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17 Cards in this Set

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David by Donatello
Bronze
Early Italian Renaissance
David by Donatello
Bronze
Early Italian Renaissance
Earliest known free standing bronze nude since antiquity
David= symbol of Florence
effeminate: homoerotic
possibly girly to highlight the heroism of the young child
Trinity with the Virgin, St John the Evangelist and Donors by Masaccio
Fresco
Early Italian Renaissance
Trinity with the Virgin, St John the Evangelist and Donors by Masaccio
Fresco
Early Italian Renaissance
Use of linear perspective
horizon line below kneeling figures
dove= holy spirit
figures closest to Christ= John and Mary
other figures= members of Lenzi family who commissioned it
The Birth of Venus by Botticelli
tempera and gold on canvas
Early Italian Renaissance
The Birth of Venus by Botticelli
tempera and gold on canvas
Early Italian Renaissance
Modest Venus from classical Greek art
birth of Venus= advent of beauty
original purpose may have been a banner/wall hanging
use of horizon line
False Oculus by Mantegna
Fresco
Early Italian Renaissance
False Oculus by Mantegna
Fresco
Early Italian Renaissance
perspective
foreshortening (method of rendering a specific object or figure in a picture in depth)
illusionistic
Arnolfini Double Portrait by Jan van Eyck
Oil on wood
Early Renaissance Northern Europe
Arnolfini Double Portrait by Jan van Eyck
Oil on wood
Early Renaissance Northern Europe
Example of new wealth of middle class
man has distinct face; woman more general
possible funeral portrait: wife maybe died in childbirth
prayer beads and mirror= piety
The last supper by Leonardo da Vinci
tempera and oil on plaster
Italian High Renaissance
The last supper by Leonardo da Vinci
tempera and oil on plaster
Italian High Renaissance
wall painting on monastery wall
tempera= paint w/ egg; works on wood not plaster
started peeling almost immediately
Jesus middle via orthogonal lines; use of linear perspective
horizon line looks like halo
Da Vinci obsessed w/ facial expression & features
1 of 1st studies of human reaction & emotion
The School of Athens by Raphael
Fresco
Italian High Renaissance
The School of Athens by Raphael
Fresco
Italian High Renaissance
wall painting on Pope Julius II library wall
showcases Greek intellectuals
Plato in middle; pointing up= spirituality
Aristotle in middle; pointing down= physical
some subjects resemble Rap. fam and role models
Michelangelo shown as cynic philosopher Diogenes; indicative of his character
ironic this pagan painting in Pope's library
Pieta by Michelangelo
Marble
Italian High Renaissance
Pieta by Michelangelo
Marble
Italian High Renaissance
commissioned by a French Cardinal
represents Mary's pity for her son
marble block selected from marble quarry in Carrara
Michel very particular about his marble
felt he was setting the sculpture free from the marble
anatomy= very realistic
few times mich signed his name (in band across mary's chest)
Sistine chapel ceiling by Michelangelo
fresco
Italian High Renaissance
Sistine chapel ceiling by Michelangelo
fresco
Italian High Renaissance
Ceiling painting
took 4 years to complete
Mich. was angry with Pope Julius for pulling him from previous project to work on Sistine Chapel
considered himself a sculptor before a painter
false architecture is painted into the ceiling
ignudi= random guys in various poses
Creation of Adam by Michelangelo from Sistine Chapel ceiling
fresco
Italian High Renaissance
Creation of Adam by Michelangelo from Sistine Chapel ceiling
fresco
Italian High Renaissance
Ceiling painting
no angels have wings
Michel had no patience for frills such as wings, halos, etc
Adam mimics god's pose
acorns are all over ceiling of Sistine Chapel (symbol of Pope Junius' family
The Last Judgement by Michelangelo
fresco
Italian High Renaissance
The Last Judgement by Michelangelo
fresco
Italian High Renaissance
Wall painting in Sistine Chapel
bad time in Rome's history
Rome sacked by Germans in 1527
Christ in center with Mary cowering next to him
Lots of emphasis on the physical suffering of saints and martyrs
no wings on demons or angels
Most of the figures are nude
The Tempest by Giorgione
Oil on canvas
Italian High Renaissance (Venice)
The Tempest by Giorgione
Oil on canvas
Italian High Renaissance (Venice)
features a mysterious subject
no one knows who the subjects are
lots of landscape (rivers, storm, trees)
possibly pastoral theme
skillful depiction of storms and atmosphere
Pesaro Madonna by Titian
oil on canvas
Italian High Renaissance (Venice)
Pesaro Madonna by Titian
oil on canvas
Italian High Renaissance (Venice)
featured in pesaro chapel
commissioned by Pesaro family who were very powerful and helped to defeat the Turks
One member of the family is seen dragging a Turk
Vibrant colors used
Venus of Urbino by Titian
oil on canvas
Italian High Renaissance
Venus of Urbino by Titian
oil on canvas
Italian High Renaissance
found in Duke of Urbino's house
one of first "pin up women"
famous for the inviting look she gives to the audience
Titian is famous for his use of naked women
Venetians were famous for prostitutes who were talented (played instruments, wrote poetry etc)
Feast in the House of Levi by Veronese
Oil on canvas
Italian High Renaissance (Venice)
Feast in the House of Levi by Veronese
Oil on canvas
Italian High Renaissance (Venice)
in dining room of monastery
monasteries used to be luxurious (seems ironic given that monks are supposed to live minimally and devote their lives to their religion)
originally was called last supper but Veronese was forced to change the name by the Inquisition
famous Venetian noble men are depicted
The Last Supper by Tintoretto
Oil on Canvas
Italian High Renaissance (Venice)
The Last Supper by Tintoretto
Oil on Canvas
Italian High Renaissance (Venice)
Tintoretto was known for his spiritual scenes
Christ has very bright halo around his head
all the disciples have a slight glow
less organized than Da Vinci's Last Supper
angels look like ghosts
emotionally intense
good example of counter reformation
shows poverty and the poor
Four Apostles by Durer
Oil on wood panel
German High Renaissance
Four Apostles by Durer
Oil on wood panel
German High Renaissance
impressed by Bellini
early supporter of Martin Luther
protestant painting
left panel= St. John the evangalist (guy with book which represents his sanguine disposition) and St peter (key= key to church as first pope)
Right panel= St Mark (guy in back, mean look matches personality), St Paul (weird look and sword represent him being melancholy)