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23 Cards in this Set
- Front
- Back
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Juan Bautista de TOLEDO |
Designed El Escorial and supervised construction until his death shortly after construction began |
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Juan de HERRERA |
-Renaissance Architect -Student of Bautista de Toledo, finished El Escorial -Inspired Herreniano style (Baroque) |
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Andres VANDELVIRA |
-Renaissance Architect -Maintained Purism style with a Gothic influence in Andalucia |
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Rodrigo GIL DE HONTAÑON |
-Renaissance Architect -During Purism, continued to work in Plateresque, mixed the two styles together |
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LEONI Family |
-Renaissance Sculptors -Most famous Purist family working for the monarchy -Arrived from Italy and brought influences of the Italian Renaissance |
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Bartolomé ORDOÑEZ |
-Renaissance Sculptor -Transitional, yet mainly Purist, artist, who worked in the Gothic but was influenced by the Italian Renaissance -Funeral sculpture of King Philip I and Juana I
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ALONSO BERRUGUETTE |
-Renaissance Sculptor -Studied perspective in Italy, combined Gothic background with Italian Renaissance -One of the first manneristic sculptors -Son of Pedro Berruguette |
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Juan de JUNI |
-Renaissance Sculptor -Archetype of a Manneristic sculptor -Precursor to the Baroque style |
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Juan de BORGOÑA |
-Renaissance Painter -Transitional artist between Flemish Gothic and the Italian Renaissance |
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FERNANDO YÁÑEZ |
-Renaissance painter -Studied in Italy under Leonardo DaVinci -Purist Renaissance painter |
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Juan de JUANES |
-Renaissance painter -Began as a purist, later influenced by mannerism |
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EL GRECO |
-Renaissance painter -Born in Crete, studied in Italy, moved to Spain -Phillip II commissioned him to paint a work for El Escorial, loved it -King commissioned a second painting which El Greco considered a masterpiece, the king hated it, sending El Greco into a depression -Moved to Toledo -Mannerism |
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José de RIBERA |
-Baroque painter -"El Españoleto" -Protected by the Count of Osuna -Studied in Itlay, studied tenebrous tendencies -Mostly realistic, can idealize |
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Francisco de ZURBARÁN |
-Baroque painter -Seville school, painter of religious themes -Simplicity, lack of depth or expressive movements -Representative of Spanish Counter-Reformation -Commissioned by Carthusian monastery -mystic symbolism |
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MURILLO |
-Baroque painter -Religious works, idealization -New image of the Immaculate Conception, precursor of costumbrismo -Painted Sevilla street scenes, was one of the first painters who could afford to paint what he wanted to |
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Juan VALDÉS LEAL |
-Baroque painter -Tenebrous and horror tendencies, death and mundane -Last painter of Baroque -Predecessor to Goya and the romantic movement |
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VELÁSQUEZ |
-Baroque painter, influenced by Seville school -Tenebrism influences -Costumbrismo -Periods: (1) Seville/training (2) Madrid 1 (3) Italian (4) Madrid 2 (5) Mature period -Greatly influenced Goya |
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Ventura RODRIGUEZ |
-Neoclassical architect, sculptor and urban planner - worked on the façade of Pamplona's cathedral but also sculpture -Was the first urban planner -Planned Prado avenue and sculpted fountains at all intersections |
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Francisco de SABATINI |
-Neoclassical architect -Finished the Royal Palace of Madrid -Made new, neoclassical gatehouses to Madrid Helped with Plaza Mayor de Madrid |
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Juan de VILLANUEVA |
-Neoclassical architect -Built Plaza Mayor de Madrid -Designed Museum of Natural Sciences (the Prado museum) |
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Anton Raphael MENGS |
-Neoclassical painter -Born in Bohemia, travelled to Italy to study -Brought neoclassicism to Spain -Teacher and protector of Bayeu and Goya |
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Mariano MANELLA |
-Neoclassical painter -Studied in Italy, painted for the court of Carlos IV for a short period due to Napoleonic wars -Competed numerous times against Bayeu |
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BBAYEU BROTHERS |
-Neoclassical painters -Francisco, Manuel, Ramón -Ramón and Goya competed on numerous occasions, including for a scholarship to study in Italy, Goya lost |
