Arch 218 Midterm 2 (Lecture 8)

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Gesù. Rome (1568-72)

ARCH: Giacomo Barozzi da Vignola

(nave vaulting and façade: Giacomo della Porta)

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Gesù. Rome (1568-72)

ARCH: Giacomo Barozzi da Vignola

(nave vaulting and façade: Giacomo della Porta)

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Gesù. Rome (1568-72)

ARCH: Giacomo Barozzi da Vignola

(nave vaulting and façade: Giacomo della Porta)

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Front 4

Gesù. Rome (1568-72)

ARCH: Giacomo Barozzi da Vignola

(nave vaulting and façade: Giacomo della Porta)

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Gesù. Rome (1568-72)

ARCH: Giacomo Barozzi da Vignola

(nave vaulting and façade: Giacomo della Porta)

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St. Peter's Bascilla

ARCH: Michelangelo (1546) and Bramante (1506)

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St. Peter's Bascilla

ARCH: Michelangelo (1546) and Bramante (1506)

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St. Peter's Bascilla

ARCH: Michelangelo (1546) and Bramante (1506)

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St. Peter's Bascilla

ARCH: Michelangelo (1546) and Bramante (1506)

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St. Peter's Bascilla

ARCH: Michelangelo (1546) and Bramante (1506)

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Nave at St. Peter's Bascilla

ARCH: Carlo Maderno (1606-12)

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Nave at St. Peter's Bascilla

ARCH: Carlo Maderno (1606-12)

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Crossing at St. Peter's Bascilla

ARCH: Carlo Maderno (1606-12)

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Crossing at St. Peter's Bascilla

ARCH: Carlo Maderno (1606-12)

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Fascade at

St. Peter's Bascilla

ARCH: Carlo Maderno (1606-12)

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Fascade at

St. Peter's Bascilla

ARCH: Carlo Maderno (1606-12)

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Gianlorenzo Bernini (1598-1680)

Amazing Sculptor, later became an architect

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St. Peter’s Baldacchino at St. Peter’s Bascilla (1624).

ARCH: Gianlorenzo Bernini

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St. Peter’s Baldacchino at St. Peter’s Bascilla (1624).

ARCH: Gianlorenzo Bernini

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St. Peter’s Baldacchino at St. Peter’s Bascilla (1624).

ARCH: Gianlorenzo Bernini

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St. Peter’s Baldacchino at St. Peter’s Bascilla (1624).

ARCH: Gianlorenzo Bernini

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Cathedra Petri at St. Peter’s Bascilla

(1647-53)

ARCH: Gianlorenzo Bernini.

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Cathedra Petri at St. Peter’s Bascilla

(1647-53)

ARCH: Gianlorenzo Bernini.

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Cathedra Petri at St. Peter’s Bascilla

(1647-53)

ARCH: Gianlorenzo Bernini.

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Piazza at St. Peter’s Bascilla

(1655-57)

ARCH: Gianlorenzo Bernini.

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Piazza at St. Peter’s Bascilla

(1655-57)

ARCH: Gianlorenzo Bernini.

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Front 27

Piazza at St. Peter’s Bascilla

(1655-57)

ARCH: Gianlorenzo Bernini.

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Piazza at St. Peter’s Bascilla

(1655-57)

ARCH: Gianlorenzo Bernini.

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Front 29

Cornaro Chapel, S. Maria della Vittoria

(1644-47)

ARCH: Gianlorenzo Bernini.

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Cornaro Chapel, S. Maria della Vittoria

(1644-47)

ARCH: Gianlorenzo Bernini.

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Cornaro Chapel, S. Maria della Vittoria

(1644-47)

ARCH: Gianlorenzo Bernini.

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Cornaro Chapel, S. Maria della Vittoria

(1644-47)

ARCH: Gianlorenzo Bernini.

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Front 33

S. Andrea al Quirinale

(1658-70)

ARCH: Gianlorenzo Bernini.

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S. Andrea al Quirinale

(1658-70)

ARCH: Gianlorenzo Bernini.

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S. Andrea al Quirinale

(1658-70)

ARCH: Gianlorenzo Bernini.

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S. Andrea al Quirinale

(1658-70)

ARCH: Gianlorenzo Bernini.

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S. Andrea al Quirinale

(1658-70)

ARCH: Gianlorenzo Bernini.

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Front 38

Francesco Borromini (1599-1677)

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Front 39

S. Carlo alle Quattro Fontane

(1638-41; façade 1665-67)

ARCH: Francesco Borromini.

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S. Carlo alle Quattro Fontane

(1638-41; façade 1665-67)

ARCH: Francesco Borromini.

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S. Carlo alle Quattro Fontane

(1638-41; façade 1665-67)

ARCH: Francesco Borromini.

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S. Carlo alle Quattro Fontane

(1638-41; façade 1665-67)

ARCH: Francesco Borromini.

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S. Ivo della Sapienza

(1643-48)

ARCH: Borromini.

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S. Ivo della Sapienza

(1643-48)

ARCH: Borromini.

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S. Ivo della Sapienza

(1643-48)

ARCH: Borromini.

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S. Ivo della Sapienza

(1643-48)

ARCH: Borromini.

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Front 47

S. Ivo della Sapienza

(1643-48)

ARCH: Borromini.

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S. Ivo della Sapienza

(1643-48)

ARCH: Borromini.

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Front 49

Bernini

Back 49

well-rounded and highly respected

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Borromini

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crazy artist

may have had a mental disorder

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Architectural principles of the Renaissance

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- classicism

- humanism

- scientific learning

- proportion and order

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Villa Giulia, Rome

Mannerism

ARCH: Vignola and others

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Front 53

Martin Luther

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"Why does the pope, whose wealth today is greater than the wealth of the richest Crassus, build the basilica of St. Peter with the money of poor believers rather than with his own money?"

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Council of Trent

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"Moreover, in the invocation of saints, the veneration of relics, and the sacred use of images, every superstition shall be removed, all filthy lucre be abolished; finally all lasciviousness be avoided; in such wise that figures shall not be painted or adorned with a beauty exciting to lust"

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Bernini

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"The church of St. Peter, being virtually the mother of all the others, had to have a portico that would in fact appear to maternally receive with open arms Catholics to be confirmed in faith, heretics to be reunited with the church, and unbelievers to be enlightened by the true faith"

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S. Carlo alle Quattro Fontane

Francesco Borromini

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Front 57

Piazza Navona

Bernini and Borromini

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Front 58

Piazza Navona with Fountain of Four Rivers

Bernini

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