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62 Cards in this Set

  • Front
  • Back

Panopticon, Bentham, 1791


Prison with tower in center


Feeling you are always being watched



North Mill, Belper, Strutt, 1804


Textile mill


Cast iron columns holding up brick arches


Space is opened up


Allowed one to see the whole space


School at top


Early fireproofing

Bank of England, London, Sloane, 1800


Neo-classist


Set of creating a British style


Classic images


Tivoli corner- symbolism of strength.


Public and private entrances


Gothic meets classic


Light and fluid


Like Pantheon

Royal Pavilion, Brighton, Nash, 1818

Pleasure palace


Looks like masonry but is metal


Modern use of gas inside


Shows connection to the colonies

Palmhouse, London, Burton, and Turner, 1845

To grow exotic in own country


Taxes on glass go down


Learn from new plants


Knowledge is power


Lights, bright, and open

Crystal Palace, London, Paxton, 1851

Show of wealth and power


Extremely large


Built around foliage that is already there


For an exhibition


Prefabrication


Mass production of simple parts

Bibliotheque Ste Genevieve, Paris, Labrouste, 1842

Understated


Gas lights extend the working day


Two strong horizontal lines


Reference to Alberti


Names of authors


Painted park scenes in entrance


Doesn't hide iron


Bright, light, and open


Entire space bisected by iron columns


Space for the people


Thin delicacy of the gothic


Can see structure from outside

Concert Hall for 3000 people, Viollet-le-Duc, 1863

Ornament is also support


Use ideas from many periods


Think about function


Modern materials

Houses of Parliament, London, Barry and Pugin, 1850

Neo-gothic


Inspiration from Westminster


Victorian tower


Picturesque


Ornament comes from construction


Nationalism in a building

Midland Grand Hotel, London, Scott, 1870

Built around mobility


Across from train station


Modern materials to create historic picture


Modern building in Gothic attire



Red House, Kent, Webb, 1860


Very humble


Asymmetrical


Architecture for the people


Arts and crafts


Morality to architecture


Opposition to industrialism


Less is more


Design around function



University Museum, Oxford, Deane, and Woodward, 1860


Strong, bold


Enlivened with some structure


Handy craft


Dedicated to natural history


Looks like a skeleton



Ecole des Beaux-Arts, Paris, Duban, 1835


Has ruins of French renaissance


Ordered


Huge space to study sculpture


Classical tradition


Different materials as a visual learning tool





The Breakers, Newport, Hunt, 1892


First American to go to the Ecole


Built for a rich family


Showing off wealth


Renaissance style


Exquisite marble



Trinity church, Boston, Richardson, 1875


Mix of styles


Romanesque


Very heavy


Looks like it's been there forever


Rusticated stone


Multiple colours of stone in checker pattern


Ornamentation


References to other buildings



Watts Sherman House, Newport, Richardson, 1875


Shingle style


Rusticated stone below


Picturesque composition


No symmetry


Interior is functional


Looking back to colonial architecture to create and American style



Marshall Field Wholesale, Chicago, Richardson, 1885


Hammer pressed stone


Rusticated


Rounded arch windows of the Romanesque


Heavy bottom, light top


Looks natural


Iron structure on the inside



First Leiter Building, Chicago, Jenney, 1880


Tons of glass so people can see while shopping


Cast iron structure


Rhythm


Structural rationalism

Monadnock Building, Chicago, Burnham, and Root, 1890


Projections provide rhythm


Wanted cheap building


Looks like a solid piece


Projections provide light and air


Looks like windows cut from surface to reveal glass


Flairs at the top


Reduce extra clutter



Reliance Building, Chicago, Burnham and root, 1890


Undulating surface


Glass


Steel frame free of masonry


Curtain wall


Steel frame hold building


Terracotta walls


Bay windows- Chicago windows


Flexibility to change spaces





Wainwright, St.Louis, Alder and Sullivan, 1890


1st power, heating, lighting


2nd banks, larger subdivisions


Middle is offices


Bring eye up


Form follows function


Roots, trunk, branches


Leaves carved into the top


Can have beauty without ornament



Carson Pirie Scott Department store, Chicago, Sullivan, 1900


Chicago windows.


Ornament on street level


Emphasis on the entrance



Pennsylvanian Station, New York, Mead and White, 1910


Huge power station


Train gateway to city


Reminds of baths of Caracalla


Reference to huge public building


Classical form in public buildings is the American trend



Central Park, NYCm Olmstead and Vaux, 1860


Becomes green space of city


Pulls from English garden


Encourages connection with nature


Bridges over paths so that carriages didn't interrupt walks



Winslow House, Chicago, Wright, 1890


Symmetrical front but not back


Roof floats over the building


Public private


Central fireplace which everything is centered around


Permanence and stability


Humble materials





Robie House, Chicago, Wright, 1910


Wants to see neighbors but not be seen


Flat building to reflect landscape


Fireplace centre


Designed around function


Designs furniture


No need for decorator


Modern Materials



Asilomar Conference center, Morgan, 1920


The first female to attend Ecole.


Used connections to get jobs


Space for meetings


Arts and crafts


Design for the local


Local materials


Shingle style



Hill House, Helensburgh, Mackintosh, 1902


Husband and wife duo


Grouping of different forms


Picturesque


Unassuming entrance


Furniture designed by architect


Large public spaces by entrance



Sagrada Familia, Barcelona, Gaudi, 1884


Basilica planned church


Strong religious messages


Still not complete


Draws from natural landscape (mountains)


Looks almost like mud


Like entering a cave


Made to overwhelm the senses


Columns like tree trunks



Casa Mila, Barcelona, Gaudi 1905


From nature but modern


Internal parking garages


Wrought iron looks like seaweed brushing against a cliff


Doorway like cells


Use of broken bottles to catch light


Hotel van Eetvelde, Brussels, Horta, 1895


Iron used


Large dramatic hall in the middle that acts like a lightwell


Iron carried inside


Iron looks alive



Haby's Barber Shop, Berlin, Van der Velde, 1901


Power of line


Lines create boundaries


Don't hide electricity


Don't be dishonest

Metro Station Entrance, Paris, Guimard, 1900


Stands out from other buildings


Looks like its growing out of the ground


Can be mass produced



Secession Exhibition, Vienna, Olbrich, 1897


Very symmetrical


Images of vegetation


Trying to create something modern


Dome with laurel motif symbolic of Apollo (poetry, music, and learning)



Post office savings building, Vienna, Wagner, 1905


Rusticated lower floor


Statues on top


architecture is art


Column look like screws


Suggestion of metallic structure


Efficient and cheap but grand


the middle looks like a basilica


Give grander purpose to building



Palais Stoclet, Brussels, Hoffmann, 1905


Marble exterior


rectangular shapes


Pristine


Back to geometry


Feel important


Plumbing not hidden


everything designed by architect



Steiner House, Vienna, Loos, 1910


Best form is English suit


Outside is simple and symmetrical


Inside comfortable



A.E.G Turbine Factory, Berlin, Betrans, 1908


Large space to create large turbines


Tons of light for works


Walls f glass


Heavy


Seems to reference history



Fagus shoe-last factory, Alfeld-an-der-Leine, Gropius and Meyer, 1911


Walls of windows


Windows as structure


Looks like walls are receding and glass is emerging


stairs seem to be floating


Lots of light



Eigen Haard Housing, Amsterdam, Klerk, 1920


Made of brick (cheap)


Windows seem to be small


Big green space in the center


Organic, fluid, and varied


Cooperative social housing


Creates identity for those who live there


Known as the ship


community center


Expressionism



Schroeder House, Utrecht, Rietvold, 1924


Doesn't try to blend in


Many windows


Geometric shapes


Primary colours and black and white


Each facade is unique


Asymmetrical


Spaces multifunctional and can be changed


wanted to suggest dimension of time



L'Esprit Nouveau Pavilion, Paris, Le Corbusier and Jeanneret, 1925


Access to greenery


Market bought furniture


Based on what's available


Double story windows mark living room as most important space


Believed France was behind the world


Create a more efficient city



Villa Savoye, Poissy, Le Corbusier, 1930


Opened up bottom space


Ribbon windows


ramp to take you through the house


Uses pure forms like circles


Colour to mark out walls


Emphasis on nature


Play of inside and outside


Vehicles for inspiration


Roof garden


Framed view of nature



Rusakov Worker's club, Moscow, Melnikov, 1930


Social condenser


Constructivism


Inspiration from material


Dynamic forms


Idea of progress and motion


Take form of interior and express it on the exterior


Teach people about the new Soviet Union


Push political ideals



Bauhaus, Dessau, Gropius, 1926


Education people to recognize the basic nature of the world


Almost impossible to read


All facades are different


Industrial glass


Tubular furniture



Frankfurt Kitchen, Schutte-Lihotzky, 1926


Efficient kitchen


Preassembled kitchen


Women will have more free time if their kitchen is more efficient


Functional minimalism



Tugendhat, Brno, Van der Roche, 1920


Designed on a slope


Take in the views


Open living space


Basic parts of architecture


supports are embellished with chrome


Winter garden


Volume rather than mass


Regularity, flexibility



Kaufmann House, Ohiophyle, Wright, 1935


Get away from the city


Open plan


Blends with the environment


Cave like interior


Sound from the environment (river)


Coolness to the inside


Floor is rock


Fireplace is center



Farnsworth House, Plano, Van der Rohe, 1945


Whole walls of glass


Reminder of the domino house


strict geometry


Bones of architecture


Structural rationalism


Can see all components Tension between main rectangles


Very privacy


Blurring of inside and outside



Seagram Building, NYC, Vander Rohe, 1955


Space in front of building


Almost like civic monument


Bronze, windows sepia


I-beams outside


People see structure without actually seeing it


Rhythm and uniformity


Walls of glass


Conversation with buildings around it


Inside is calm


Flexible space


high end materials



Vanna Venturi House, Chestnut Hill, Venturi, 1963


Sense symmetrical but not


Postmodernism


"Less is a bore"


Complex exterior is carried inside


Not about subtlety



AT&T Building, NYC, Johnson, 1978


Historical references (broken pediment)


No longer about the truth of materials


Creating a unique image


Modernism to cold


Reference to renaissance


Light and airy



Mississauga City Centre, Jones and Kirkland, 1982


Reference to farm architecture


Historical refernces


Says something to the viewers





Wexner Center for Visual Arts, Eisenmann, Columbus, 1985


Suggestion of grid over building


Suggestion that grids of modernism are man made


Decoration is seemingly arbitrary


Building itself is art


Reference to armory that was there before


Flipping of ordered world



Guggenheim, Bilbao, Gehry, 1997


Sweeping curving forms made from titanium


Captures light from the harbour


Form references the river and boats


New software allowed for the creation



Unite d' habitation, Marseille, Le Corbusier, 1946


Monumentality


Neighborhood within one building


Standing on cement pillars


Brutalism


Pilotis


Free design of ground plan


Free design of the facade


Horizontal ribbon windows


Roof garden





Toronto City Hall, Revell, 1960


Seems to be ahead of its time


Baroque sensibility


Makes concrete seem high end


Optimism for the future


Beside the old town hall



Saynatsalo Town Hall, Aalto, 1949


Made of brick and wood


Psychology of user


Modern regionalism


Sense of primeval


seem outside of history but also a reference to history


Play of light and Shadow


Thinks about material


Reference to saunas



Seabird Island Community School, Agassiz, Patkau architects


Follows form of mountains


Building looks like a salmon


Timber from sustainability projects

Sendai Mediatheque, Sendai, Toyo Ito, 1995


Advent of internet


Show the world we are fluid and connected


Aquatic feeling


Structure looks like seaweed but is supportive


Organic metaphors


Metaphor for digital age

High Line, NYC, Diller, Scofidio and Renfro, 2004


Elevated structure from when trains were key


Linear garden


Creates social space


Promotes exercise and socialization

Reichstag, Berlin, Foster, 1993


Remained a relic of past after WW2


Left graffiti from Soviets


Remember the past even if it's painful


cone dome allows light in


Believed buildings should be energy efficient


Ecological flagship