for its depiction of hands.
|
(The) Potato Eaters
|
|
This Stewart Township home in Pennsylvania, also known as the Kaufmann Residence, features lots of cantilevered patios and sits over a running creek.
|
Fallingwater
|
|
this ten-story building has a terra cotta cornice and is constructed of red brick.
|
Wainwight Building
|
|
This Turner painting, with a storm in the background, depicts a captain preparing for an insurance claim against losses at sea by disposing of certain passengers on his vessel
|
(The) Slave Ship [or Slavers Throwing Overboard the Dead and Dying(, Typhoon Coming On)]
|
|
This work faces another by the same artist titled La Disputa, and above it, a separate tondo includes a putto holding the phrase “Seek Knowledge of Causes.”
|
School of Athens
|
|
This work features a large dog and a misshapen dwarf in the lower right-hand corner
|
(Las) Meninas [ or (The) Attendants or Ladies in Waiting]
|
|
This work features the initials "W.C.W." at the bottom.
|
(I Saw) (the) Figure Five in Gold
|
|
This work of art was inspired by a similar painting completed thirteen years earlier by Thomas de Keyser featuring Sebastian Egbertzs.
|
(The) Anatomy Lesson of Dr. Tulp
|
|
This work revolves around an elongated yellow object with alternating red and black stripes.
|
Lobster Trap and Fish Tail
|
|
This work's artist added an oval at the right side of an archway depicting the names of the people in this painting
|
(The) Night Watch
|
|
Though not Edouard Manet, this artist painted two works called Luncheon on the Grass, one of which depicts Gustave Courbet
|
(Oscar-Claude) Monet
|
|
Three figures wrapped in heavy blankets approach a lonely man sitting by a wagon and a fire in one work by this artist
|
Remington
|
|
Three Spheres II
|
Escher
|
|
Three Studies for Figures at the Base of a Crucifixion
|
Bacon
|
|
Three women appear in the lower right of this 1784 painting. Two are leaning on each other, and one is holding her children. The figures are separated into three groups by the archways in the background. The man in the center is the only figure alone. He holds up three swords to the three brothers on the left. All three wear helmets and one is holding a spear as they all reach towards the swords.
|
(The) Oath of the Horatii
|
|
Three Worlds
|
Escher
|
|
Tiepolo's rendition of this scene shows a thunderhead in the background, and the central figure is depicted in all white garb with ghastly white skin.
|
(The) Rape of Europa
|
|
Titan's Goblet
|
Cole
|
|
To the left of the painting is a woman who holds her head as she screams, while to the right, a boy can be seen stepping on a thorn as he scatters rose petals.
|
Venus, Cupid, Folly, and Time
|
|
Tomb of Pope Julius II
|
Michelangelo
|
|
Tribuna of the Uffizi
|
Titian
|
|
Two blocks suspend the figure in this work, which borrows from the Winged Victory of Samothrace.
|
Unique Forms of Continuity in Space
|
|
Two discarded clogs lie on the hard wood floor, and a small brown dog in the foreground looks at the viewer. In the back, a convex mirror reflects the two central figures, and a large red bed waits for them on the far right.
|
Arnolfini Wedding
|
|
Two workers' houses this architect designed featured an elaborate banner with phrases like “There is nothing more immense than brotherhood” and served a textile cooperative
|
Gaudi
|
|
Ugolino
|
Reynolds
|
|
Unfinished -- The Circus
|
Seurat
|
|
Unique Forms of Continuity in Space
|
(Umberto) Boccioni
|
|
Vampire
|
Munch
|
|
Velazquez depicted a white one on a chair in his portrait of Prince Felipe Prospero
|
dog (accept equivalents)
|
|
Venus of Urbino
|
Titian
|
|
Venus without Arms, for the Met
|
Malliol
|
|
Venus, Cupid, Folly, and Time
|
(Agnolo) Bronzino
|
|
Veronese were members of this period
|
Mannerism
|
|
View of Delft
|
Vermeer
|
|
View of Toledo
|
El Greco
|
|
Village Street Scene
|
Rosseau
|
|
Vision After the Sermon
|
Gaugin
|
|
Wanderer Above the Sea of Fog
|
(Caspar David) Friedrich
|
|
Washington Crossing the Delaware
|
Leutze
|
|
Water-Lilies
|
Monet
|
|
Waterfall
|
Escher
|
|
Watson and the Shark
|
Copley
|
|
Where Do We Come From? Who Are We? Where Are We Going?
|
Gaugin
|
|
Whistler sued Ruskin for libel for criticism over this painting
|
Nocturne in Black and Gold(: The Falling Rocket)
|
|
White Cat
|
Escher
|
|
White Square on White
|
Malevich
|
|
Why Not Sneeze?
|
Duchamp
|
|
Wife of Alfred Stieglitz
|
(Georgia) O'Keefe
|
|
William Rush Carving his Allegorical Figure of the Schuylkill River
|
Eakins
|
|
Woman Holding a Balance
|
Vermeer
|
|
Woman series
|
De Kooning
|
|
Woman with a Parasol
|
Monet
|
|
Women with Chrysanthemums
|
Degas
|
|
Works using this technique include Breakfast and The Papal Palace
|
Pointilliism
|
|
Wounded Bunkie
|
Remington
|
|
Yearning for Happiness
|
Klimt
|
|
Young Boy with a Cat
|
Renoir
|
|
Young Girl with a Prayer Book
|
Bronzino
|
|
Zuccone
|
Donatello
|